The structures of the film experience by Jean-Pierre Meunier
| Author | : Julian Hanich |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 2019 |
| Genre | : |
| ISBN | : |
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The Structures of the Film Experience by Jean-Pierre Meunier
| Author | : Julian Hanich |
| Publisher | : Amsterdam University Press |
| Total Pages | : 352 |
| Release | : 2019-09-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 9048537843 |
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For the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.
Audiences
| Author | : Ian Christie |
| Publisher | : Amsterdam University Press |
| Total Pages | : 334 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9089643621 |
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"This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
The Tactile Eye
| Author | : Jennifer M. Barker |
| Publisher | : Univ of California Press |
| Total Pages | : 212 |
| Release | : 2009-05-27 |
| Genre | : Performing Arts |
| ISBN | : 9780520943902 |
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The Tactile Eye expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile—a sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the skin, and reverberates in the body. Barker combines analysis of embodiment and phenomenological film theory to provide an expansive description of cinematic tactility. She considers feminist experimental film, early cinema, animation, and horror, as well as classic, modernist, and postmodern cinema; films from ten national cinemas; and work by Chuck Jones, Buster Keaton, the Quay Brothers, Satyajit Ray, Carolee Schneemann, and Tom Tykwer, among others.
Audience Effect
| Author | : Julian Hanich |
| Publisher | : Edinburgh University Press |
| Total Pages | : 325 |
| Release | : 2017-11-22 |
| Genre | : Performing Arts |
| ISBN | : 1474414966 |
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In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide.
Color and Empathy
| Author | : Christine Brinckmann |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Color cinematography |
| ISBN | : 9789089646569 |
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This book focuses on two areas of interest: the poetics of color in film and the affective responses of viewers. Each essay is built around the analysis of a particular film or group of related films, which are then used to explore a range of issues including the difference between black-and-white and color, the emergence of bold color schemes in the 1950s, and empathetic viewer reactions to fictional characters, documentary subjects, animals, and architecture in film.
Cinematic Emotion in Horror Films and Thrillers
| Author | : Julian Hanich |
| Publisher | : Routledge |
| Total Pages | : 633 |
| Release | : 2011-02-09 |
| Genre | : Social Science |
| ISBN | : 1136991581 |
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Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.
Beyond the Essay Film
| Author | : Julia Vassilieva |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Experimental films |
| ISBN | : 9789463728706 |
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In the wake of the explosion in the production of essay films over the last 25 years and its subsequent theorization in scholarly literature, this volume seeks to historicize these intertwined developments within the 'long durée' of the 20th century and into the 21st. By raising the issue of 'beyond the essay film', this collection seeks not only to acknowledge the influential predecessors of this -- in the view of many critics, the most interesting type of contemporary filmmaking -- but also to speculate about its possible transformation as we move forward into the uncharted waters of the 21st -- digital -- century. Beyond the Essay Film focusses on three specific axes that underpin and shape the articulation of the essay film as a specific cultural form -- subjectivity, textuality, and technology -- to explore how changes along and across these dimensions affect historical shifts within the essay-film practice and its relation to other types of cinema and neighbouring art forms.
Wang Bing's Filmmaking of the China Dream
| Author | : Elena Pollacchi |
| Publisher | : |
| Total Pages | : 246 |
| Release | : 2021-06-15 |
| Genre | : |
| ISBN | : 9789463721837 |
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This volume offers an organic discussion of Wang Bing's filmmaking across China's marginal spaces and against the backdrop of the state-sanctioned 'China Dream'. Wang's work has contemporary China as its focus and testifies to the country's contradictions, not dissimilar to those of contemporary societies dealing with issues of inequality, labour, and migration. Without being an activist, Wang Bing gives voice to the subaltern. His internationally awarded documentaries are recognized as world masterpieces. His unique aesthetics bears references to film masters, therefore this investigation goes beyond the divide between Western and non-Western film traditions. Each chapter takes a different articulation of space (spaces of labour, spaces of history, spaces of memory) as its entry point bringing together film and documentary studies, Chinese studies, and studies in globalization issues. This volume benefits from the author's extensive conversation with Wang Bing and from insider's observations of film production and the film festival circuit.
The West in Early Cinema
| Author | : Nanna Verhoeff |
| Publisher | : Amsterdam University Press |
| Total Pages | : 463 |
| Release | : 2006-01-01 |
| Genre | : Performing Arts |
| ISBN | : 905356831X |
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Verhoeff investigates the emergence of the western genre, made in the first two decades of cinema (1895-1915). By analyzing many unknown and forgotten films from international archives she traces the relationships between films about the American West, their surrounding films, and other popular media such as photography, painting, (pulp) literature, Wild West Shows and popular ethnography. Through this exploration of archival material she raises new questions of historiography and provides a model for historical analysis. These first traces of the Western film reveal a preoccupation with presence and actuality that informs us about the way in which film, as new medium, took shape within the context of its contemporary visual culture. In The West in Early Cinema gaat Nanna Verhoeff op zoek naar de nog onbekende beginjaren van het westerngenre tijdens de eerste twee decennia van het medium film 1895-1915). Aan de hand van onbekende en vergeten films uit internationale filmarchieven traceert zij de relaties tussen films over het Westen, omringende filmgenres uit deze periode, en andere populaire media als fotografie, schilderkunst, (pulp)literatuur, Wild West Shows en populaire etnografie. Deze sporen van het genre tonen een grote actualiteit en variatie, die laat zien op welke manier de film als nieuw medium een vorm vond binnen de toenmalige visuele cultuur.
