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| Author | : Michael Tallis |
| Publisher | : Wakefield Press |
| Total Pages | : 392 |
| Release | : 2006 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781862547353 |
George Tallis arrived in Australia as a 17-year-old immigrant in 1886, and rose to become head of J.C. Williamson Ltd, the world's largest entertainment organisation. This book is his story, an intriguing view of Australian entertainment between 1886 and 1938.
| Author | : Justin Chadwick |
| Publisher | : Simon and Schuster |
| Total Pages | : 591 |
| Release | : 2017-02-05 |
| Genre | : History |
| ISBN | : 1925520315 |
Sword and Baton is a collection of 86 biographies representing every Australian Army officer to reach the rank of major general from Federation to the outbreak of World War II. This is the first of two volumes, and its scope is broad, including chaplains-general, surgeons-general and British Army officers who served with the AIF or the permanent forces. Author Justin Chadwick portrayal of these officers careers provides a lens through which he examines trends such as the development of military skills which ensured that, by the commencement of hostilities in 1914, Australia boasted a pool of well-trained, albeit inexperienced officers. The effects of command under pressure of war and the enormous physical impact of combat are likewise portrayed in these comprehensive biographies. By the end of hostilities Australian officers had garnered immense experience and were among the best in the Allied forces. Ironically, this hard-won skill base was to be all but lost in the interwar period. Sword and Baton offers its readers more than a series of biographies. Rather, it describes a crucial period in Australian military history through the lives of the extraordinary men at its head.
| Author | : |
| Publisher | : |
| Total Pages | : 656 |
| Release | : 1919 |
| Genre | : Business |
| ISBN | : |
| Author | : D. Deacon |
| Publisher | : Springer |
| Total Pages | : 323 |
| Release | : 2010-01-29 |
| Genre | : History |
| ISBN | : 0230277470 |
The transnationalism of ordinary lives threatens the stability of national identity and unsettles the framework of national histories and biography. This book takes mobility, not nation, as its frame, and captures a rich array of lives, from the elite to the subaltern, that have crossed national, racial and cartographic boundaries.
| Author | : Laura MacDonald |
| Publisher | : Springer |
| Total Pages | : 559 |
| Release | : 2017-03-25 |
| Genre | : Performing Arts |
| ISBN | : 1137433086 |
This handbook is the first to provide a systematic investigation of the various roles of producers in commercial and not-for-profit musical theatre. Featuring fifty-one essays written by international specialists in the field, it offers new insights into the world of musical theatre, its creation and its promotion. Key areas of investigation include the lives and works of producers whose work is part of a US and worldwide musical theatre legacy, as well as the largely critically-neglected role of the musical theatre producer in the making, marketing, and performance of musicals. Also explored are the shifting roles of producers in musical theatre and their popular portrayals, offering a reader-friendly collection for fans, scholars, students, and practitioners of musical theatre alike.
| Author | : Ross Melnick |
| Publisher | : Columbia University Press |
| Total Pages | : 582 |
| Release | : 2014-03-04 |
| Genre | : Performing Arts |
| ISBN | : 0231159056 |
Samuel ÒRoxyÓ Rothafel (1882Ð1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to RothafelÕs multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New YorkÕs most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. RoxyÕs interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release Òevents,Ó and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.
| Author | : Nathan Platte |
| Publisher | : Oxford University Press |
| Total Pages | : 417 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 0199371113 |
Iconic images from fiery scenes of catharsis in Gone With the Wind and Rebecca to The Third Man's decadent cinematography have proven inseparable from their accompanying melodies. From the 1910s-50s, producer David O. Selznick depended upon music to distinguish his films from his competitors'. By demonstrating music's value in film and encouraging its distribution through sheet music, concerts, radio broadcasts, and soundtrack albums, Selznick changed audiences' relationship to movie music. But what role did Selznick play in the actual music composition that distinguished his productions, and how was that music made? As the first of its kind to consider film music from the perspective of a producer, this book tells the story of the evolution of Selznick's style through the many artists whose work defined Hollywood sound.
| Author | : Richard Wagner |
| Publisher | : Wakefield Press |
| Total Pages | : 176 |
| Release | : 2008 |
| Genre | : Architecture |
| ISBN | : 9781862548060 |
Parsifal was Richard Wagner's last opera, and many consider it his most beautiful and moving work. Peter Bassett, author of the highly successful A RING FOR THE MILLENNIUM, has made a special study of Parsifal, looking particularly at the relationship between Wagner's sources and his text and identifying important thematic connections with other works, notably DER RING DES NIBELUNG. This guide - which includes a translation of the libretto - will be invaluable to those new to Parsifal, but will also provide fresh insights for readers who are already familiar with Wagner's final work. This new edition is illustrated with historical photographs and a new format.
| Author | : Brian Oliver Murdoch |
| Publisher | : BRILL |
| Total Pages | : 421 |
| Release | : 2019-05-27 |
| Genre | : Literary Criticism |
| ISBN | : 900440094X |
A study of the literary reception of the love-story of Hero and Leander and its popularity from classical times to the present in different genres, from epigram to epic, and including drama, opera, burlesques and modern experimental works.
| Author | : Henry Johnson |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 180 |
| Release | : 2010-04-16 |
| Genre | : Music |
| ISBN | : 1443821829 |
This collection of fourteen essays provides a starting point to re-think music and national identity in Aotearoa/New Zealand. The papers offer various perspectives on the interconnections between music and identity, while providing case-studies on diverse topics including performance, composition, and musical styles. Based on a conference held at the University of Otago, the book covers three broad themes: Cultural Diversity; Popular Culture; and, Education and High-Art. Within any nation, individuals might have a cultural identity that is related to notions of being or becoming, or they may live transcultural lives. One consequence of the nation-state is that notions of national identity are often challenged and continually changing, often brought about by social and cultural flows such as those connected with music. The intention of this book is to open up critical discourse on the many musics of Aotearoa/New Zealand. The papers represent a few sounds of a diverse nation, and sounds that do much to represent place, very often Aotearoa/New Zealand and beyond. The papers cannot cover everything, but what they can offer will hopefully open up further research on the many voices of those who call Aotearoa/New Zealand home.
