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| Author | : Edward Lucie-Smith |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 1972-01-01 |
| Genre | : Art, Modern |
| ISBN | : 9780500181317 |
Symbolic art - Romanticism and Symbolism - Symbolist movement in France - Gustave Moreau - Redon and Bresdin - Puvis de Chavannes and Carriere - Gauguin, Pont-Aven and the Nabis - Edvard Munch.
| Author | : Bernard Gicovate |
| Publisher | : Univ of California Press |
| Total Pages | : 114 |
| Release | : 2023-04-28 |
| Genre | : Foreign Language Study |
| ISBN | : 0520330471 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1957.
| Author | : Arthur Symons |
| Publisher | : |
| Total Pages | : 448 |
| Release | : 1919 |
| Genre | : French literature |
| ISBN | : |
| Author | : Robert L. Delevoy |
| Publisher | : |
| Total Pages | : 247 |
| Release | : 1978 |
| Genre | : Art, European |
| ISBN | : 9780333242186 |
| Author | : Henri Dorra |
| Publisher | : Univ of California Press |
| Total Pages | : 420 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : 9780520077683 |
Presents the development and the aesthetic theories of the symbolist movement in art and literature
| Author | : Andrei Pop |
| Publisher | : MIT Press |
| Total Pages | : 321 |
| Release | : 2019-09-27 |
| Genre | : Art |
| ISBN | : 1942130333 |
A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period—the problem of subjectivity in particular. In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell—filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
| Author | : Ronald E. Peterson |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 269 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : 9027215340 |
The era of Russian Symbolism (1892-1917) has been called the Silver Age of Russian culture, and even the Second Golden Age. Symbolist authors are among the greatest Russian authors of this century, and their activities helped to foster one of the most significant advances in cultural life (in poetry, prose, music, theater, and painting) that has ever been seen there. This book is designed to serve as an introduction to Symbolism in Russia, as a movement, an artistic method, and a world view. The primary emphasis is on the history of the movement itself. Attention is devoted to what the Symbolists wrote, said, and thought, and on how they interacted. In this context, the main actors are the authors of poetry, prose, drama, and criticism, but space is also devoted to the important connections between literary figures and artists, philosophers, and the intelligentsia in general. This broad, detailed and balanced account of this period will serve as a standard reference work an encourage further research among scholars and students of literature.
| Author | : Avril Pyman |
| Publisher | : Cambridge University Press |
| Total Pages | : 504 |
| Release | : 2006-03-09 |
| Genre | : History |
| ISBN | : 9780521024303 |
This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses on the two generations of writers whose work served as the seedbed of Existentialism in thought and of Modernism in prose and the performing arts, and reassesses their achievements in the light of modern research. At the centre of the study are the texts themselves, with prose quoted in English translation and poetry given in the original Russian with prose translations. There is a valuable bibliography of primary sources and an extensive chronological appendix. This book will fill a long-felt gap, and will be invaluable to students and teachers of Russian and comparative literature, Symbolism, modernism, and pre-revolutionary Russian culture.
| Author | : Anna Balakian |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 735 |
| Release | : 1984 |
| Genre | : Literary Criticism |
| ISBN | : 9630538954 |
Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are giants, but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this copious and intelligently structured anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is a major contribution to the most significant exponents and essential themes of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.
| Author | : Professor Michelle Facos |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 265 |
| Release | : 2015-07-28 |
| Genre | : Art |
| ISBN | : 1472419626 |
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
