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The State of Post-Cinema

The State of Post-Cinema
Author: Malte Hagener
Publisher: Springer
Total Pages: 233
Release: 2016-11-30
Genre: Performing Arts
ISBN: 1137529393

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This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.


Film After Film

Film After Film
Author: J. Hoberman
Publisher: Verso Books
Total Pages: 305
Release: 2013-11-05
Genre: Performing Arts
ISBN: 1781681430

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One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.


Post Cinematic Affect

Post Cinematic Affect
Author: Steven Shaviro
Publisher: John Hunt Publishing
Total Pages: 200
Release: 2010
Genre: Art
ISBN: 1846944317

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Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.


Post-Cinema

Post-Cinema
Author: Dominique Chateau
Publisher: Key Debates - Mutations and Appropriations in European Film Studies
Total Pages: 376
Release: 2020-09-24
Genre:
ISBN: 9789463727235

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Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.


Post-War Italian Cinema

Post-War Italian Cinema
Author: Daniela Treveri Gennari
Publisher: Routledge
Total Pages: 409
Release: 2011-02-23
Genre: History
ISBN: 1135894965

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Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the Italian production and distribution industries satisfied the American political and economic interests. American political and cultural ideology of the post-1945 era, is compared with the Roman Catholic ideology in order to assess their cultural propaganda. This is followed by studies of the roles played by key individuals, such as Giulio Andreotti, and institutions such as ANICA and A.G.I.S. involved in formulating the policies and regulations that affected the production and distribution of American and Italian films in the post-1945 era, as well as the involvement of the Roman Catholic Church in this process.


1968 and Global Cinema

1968 and Global Cinema
Author: Christina Gerhardt
Publisher: Wayne State University Press
Total Pages: 413
Release: 2018-10-17
Genre: Art
ISBN: 0814342949

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The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies, and film and media studies.


Postmodernism in the Cinema

Postmodernism in the Cinema
Author: Cristina Degli-Esposti
Publisher: Berghahn Books
Total Pages: 276
Release: 1998-07-01
Genre: Performing Arts
ISBN: 178920383X

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Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about it Despite the fact that the concept can be traced back to Arnold Toynbee's 1939 edition of A Study of History, or even back into the nineteenth century, its amorphous nature continues to confound many scholars, not least because there are not one but several kinds of postmodernism, each one pointing to different states of questioning and to diverse ways of remembering, interpreting, and representing. This anthology makes a significant contribution to the current debate in that it offers sophisticated and multi-faceted discussions of a number of key issues in relation to cinema such as auteurism, national cinemas, metacinema, the parodic, history, and colonization.


Postcinematic Vision

Postcinematic Vision
Author: Roger F. Cook
Publisher: U of Minnesota Press
Total Pages: 223
Release: 2020-03-10
Genre: Performing Arts
ISBN: 1452961239

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A study of how film has continually intervened in our sense of perception, with far-ranging insights into the current state of lived experience How has cinema transformed our senses, and how does it continue to do so? Positing film as a stage in the long coevolution of human consciousness and visual technology, Postcinematic Vision offer a fresh perspective on the history of film while providing startling new insights into the so-called divide between cinematic and digital media. Starting with the argument that film viewing has long altered neural circuitry in our brains, Roger F. Cook proceeds to reevaluate film’s origins, as well as its merger with digital imaging in the 1990s. His animating argument is that film has continually altered the relation between media and human perception, challenging the visual nature of modern culture in favor of a more unified, pan-sensual way of perceiving. Through this approach, he makes original contributions to our understanding of how mediation is altering lived experience. Along the way, Cook provides important reevaluations of well-known figures such as Franz Kafka, closely reading cinematic passages in the great author’s work; he reassesses the conventional wisdom that Marshall McLuhan was a technological determinist; and he lodges an original new reading of The Matrix. Full of provocative and far-reaching ideas, Postcinematic Vision is a powerful work that helps us see old concepts anew while providing new ideas for future investigation.


Cinema and Community

Cinema and Community
Author: Moya Luckett
Publisher:
Total Pages: 420
Release: 2014
Genre: History
ISBN: 9780814337257

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Investigates how progressivism structured many aspects of understudied era of cinema.


Disintegration in Frames

Disintegration in Frames
Author: Pavle Levi
Publisher: Stanford University Press
Total Pages: 228
Release: 2007
Genre: Literary Criticism
ISBN: 9780804753685

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Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.