The Print Collector's Newsletter
Author | : |
Publisher | : |
Total Pages | : 254 |
Release | : 1995 |
Genre | : Drawing |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 254 |
Release | : 1995 |
Genre | : Drawing |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 248 |
Release | : 1989 |
Genre | : Prints |
ISBN | : |
Author | : Stephanie Terenzio |
Publisher | : Rizzoli International Publications |
Total Pages | : 388 |
Release | : 1991 |
Genre | : Art |
ISBN | : |
This magnificent volume provides a definitive study of the great Abstract Expressionist artist's work as a printmaker. This long-awaited third edition documents and reproduces all his graphic work to 1990, covering more than 450 prints. The text includes an extensive series of interviews with master printers and publishers.
Author | : A. H. Stubbs |
Publisher | : |
Total Pages | : 644 |
Release | : 1913 |
Genre | : Engraving |
ISBN | : |
Author | : Gale Group |
Publisher | : Gale Cengage |
Total Pages | : 1462 |
Release | : 2002-11-26 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780787665104 |
With descriptions of more than 12,000 newsletters in 4,000 different subject areas, this comprehensive resource is an invaluable research tool.
Author | : Fitz Roy Carrington |
Publisher | : |
Total Pages | : 504 |
Release | : 1912 |
Genre | : Engravers |
ISBN | : |
A collection of articles by a number of authors.
Author | : Karin Breuer |
Publisher | : Univ of California Press |
Total Pages | : 220 |
Release | : 1997-01-01 |
Genre | : Art |
ISBN | : 9780520210615 |
Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impression of every print the Press has ever produced. Also included are over 2000 working proofs and preparatory sketches. Now, in collaboration with the National Gallery of Art, the Fine Arts Museums of San Francisco has organized an exhibition of these distinctive prints. Chronicling Crown Point Press's dedication to artistic quality and commitment to innovation in printmaking technique and subject matter, this book also presents Kathan Brown's notable contributions in transforming the printmaking landscape of the twentieth century. Published in association with The Fine Arts Museums of San Francisco
Author | : |
Publisher | : |
Total Pages | : 910 |
Release | : 1985 |
Genre | : Art |
ISBN | : |
Author | : Peter W. Parshall |
Publisher | : Yale University Press |
Total Pages | : 396 |
Release | : 2005-01-01 |
Genre | : Art |
ISBN | : 0300113390 |
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author | : Ruth E. Iskin |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 308 |
Release | : 2019-12-12 |
Genre | : Art |
ISBN | : 1501338501 |
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.