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| Author | : Museum of Early Southern Decorative Arts |
| Publisher | : Museum for Early Southern Decorative Arts |
| Total Pages | : 188 |
| Release | : 1991 |
| Genre | : Architecture |
| ISBN | : |
Outlines the histories of each region and makes general statements about stylistic trends and then discusses specific objects in their cultural context.
| Author | : Susan C. Power |
| Publisher | : University of Georgia Press |
| Total Pages | : 300 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780820325019 |
Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.
| Author | : Carol Crown |
| Publisher | : UNC Press Books |
| Total Pages | : 519 |
| Release | : 2013-06-03 |
| Genre | : Reference |
| ISBN | : 1469607999 |
Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
| Author | : Roulhac Toledano |
| Publisher | : Louisiana Artists |
| Total Pages | : 286 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : |
In 2003, Scott Veazey purchased the home of his lifelong friend and mentor, New Orleans artist Martha Wright Ambrose, and discovered a treasure trove of her art in a leaky garage. Ambrose's work had been largely forgotten, but a chance encounter between Veazey and award-winning art and architectural historian and writer Roulhac Toledano brought revived interest in her art. Thoroughly researching the artist's life in interviews, published sources, and archives, Toledano and Veazey have filled in the story that is Martha Ambrose: from her formal art education, to her marriage and travels with fellow artist Jack Ambrose, and her career as an artist, teacher, and activist in the New Orleans community. Material collected and put into print here for the first time include information not only on, and examples of, Ambrose's work but also on her context as a twentieth-century Southern Regional artist.
| Author | : Patricia Phillips Marshall |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 321 |
| Release | : 2010-05-22 |
| Genre | : Design |
| ISBN | : 0807895717 |
Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.
| Author | : Judith H. Bonner |
| Publisher | : UNC Press Books |
| Total Pages | : 527 |
| Release | : 2013-01-14 |
| Genre | : Reference |
| ISBN | : 0807869945 |
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
| Author | : William H. Gerdts |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1990 |
| Genre | : Painting, American |
| ISBN | : 9780789200624 |
Originally published as volume two of the monumental three-volume set, this definitive history surveys the art of the South and the Midwest from the time of the first settlers in each area to 1920. Unprecedented in the scope of its text and the range of its strikingly beautiful reproductions--there are 309 illustrations, more than half in full color--The South And The Midwest chronicles the development of painting in cities and towns throughout those regions.
| Author | : Susan Stitt |
| Publisher | : |
| Total Pages | : 46 |
| Release | : 1970 |
| Genre | : Decoration and ornament |
| ISBN | : |
| Author | : Don Edgar |
| Publisher | : |
| Total Pages | : 401 |
| Release | : 2019-02-21 |
| Genre | : Art museums |
| ISBN | : 9781925801330 |
Victoria's regional art galleries have a colourful history replete with political drama, directors vilified, battles with arts bureaucrats, generous benefactors and dedicated citizens fighting for a better deal for the arts in everyday life. The early galleries in Ballarat, Bendigo, Warrnambool and Geelong grew out of post-Gold Rush wealth and the desire of prominent citizens to improve the quality of cultural life. In the post-War years a new movement, beginning in Mildura, began to fight for the rights of all rural citizens to have exposure to the arts, through improved government funding and assistance from the National Gallery of Victoria. The new galleries had a regional focus, led by visionaries and not always supported by local councils and ratepayers whose priorities lay with practical needs such as paved roads, sewers and sporting fields. The conflicts continue to this day. This is the ongoing story of Art for the Country.
| Author | : Walter B. Edgar |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 784 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : 9781570032554 |
This is a chronicle of South Carolina describing in human terms 475 years of recorded history in the Palmetto State. Recounting the period from the first Spanish exploration to the end of the Civil War, the author charts South Carolina's rising national and international importance.
