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| Author | : Cheswayo Mphanza |
| Publisher | : U of Nebraska Press |
| Total Pages | : 122 |
| Release | : 2021-03 |
| Genre | : Poetry |
| ISBN | : 1496225767 |
Winner of the Sillerman First Book Prize for African Poetry, The Rinehart Frames questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe upon monolithic categorizations of Blackness and what can be intersected with it.
| Author | : Cheswayo Mphanza |
| Publisher | : U of Nebraska Press |
| Total Pages | : 138 |
| Release | : 2021-03 |
| Genre | : Poetry |
| ISBN | : 149622583X |
The poems in The Rinehart Frames seek to exhaust the labyrinths of ekphrasis. By juxtaposing the character of Rinehart from Ralph Ellison’s Invisible Man with the film 24 Frames by Abbas Kiarostami, the poems leap into secondary histories, spaces, and languages that encompass a collective yet varied consciousness of being. Cheswayo Mphanza’s collection questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe on monolithic categorizations of Blackness and what can be intersected with it. The poems continue the conversations of the infinite possibilities of the imagination to dabble in, with, and out of history.
| Author | : Safia Elhillo |
| Publisher | : U of Nebraska Press |
| Total Pages | : 84 |
| Release | : 2017-03-01 |
| Genre | : Poetry |
| ISBN | : 0803295987 |
The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home. The poems mythologize family histories until they break open, using them to explore aspects of Sudan's history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani--an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.
| Author | : Tjawangwa Dema |
| Publisher | : U of Nebraska Press |
| Total Pages | : 94 |
| Release | : 2019-03-01 |
| Genre | : Poetry |
| ISBN | : 149621532X |
This dazzling debut announces a not-so-new voice: that of the spoken-word poet Tjawangwa Dema. Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways. The female body—as a daughter, wife, worker, cultural mutineer—moves continually across this collection, fetching water, harvesting corn, raising children, sewing, migrating, and spurning designations. Sewing is rendered subversive, the unsayable is weft into speech and those who are perhaps invisible in life reclaim their voice and leave evidence of their selves. As a consequence the body is rarely posed—it bleeds and scars; it ages; it resists and warns. The female gaze and subsequent voices suggest a different value system that grapples with the gendering of both physical and emotional labor, often through what is done, even and especially when this goes unnoticed or unappreciated. A body of work that examines the nature of power and resistance, The Careless Seamstress shows both startling clarity of purpose and capaciousness of theme. Using gender and labor as their point of departure, these poems are indebted to Dema’s relationship to language, intertextuality, and narrative. It is both assured and inquiring, a quietly complex skein that takes advantage of poetry’s capacity for the polyphonic.
| Author | : Saddiq M. Dzukogi |
| Publisher | : U of Nebraska Press |
| Total Pages | : 101 |
| Release | : 2021-03 |
| Genre | : Poetry |
| ISBN | : 1496225783 |
Derek Walcott Prize for Poetry Winner Julie Suk Award Winner Nigeria Prize for Literature shortlist Your Crib, My Qibla interrogates loss, the death of a child, and a father's pursuit of language able to articulate grief. In these poems, the language of memory functions as a space of mourning, connecting the dead with the world of the living. Culminating in an imagined dialogue between the father and his deceased daughter in the intricate space of the family, Your Crib, My Qibla explores grief, the fleeting nature of healing, and the constant obsession of memory as a language to reach the dead.
| Author | : Paula Rinehart |
| Publisher | : NavPress |
| Total Pages | : 224 |
| Release | : 2019-10-08 |
| Genre | : Religion |
| ISBN | : 1631469703 |
Life is hard. We often find ourselves walking through stories that don’t feel like they should be ours. And yet here we are. We wonder where our good God is in the midst of it. But we are not left without hope. In fact—we have the greatest hope of all. Through vulnerable stories and rich insight, Paula Rinehart and Connally Gilliam point to the Larger Story that carries all the anxiety, longing, and beauty of your life. The backdrop of the big gospel story—creation (how life ought to be), the fall (how life is), redemption (how life can be), and restoration (how life will be one day)—gives context to our lives and hope for walking forward. The grand story of the gospel of Jesus Christ frames our every step. Discover renewed strength and joy in the middle of your ache . . . and the goodness of God that will give you the courage to remain yet undaunted.
| Author | : Mahmoudan Hawad |
| Publisher | : U of Nebraska Press |
| Total Pages | : 84 |
| Release | : 2022-02 |
| Genre | : Poetry |
| ISBN | : 1496230183 |
In the face of amnesia, how does one exist? In this poem, Hawad speaks directly to Azawad, a silent figure whose name designates a portion of Tuareg lands divided among five nation-states created in the 1960s. This evanescent being, situated on the edge of the abyss and deprived of speech, space, and the right to exist, has reached such a stage of suffering, misery, and oppression that it acquiesces to the erasure implicit in the labels attached to it. Through an avalanche of words, sounds, and gestures, Hawad attempts to free this creature from the net that ensnares it, to patch together a silhouette that is capable of standing up again, to transform pain into a breeding ground for resistance—a resistance requiring a return to the self, the imagination, and ways of thinking about the world differently. The road will be long. Hawad uses poetry, “cartridges of old words, / a thousand and one misfires, botched, reloaded,” as a weapon of resistance.
| Author | : Sherry Shenoda |
| Publisher | : U of Nebraska Press |
| Total Pages | : 105 |
| Release | : 2022-09 |
| Genre | : Poetry |
| ISBN | : 1496234111 |
Winner of the Sillerman First Book Prize for African Poets, Sherry Shenoda’s collection Mummy Eaters follows in the footsteps of an imagined ancestor, one of the daughters of the house of Akhenaten in the Eighteenth Dynasty, Egypt. Shenoda forges an imagined path through her ancestor’s mummification and journey to the afterlife. Parallel to this exploration run the implications of colonialism on her passage. The mythology of the ancient Egyptians was oriented toward resurrection through the preservation of the human body in mummification. Shenoda juxtaposes this reverence for the human body as sacred matter and a pathway to eternal life with the sixteenth- and seventeenth-century European fascination with ingesting Egyptian human remains as medicine and using exhumed Egyptian mummies as paper, paint, and fertilizer. Today Egyptian human remains are displayed in museums. Much of Mummy Eaters is written as a call and response, in the Coptic tradition, between the imagined ancestor and the author as descendant.
| Author | : Michael Shamberg |
| Publisher | : New York : Holt, Rinehart and Winston |
| Total Pages | : 166 |
| Release | : 1971 |
| Genre | : Performing Arts |
| ISBN | : |
This book presents ways to break the stranglehold of broadcast television on the American mind by using low-cost portable video-tape cameras, video cassettes, and cable television to design alternative television networks that favor portability and decentralization. The author's contention is that politics are obsolete and that information tools and tactics are a more powerful means of social change. To achieve true democracy, the author suggests that we develop a sense of media ecology in what he calls "media America," or the information environment. This is the first manual or how-to book for new media tools.
| Author | : Gabriel Okara |
| Publisher | : U of Nebraska Press |
| Total Pages | : 197 |
| Release | : 2016-04 |
| Genre | : Poetry |
| ISBN | : 0803288662 |
Gabriel Okara, a prize-winning author whose literary career spans six decades, is rightly hailed as the elder statesman of Nigerian literature. The first Modernist poet of anglophone Africa, he is best known for The Fisherman's Invocation (1978), The Dreamer, His Vision (2005), and for his early experimental novel, The Voice (1964). Arranged in six sections, Gabriel Okara: Collected Poems includes the poet's earliest lyric verse along with poems written in response to Nigeria's war years; literary tributes and elegies to fellow poets, activists, and loved ones long dead; and recent dramatic and narrative poems. The introduction by Brenda Marie Osbey contextualizes Okara's work in the history of Nigerian, African, and English language literatures. Gabriel Okara: Collected Poems is at once a treasure for those long in search of a single authoritative edition and a revelation and timely introduction for readers new to the work of one of Africa's most revered poets.
