The Social Athens of America
Author | : Eugene Lemoine Didier |
Publisher | : |
Total Pages | : 36 |
Release | : 1882 |
Genre | : Baltimore (Md.) |
ISBN | : |
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Author | : Eugene Lemoine Didier |
Publisher | : |
Total Pages | : 36 |
Release | : 1882 |
Genre | : Baltimore (Md.) |
ISBN | : |
Author | : Robert Ellis Thompson |
Publisher | : |
Total Pages | : 798 |
Release | : 1882 |
Genre | : Political science |
ISBN | : |
Author | : Thomas H. O'Connor |
Publisher | : |
Total Pages | : 244 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : |
How Bostonians fashioned a shining image of their city in the early nineteenth century Many people are generally familiar with the fact that Boston was once known as the Athens of America. Very few, however, are clear about exactly why, except for their recollections of the famous writers and poets who gave the city a reputation for literature and learning. In this book, historian Thomas H. O'Connor sets the matter straight by showing that Boston's eminence during the first half of the nineteenth century was the result of a much broader community effort. After the nation emerged from its successful struggle for independence, most Bostonians visualized their city not only as the Cradle of Liberty, but also as the new world's Cradle of Civilization. According to O'Connor, a leadership elite, composed of men of prominent family background, Unitarian beliefs, liberal education, and managerial experience in a variety of enterprises, used their personal talents and substantial financial resources to promote the cultural, intellectual, and humanitarian interests of Boston to the point where it would be the envy of the nation. this process, but so did physicians and lawyers, ministers and teachers, merchants and businessmen, mechanics and artisans, all involved in creating a well-ordered city whose citizens would be committed to the ideals of social progress and personal perfectibility. To accomplish their noble vision, leading members of the Boston community joined in programs designed to cleanse the old town of what they felt were generations of accumulated social stains and human failures, and then to create new programs and more efficient institutions that would raise the cultural and intellectual standards of all its citizens. Like ancient Athens, Boston would be a city of great statesmen, wealthy patrons, inspiring artists, and profound thinkers, headed by members of the happy and respectable classes who would assume responsibility for the safety, welfare, and education of the less prosperous portions of the community. America is an interpretive synthesis that explores the numerous secondary sources that have concentrated on individual subjects and personalities, and draws their various conclusions into a single comprehensive narrative.
Author | : |
Publisher | : |
Total Pages | : 1028 |
Release | : 1903 |
Genre | : Book collecting |
ISBN | : |
Author | : Gabriel Herman |
Publisher | : Cambridge University Press |
Total Pages | : 415 |
Release | : 2006-12-07 |
Genre | : History |
ISBN | : 0521850215 |
Provides a model for societal behaviour and morality in ancient Athens.
Author | : |
Publisher | : |
Total Pages | : 730 |
Release | : 1882 |
Genre | : American literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 992 |
Release | : 1882 |
Genre | : American literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1010 |
Release | : 1882 |
Genre | : American literature |
ISBN | : |
Author | : Justin T. Clark |
Publisher | : UNC Press Books |
Total Pages | : 293 |
Release | : 2018-03-16 |
Genre | : History |
ISBN | : 1469638746 |
In the decades before the U.S. Civil War, the city of Boston evolved from a dilapidated, haphazardly planned, and architecturally stagnant provincial town into a booming and visually impressive metropolis. In an effort to remake Boston into the "Athens of America," neighborhoods were leveled, streets straightened, and an ambitious set of architectural ordinances enacted. However, even as residents reveled in a vibrant new landscape of landmark buildings, art galleries, parks, and bustling streets, the social and sensory upheaval of city life also gave rise to a widespread fascination with the unseen. Focusing his analysis between 1820 and 1860, Justin T. Clark traces how the effort to impose moral and social order on the city also inspired many—from Transcendentalists to clairvoyants and amateur artists—to seek out more ethereal visions of the infinite and ideal beyond the gilded paintings and glimmering storefronts. By elucidating the reciprocal influence of two of the most important developments in nineteenth-century American culture—the spectacular city and visionary culture—Clark demonstrates how the nineteenth-century city is not only the birthplace of modern spectacle but also a battleground for the freedom and autonomy of the spectator.
Author | : Rachel Stephens |
Publisher | : University of Arkansas Press |
Total Pages | : 333 |
Release | : 2023 |
Genre | : Art |
ISBN | : 1682262332 |
"A long-overdue study of the depiction of slavery in nineteenth-century American art and visual culture, Hidden in Plain Sight investigates the relationship between proslavery politics and the visual record. By examining a vast array of Civil War-era artworks that champion the institution of enslavement and connecting them with the abolitionist materials to which they respond, Rachel Stephens traces themes of concealment and silence through paintings, photographs, and ephemera and explores how the visual canon of high art was used to cover up, control, and reshape the discourse surrounding the United States' most odious institution"--