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| Author | : Eunsong Kim |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024 |
| Genre | : Art |
| ISBN | : 9781478026242 |
Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms.
| Author | : Eunsong Kim |
| Publisher | : Duke University Press |
| Total Pages | : 207 |
| Release | : 2024-06-24 |
| Genre | : Art |
| ISBN | : 1478059478 |
In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
| Author | : Eunsong Kim |
| Publisher | : Noemi Press |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Religiousness |
| ISBN | : 9781934819692 |
"The first book of Eunsong Kim begins with a long form poem that delves into contemplative lenses of religiosity, historical and philosophical in contemporary cultural contexts" --
| Author | : Megan Browndorf |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-04 |
| Genre | : Academic libraries |
| ISBN | : 9781634000901 |
"Explores the paradigm of "area studies" - a way of supporting regionally-focused collecting, processing, and liaison work - in the academic library, through an explicitly anti-colonial lens"--
| Author | : Eleanor Robson |
| Publisher | : Oxbow Books Limited |
| Total Pages | : 168 |
| Release | : 2006 |
| Genre | : Business & Economics |
| ISBN | : |
This book is the outcome of a series of lectures and workshops held at St. Cross College and All Souls College, Oxford in late 2004 on the ethics and politics of collecting and owning cultural artefacts.
| Author | : Jonathan Petropoulos |
| Publisher | : UNC Press Books |
| Total Pages | : 468 |
| Release | : 1999-02-01 |
| Genre | : History |
| ISBN | : 9780807848098 |
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
| Author | : Nizan Shaked |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 289 |
| Release | : 2022-01-13 |
| Genre | : Art |
| ISBN | : 1350045780 |
A critical analysis of contemporary art collections and the value form, this book shows why the nonprofit system is unfit to administer our common collections, and offers solutions for diversity reform and redistributive restructuring. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in “public trust” on behalf of the nation, if not humanity. The public serves as alibi for establishing the symbolic value of art, which sustains its monetary value and its markets. This structure allows for wealthy individuals at the helm to gain financial benefits from, and ideological control over, what is at its core purpose a public system. The dramatic growth of the art market and the development of financial tools based on art-collateral loans exacerbate the contradiction between the needs of museum leadership versus that of the public. Indeed, a history of private support in the US is a history of racist discrimination, and the common collections reflect this fact. A history of how private collections were turned public gives context. Since the late Renaissance, private collections legitimized the prince's right to rule, and later, with the great revolutions, display consolidated national identity. But the rise of the American museum reversed this and re-privatized the public collection. A materialist description of the museum as a model institution of the liberal nation state reveals constellations of imperialist social relations.
| Author | : Robert W. Cherny |
| Publisher | : University of Illinois Press |
| Total Pages | : 356 |
| Release | : 2017-03-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 0252099249 |
Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.
| Author | : DK |
| Publisher | : Penguin |
| Total Pages | : 729 |
| Release | : 2015-03-02 |
| Genre | : Political Science |
| ISBN | : 1465441077 |
Learn about how the world of government and power works in The Politics Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Politics in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Politics Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Politics, with: - More than 100 groundbreaking ideas in the history of political thought - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Politics Book is a captivating introduction to the world's greatest thinkers and their political big ideas that continue to shape our lives today, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Delve into the development of long-running themes, like attitudes to democracy and violence, developed by thinkers from Confucius in ancient China to Mahatma Gandhi in 20th-century India, all through exciting text and bold graphics. Your Politics Questions, Simply Explained This engaging overview explores the big political ideas such as capitalism, communism, and fascism, exploring their beginnings and social contexts - and the political thinkers who have made significant contributions. If you thought it was difficult to learn about governing bodies and affairs, The Politics Book presents key information in a clear layout. Learn about the ideas of ancient and medieval philosophers and statesmen, as well as the key personalities of the 16th to the 21st centuries that have shaped political thinking, policy, and statecraft. The Big Ideas Series With millions of copies sold worldwide, The Politics Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.
| Author | : Tony Bennett |
| Publisher | : Duke University Press |
| Total Pages | : 364 |
| Release | : 2017-01-06 |
| Genre | : Social Science |
| ISBN | : 0822373602 |
The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l'Homme's 1930s fieldwork missions in French Indo-China to the influence of Franz Boas's culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.
