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The Sweet Flypaper of Life

The Sweet Flypaper of Life
Author: Roy DeCarava
Publisher:
Total Pages: 120
Release: 1984
Genre: History
ISBN:

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Told through the eyes of the grandmotherly Sister Mary Bradley, this is a heartwarming description of life in Harlem.


The Sound I Saw

The Sound I Saw
Author: Roy Decarava
Publisher: Phaidon Press
Total Pages: 200
Release: 2001-09-13
Genre: Photography
ISBN: 9780714841236

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This is the long-awaited publication of a moving masterwork by one of the greatest photographers of our time. Conceived, designed, written and made by hand as a prototype by master photographer Roy DeCarava (b.1919) in the early 1960s, yet unpublished for nearly half a century, The Sound I Saw has largely existed as a legend among the cognoscenti of the photography world. Presented as a stream of 196 soulful images interspersed with DeCarava's own evocative poetry, the book is, in its form and effect, the printed equivalent of jazz. "This is a book about people, about jazz, and about things. The work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes the author. DeCarava is a life-long New Yorker who from his immediate world creates images that transcend the specific to depict universal themes of joy, anticipation, pain and survival. Largely unpublished, he was first recognized for his images of daily life in Harlem (the subject of The Sweet Flypaper of Life, his 1955 collaboration with Harlem Renaissance poet Langston Hughes) and portraits of musicians like Duke Ellington and Billie Holiday. It is these two themes, Harlem and jazz, interwoven and inseparable, that are the ostensible subject of the book. However, the seemingly casual yet deeply felt compositions and the deep, rich tones of DeCarava's photographs stir emotions that resonate far beyond one neighbourhood and one era.


Roy DeCarava. A Retrospective

Roy DeCarava. A Retrospective
Author: Peter Galassi
Publisher:
Total Pages: 0
Release: 1996
Genre: Afro-American photographers
ISBN:

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The Waters of Our Time

The Waters of Our Time
Author: Giancarlo T. Roma
Publisher: powerHouse Books
Total Pages: 97
Release: 2014-04-22
Genre: Photography
ISBN: 1576876780

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The second collaboration between father and son Thomas Roma and Giancarlo T. Roma, The Waters of Our Time is a book that could only be done in the latter part of this renowned photographer's career and with the unique contemplation of his watchful son. A retrospective of sorts, the book contains 142 of Roma's photographs spanning most of his career, beginning on the cover with a picture taken from his first roll of film shot in 1972, and a fictional text by Giancarlo T. Roma, written as a first-person narrative recollection in the voice of an older woman who has spent her life in Brooklyn. The written story begins on the book's cover and is interwoven with the photographs, lending a reflective quality to the interplay between them. In this way, the project is a true collaboration, resembling the making of a movie in reverse, where the pictures function as the script and the text acts as the moving images, coming in response. The title comes from the song "Follow" (written by Jerry Merrick and famously sung by Richie Havens, also a Brooklyn native), whose lyrics are reproduced throughout the book, and serves as kind of a sound track to the story, adding to the cinematic quality. The Waters of Our Time was conceived as an homage to Roy DeCarava and Langston Hughes' book The Sweet Flypaper of Life published in 1955, a cherished part of the elder Roma's library. The book remains true to Flypaper in terms of design (size, layout, font), but differs greatly in process. Whereas Hughes selected and sequenced DeCarava's photographs before writing the text for Flypaper, Roma selected and sequenced his own photographs first, leaving Giancarlo to write the text in the white space between pictures for The Waters.


Roy DeCarava, Photographs

Roy DeCarava, Photographs
Author: Roy DeCarava
Publisher:
Total Pages: 194
Release: 1981
Genre: Photography
ISBN:

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A collection of photographs depicting everyday life in New York City by the first Black artist to receive a Guggenheim Foundation Fellowship.


"To Bird with Love"

Author: Chan Parker
Publisher:
Total Pages: 426
Release: 1981
Genre: Jazz musicians
ISBN:

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Langston Hughes

Langston Hughes
Author: C. James Trotman
Publisher: Routledge
Total Pages: 208
Release: 2014-02-25
Genre: Literary Criticism
ISBN: 1317946162

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First published in 1995. This volume focuses on the life and influence of Langston Hughes (1902-1967) and forms part of the Critical Studies in Black Life and Culture series. The series is devoted to original, book-Iength studies of African American developments. Written by well-qualified scholars, the series is interdisciplinary and global, interpreting tendencies and themes wherever African Americans have left their mark.


Not Without Laughter

Not Without Laughter
Author: Langston Hughes
Publisher: Courier Corporation
Total Pages: 224
Release: 2012-03-05
Genre: Fiction
ISBN: 0486113906

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Poet Langston Hughes' only novel, a coming-of-age tale that unfolds amid an African American family in rural Kansas, explores the dilemmas of life in a racially divided society.


Eudora Welty

Eudora Welty
Author: Eudora Welty
Publisher:
Total Pages: 224
Release: 1989
Genre: History
ISBN:

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Together in one volume are 250 representative photographs from the collection of a few thousand which Eudora Welty took during the 1930s, '40s, and '50s. It is a dazzling record of Welty's unique and special vision.


Remember Me to Harlem

Remember Me to Harlem
Author: Langston Hughes
Publisher: Vintage
Total Pages: 402
Release: 2007-12-18
Genre: Biography & Autobiography
ISBN: 0307427447

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Langston Hughes is widely remembered as a celebrated star of the Harlem Renaissance -- a writer whose bluesy, lyrical poems and novels still have broad appeal. What's less well known about Hughes is that for much of his life he maintained a friendship with Carl Van Vechten, a flamboyant white critic, writer, and photographer whose ardent support of black artists was peerless. Despite their differences — Van Vechten was forty-four to Hughes twenty-two when they met–Hughes’ and Van Vechten’s shared interest in black culture lead to a deeply-felt, if unconventional friendship that would span some forty years. Between them they knew everyone — from Zora Neale Hurston to Richard Wright, and their letters, lovingly and expertly collected here for the first time, are filled with gossip about the antics of the great and the forgotten, as well as with talk that ranged from race relations to blues lyrics to the nightspots of Harlem, which they both loved to prowl. It’s a correspondence that, as Emily Bernard notes in her introduction, provides “an unusual record of entertainment, politics, and culture as seen through the eyes of two fascinating and irreverent men.