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The Repertory of Shakespeare's Company, 1594-1613

The Repertory of Shakespeare's Company, 1594-1613
Author: Roslyn Lander Knutson
Publisher: University of Arkansas Press
Total Pages: 263
Release: 1991-01-01
Genre: Drama
ISBN: 1557281912

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Knutson demystifies Shakespeare and his company by providing a clear vision of the dynamics of repertory management and play-going in Shakespeare's England.


The Shakespeare Company, 1594-1642

The Shakespeare Company, 1594-1642
Author: Andrew Gurr
Publisher: Cambridge University Press
Total Pages: 362
Release: 2004-04-15
Genre: Drama
ISBN: 9780521807302

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This is the first complete history of the theater company in which Shakespeare acted and which staged all his plays. Created in 1594, the company became the King's Men in 1603 and ran for forty-eight years up to the closure of 1642. Andrew Gurr provides a study of the company's activities, explores its social role in its time and examines its repertoire of plays. This comprehensive illustrated history will be an indispensable guide for anyone who wants to know more about the conditions under which Shakespeare and his successors worked.


Repertory of Shakespeare's Co. (c)

Repertory of Shakespeare's Co. (c)
Author: Roslyn Lander Knutson
Publisher: University of Arkansas Press
Total Pages: 276
Release: 1991
Genre: Drama
ISBN: 9781610753449

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Shakespeare's Companies

Shakespeare's Companies
Author: Terence G. Schoone-Jongen
Publisher: Routledge
Total Pages: 282
Release: 2016-04-01
Genre: Literary Criticism
ISBN: 1317056167

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Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.


Shakespeare and the Admiral's Men

Shakespeare and the Admiral's Men
Author: Tom Rutter
Publisher: Cambridge University Press
Total Pages: 237
Release: 2017-01-16
Genre: Literary Criticism
ISBN: 1108210341

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For most of the 1590s, the Admiral's Men were the main competitors of Shakespeare's company in the London theatres. Not only did they stage old plays by dramatists such as Christopher Marlowe and Thomas Kyd: their playwrights invented the genres of humours comedy (with An Humorous Day's Mirth) and city comedy (with Englishmen for My Money), while other new plays such as A Knack to Know an Honest Man and The Downfall of Robert, Earl of Huntingdon were important influences on Shakespeare. This is the first book to read the Admiral's repertory against Shakespeare's plays of the 1590s, showing both how Shakespeare drew on their innovations and how his plays influenced Admiral's dramatists in turn. Shedding new light on well-known plays and offering detailed analysis of less familiar ones, it offers a fresh perspective on the dramatic culture of the 1590s.


The Oxford Handbook of Shakespeare

The Oxford Handbook of Shakespeare
Author: Arthur F. Kinney
Publisher: Oxford University Press
Total Pages: 846
Release: 2012
Genre: Drama
ISBN: 0199566100

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Contains forty original essays.


New Directions in Early Modern English Drama

New Directions in Early Modern English Drama
Author: Aidan Norrie
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 253
Release: 2020-07-06
Genre: Drama
ISBN: 1501514024

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This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.


Shakespeare as Literary Dramatist

Shakespeare as Literary Dramatist
Author: Lukas Erne
Publisher: Cambridge University Press
Total Pages: 312
Release: 2003-03-13
Genre: Drama
ISBN: 9780521822558

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Table of contents


Moving Shakespeare Indoors

Moving Shakespeare Indoors
Author: Andrew Gurr
Publisher: Cambridge University Press
Total Pages: 307
Release: 2014-03-06
Genre: Literary Criticism
ISBN: 113986789X

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Shakespeare's company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars. The year 2014 witnessed the opening of the Sam Wanamaker Playhouse, based on seventeenth-century designs of an indoor London theatre and built within the precincts of the current Globe on Bankside. This volume, edited by Andrew Gurr and Farah Karim-Cooper, asks what prompted the move to indoor theatres, and considers the effects that more intimate staging, lighting and music had on performance and repertory. It discusses what knowledge is required when attempting to build an archetype of such a theatre, and looks at the effects of the theatre on audience behaviour and reception. Exploring the ways in which indoor theatre shaped the writing of Shakespeare and his contemporaries in the late Jacobean and early Caroline periods, this book will find a substantial readership among scholars of Shakespeare and Jacobean theatre history.


Playing Companies and Commerce in Shakespeare's Time

Playing Companies and Commerce in Shakespeare's Time
Author: Roslyn Lander Knutson
Publisher: Cambridge University Press
Total Pages: 210
Release: 2001-07-26
Genre: Drama
ISBN: 1139428373

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Playing Companies and Commerce in Shakespeare's Time, first published in 2011, examines the nature of commercial relations among the theatre companies in London during the time of Shakespeare. Roslyn Knutson argues that the playing companies cooperated in the adoption of business practices that would enable the theatrical enterprise to flourish. Suggesting the guild as a model of economic cooperation, Knutson considers the networks of fellowship among players, the marketing strategies of the repertory, and company relationships with playwrights and members of the book trade. The book challenges two entrenched views about theatrical commerce: that companies engaged in cut-throat rivalry to drive one another out of business and that companies based business decisions on the personal and professional quarrels of the players and dramatists with whom they worked. This important contribution to theatre history will be of interest to scholars as well as historians.