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The Sound Handbook

The Sound Handbook
Author: Tim Crook
Publisher: Routledge
Total Pages: 319
Release: 2013-06-17
Genre: Performing Arts
ISBN: 1136521089
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'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Using an interdisciplinary approach Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. The Sound Handbook is supported by a companion website, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines.

The Sound Reinforcement Handbook

The Sound Reinforcement Handbook
Author: Gary Davis
Publisher: Hal Leonard Corporation
Total Pages: 438
Release: 1989
Genre: Music
ISBN: 9780881889000
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(Yamaha Products). Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.

Handbook for Sound Engineers

Handbook for Sound Engineers
Author: Glen Ballou
Publisher: CRC Press
Total Pages: 2834
Release: 2015-03-05
Genre: Technology & Engineering
ISBN: 1135016658
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Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. With contributions from many of the top professionals in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and fundamentals and units of measurement, David Miles Huber on MIDI, Bill Whitlock on audio transformers and preamplifiers, Steve Dove on consoles, DAWs, and computers, Pat Brown on fundamentals, gain structures, and test and measurement, Ray Rayburn on virtual systems, digital interfacing, and preamplifiers, Ken Pohlmann on compact discs, and Dr. Wolfgang Ahnert on computer-aided sound system design and room-acoustical fundamentals for auditoriums and concert halls, the Handbook for Sound Engineers is a must for serious audio and acoustic engineers. The fifth edition has been updated to reflect changes in the industry, including added emphasis on increasingly prevalent technologies such as software-based recording systems, digital recording using MP3, WAV files, and mobile devices. New chapters, such as Ken Pohlmann’s Subjective Methods for Evaluating Sound Quality, S. Benjamin Kanters’s Hearing Physiology—Disorders—Conservation, Steve Barbar’s Surround Sound for Cinema, Doug Jones’s Worship Styles in the Christian Church, sit aside completely revamped staples like Ron Baker and Jack Wrightson’s Stadiums and Outdoor Venues, Pat Brown’s Sound System Design, Bob Cordell’s Amplifier Design, Hardy Martin’s Voice Evacuation/Mass Notification Systems, and Tom Danley and Doug Jones’s Loudspeakers. This edition has been honed to bring you the most up-to-date information in the many aspects of audio engineering.

The Ultimate Live Sound Operator's Handbook

The Ultimate Live Sound Operator's Handbook
Author: Bill Gibson
Publisher: Rowman & Littlefield
Total Pages: 457
Release: 2020-10-01
Genre: Music
ISBN: 1538134659
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The third edition of The Ultimate Live Sound Operator’s Handbook offers new sections on digital concepts, wireless considerations, digital mixers, modern digital snakes, routing schemes, block diagrams, signal paths, plug-ins for live sound, and more. Any live act must sound great to be well received by today’s increasingly demanding audiences. If you’re a sound operator, teacher, musician, or even a music fan who is interested in becoming a sound operator, you know that regardless of the musical genre or venue, high-quality audio is mandatory for an artist or band’s success. This book shows you how to improve your audio skills, including how to build great sounds that form a professional-sounding mix. Revised and updated, The Ultimate Live Sound Operator’s Handbook, 3rd Edition focuses on each modern and classic aspects of live sound operation in a way that is straightforward and easy to understand—from system, component, and acoustic considerations to miking, mixing, and recording the live show. Tightly produced online videos clearly demonstrate key concepts presented in the text. These instructional videos, along with hundreds of detailed illustrations and photographs, provide an incredibly powerful and useful learning experience. An access code to the companion website is provided in the book. The Ultimate Live Sound Operator’s Handbook, 3rd Edition, features: Shaping Instrument and Vocal Sounds Creating an Excellent Mix Mixer Basics Digital Mixers and Snakes Volume Issues and Sound Theory Digital Theory Managing the Signal Path Signal Processors and Effects Modern Plug-ins Microphone Principles, Techniques, and Design Wireless Systems In-Ear versus Floor Monitors Loudspeakers and Amplifiers Acoustic Considerations Miking the Group and Sound Check

The Oxford Handbook of Sound Studies

The Oxford Handbook of Sound Studies
Author: Trevor Pinch
Publisher: OUP USA
Total Pages: 610
Release: 2012-01-05
Genre: Music
ISBN: 0195388941
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Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.

Sound of Worship

Sound of Worship
Author: Doug Jones
Publisher: Taylor & Francis
Total Pages: 302
Release: 2013-01-25
Genre: Technology & Engineering
ISBN: 1136114947
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Whether you are designing a new system or need to update and get the most out of the one in place Sound of Worship will offer essential information to guide and inform you choices. Written to give the context to help you focus your choices as well as the technical information to understand options, this essential guide will help you avoid costly mistakes when working with acoustics and the sound systems of the church. When planning a system this book has you covered! Considering everything from building design and understanding the purpose and use of the sound system to the technical aspects of the acoustic equipment and sound specification and types. The website has numerous audio examples to illustrate points made and tools used in the book. It demonstrate the terms used and what different choices will sound like, with before and after recordings of acoustic treatment and how it effects the overall sound of the church.

The Sound Handbook

The Sound Handbook
Author: Tim Crook
Publisher: Routledge
Total Pages: 266
Release: 2013-06-17
Genre: Performing Arts
ISBN: 1136521097
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'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Using an interdisciplinary approach Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. The Sound Handbook is supported by a companion website, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines.

Handbook of Sound Studio Construction: Rooms for Recording and Listening

Handbook of Sound Studio Construction: Rooms for Recording and Listening
Author: Ken C. Pohlmann
Publisher: McGraw Hill Professional
Total Pages: 369
Release: 2012-12-06
Genre: Technology & Engineering
ISBN: 0071772758
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Build first-class recording studios and listening spaces Design and build your own audiophile-grade recording and playback environments using proven, cost-effective plans and techniques. Handbook of Sound Studio Construction: Rooms for Recording and Listening explains practical acoustical properties and describes how to engineer acoustically sensitive spaces, including music recording studios, control rooms, voice studios, home project studios, A/V suites, media rooms, and surround-sound home theaters. Learn how to choose room dimensions, select building materials, construct your own custom treatments, maximize isolation, and generate and analyze response curves. This do-it-yourself guide incorporates decades of roomdesign experience and provides you with the practical knowledge to design and build your own acoustical spaces or improve existing spaces. Coverage includes: An introduction to room acoustics and acoustical design Reflecting, absorbing, and diffusing materials Room geometry, modes, and treatment Acoustic isolation, site selection, and HVAC design Wall, floor, and ceiling construction Window and door design considerations Reverberation times, early reflections, and psychoacoustics Objective and subjective room evaluation Plans and specifications for 10 recording and listening rooms

The Sound Production Handbook

The Sound Production Handbook
Author: Don Atkinson
Publisher: Routledge
Total Pages: 242
Release: 2013-10-23
Genre: Social Science
ISBN: 1134210930
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^The Sound Protection Handbook is designed to be a useful guide to current operational sound practices within the broadcast industry. Multi-skilling within the industry has meant that the role of the sound engineer is now much wider, with operators no longer specialising in any area, but expected to possess a broad range of skills. Basic sound theory is covered and presented in such a way as to provide enough theoretical information for the professional or student to enable them to perform the many sound roles required, whether on location or in the sudio. However, the emphasis of the book is an operatinal one, covering all aspects of sound operations within televition broadcasting. The book follows a framework similar to that of NVQs and can be used as a practical source of information for those aspiring to those qualifications. The Sound Production Handbook is a useful source of guidance and reference for any operators who are changing roles and broadening their experience within the industry and provides an insight to current requirements, not only from a technical point of view, but also from a practical perspective.

Handbook for Sound Engineers

Handbook for Sound Engineers
Author: Glen Ballou
Publisher: Taylor & Francis
Total Pages: 1737
Release: 2013-05-02
Genre: Technology & Engineering
ISBN: 1136122540
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Handbook for Sound Engineers is the most comprehensive reference available for audio engineers. All audio topics are explored: if you work on anything related to audio you should not be without this book! The 4th edition of this trusted reference has been updated to reflect changes in the industry since the publication of the 3rd edition in 2002 -- including new technologies like software-based recording systems such as Pro Tools and Sound Forge; digital recording using MP3, wave files and others; mobile audio devices such as iPods and MP3 players. Over 40 topics are covered and written by many of the top professionals for their area in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and image projection; Ken Pohlmann on compact discs and DVDs; David Miles Huber on MIDI; Dr. Eugene Patronis on amplifier design and outdoor sound systems; Bill Whitlock on audio transformers and preamplifiers; Pat Brown on fundamentals and gain structures; Ray Rayburn on virtual systems and digital interfacing; and Dr. Wolfgang Ahnert on computer-aided sound system design and acoustics for concert halls.