The Poetry of Postwar Japan
Author | : |
Publisher | : |
Total Pages | : 325 |
Release | : 1975-11 |
Genre | : |
ISBN | : 9780877450634 |
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Author | : |
Publisher | : |
Total Pages | : 325 |
Release | : 1975-11 |
Genre | : |
ISBN | : 9780877450634 |
Author | : Leith Morton |
Publisher | : Sterling Publishers Pvt. Ltd |
Total Pages | : 250 |
Release | : 2004 |
Genre | : Poetry |
ISBN | : 9780824827380 |
Postwar modernist verse has been rarely discussed in English-language works on Japanese literature, despite the fact that it has been the dominant mode of poetic expression in Japan since World War II. Now readers of modern Japanese poetry in translation have gained an impressive intellectual and linguistic companion in their enjoyment of modern Japanese verse. Modernism in Practice combines close readings of individual Japanese postwar poets and poetry with historical and critical analysis. Five of the seven chapters concentrate on the life and work of such outstanding poets as Soh Sakon, Ishigaki Rin, Ito Hiromi, Asabuki Ryoji, and Tanikawa Shuntaro. Several of these writers have only come into prominence in recent decades, so this work also serves to acquaint readers with contemporary Japanese verse. A significant dimension of this volume is the detailed and extensive treatment afforded two important areas of postwar Japanese verse: the poetry of women and of Okinawa. Modernism in Practice is noteworthy not only as an introduction to postwar Japanese poets and their times, but also for the numerous poems that appear in translation throughout the volume--many for the first time in book form.
Author | : Harry Guest |
Publisher | : Penguin Classics |
Total Pages | : 184 |
Release | : 1972 |
Genre | : Fiction |
ISBN | : |
Author | : Atsuko Ueda |
Publisher | : Lexington Books |
Total Pages | : 203 |
Release | : 2018-05-07 |
Genre | : Literary Criticism |
ISBN | : 0739180746 |
In the wake of the disaster of 1945—as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation—literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of such ongoing questions as the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of what would become crucial ideological weapons of the cultural Cold War. The volume consists of three interrelated sections: “Foregrounding the Cold War,” “Structures of Concealment: ‘Cultural Anxieties,’” and “Continuity and Discontinuity: Subjective Rupture and Dislocation.” One way or another, the essays address the process through which new “Japan” was created in the postwar present, which signified an attempt to criticize and reevaluate the past. Examining postwar discourse from various angles, the essays highlight the manner in which anxieties of the future were projected onto the construction of the past, which manifest in varying disavowals and structures of concealment.
Author | : Kozo Yamamura |
Publisher | : Univ of California Press |
Total Pages | : 244 |
Release | : 2022-04-29 |
Genre | : Business & Economics |
ISBN | : 0520358600 |
Since the end of the Pacific War, Japan has, broadly speaking, pursued two economic policies: a "democratization" policy laid down by the Allied Powers, and subsequently a "de-democratization" policy formulated and vigorously pursued by the independent government. Yamamura here addresses himself to two central questions: What were the objectives and results of each policy? And why and how did the earlier one give way to the later? Yamamura never loses sight of his main theme--the transformation of the economic "democratization" policy of the Occupation period into the growth policy pursued by the Japanese government thereafter. He is concerned not so much to provide a comprehensive study of Japanese economic policy as to examine selected facets of it--for example, taxation policies, anti- and pro-monopoly legislation, the position of the Zaibatsu, and the social costs of economic concentration. He deals with topics that are hotly debated in Japan and elsewhere, but his tone is never polemical, and his judgments are cool and scholarly. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.
Author | : Chimako Tada |
Publisher | : University of California Press |
Total Pages | : 176 |
Release | : 2010-08-17 |
Genre | : Poetry |
ISBN | : 0520260511 |
One of Japan’s most important modern poets, Tada Chimako (1930–2003) gained prominence in her native country for her sensual, frequently surreal poetry and fantastic imagery. Although Tada’s writing is an essential part of postwar Japanese poetry, her use of themes and motifs from European, Near Eastern, and Mediterranean history, mythology, and literature, as well as her sensitive explorations of women’s inner lives make her very much a poet of the world. Forest of Eyes offers English-language readers their first opportunity to read a wide selection from Tada’s extraordinary oeuvre, including nontraditional free verse, poems in the traditional forms of tanka and haiku, and prose poems. Translator Jeffrey Angles introduces this collection with an incisive essay that situates Tada as a poet, explores her unique style, and analyzes her contribution to the representation of women in postwar Japanese literature.
Author | : Michael Lucken |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2013-03-01 |
Genre | : History |
ISBN | : 1136705686 |
Historical surveys of postwar Japan are usually established on the grounds that the era is already over, interpreting "postwar" to be the years directly proceeding World War II. However, the contributors to this book take a unique approach to the concept of the postwar epoch and treat it as a network of historical time frames from the modern period, and connect these time capsules to the war to which they are inextricably linked. The books strength is in its very interdisciplinary approach to examining postwar Japan and as such it includes chapters centred on subjects as diverse as politics, poetry, philosophy, economics and art which serve to fill the blanks in the collective cultural memory that historical narratives leave behind. Originally published in French, this new translation offers the English speaking world important access to a major work on Japan which has been greatly enriched by the translator’s great accuracy and knowledge of English, French and Japanese language, history and culture. Japan's Postwar will appeal to students and scholars of Japanese Studies and Modern Japanese History as well as historians studying the world after 1945.
Author | : Patricia L. Maclachlan |
Publisher | : Columbia University Press |
Total Pages | : 334 |
Release | : 2002 |
Genre | : Consumer protection |
ISBN | : 9780231123464 |
This book examines Japan's postwar consumer protection movement, which, organized largely by housewives, led to the passage of basic consumer protection legislation in 1968. Macmillan points to the importance of activity at the local level, the role of minority parties, the limited utility of the courts, and the place of lawyers and academics in providing access to power.
Author | : |
Publisher | : Thames River Press |
Total Pages | : 168 |
Release | : 2012-09-01 |
Genre | : Poetry |
ISBN | : 0857285580 |
This remarkable anthology features 101 modern Japanese poems by 55 poets, including Shuntarō Tanikawa, Minoru Yoshioka, Taeko Tomioka, Nobuo Ayukawa, Tarō Kitamura, Ryūichi Tamura, Hiroshi Yoshino, Noriko Ibaragi, Gōzō Yoshimasu and Yōji Arakawa, carefully selected by the renowned poet and literary critic Makoto Ōoka to ensure that the chosen poems express each poet’s special character. The collection provides a superb introduction to Japanese poetry from the immediate postwar period to the mid-1990s, and through these works one can sense the movement in poetry that reflected the challenging transitions and dizzying transformations occurring in postwar and contemporary Japan. Selected for inclusion in the Japanese Literature Publishing Project (JLPP) by the Japanese Agency for Cultural Affairs, this first-ever English edition has been translated by Paul McCarthy with both empathy and artistic felicity, and also includes a critical introduction by the Japanese poet and essayist Chūei Yagi. Suitable for both the student/scholar of modern Japanese literature and the general reader with a passion for poetry, the 101 poems in this authoritative collection will delight and inspire.
Author | : Atsuko Ueda |
Publisher | : Lexington Books |
Total Pages | : 360 |
Release | : 2017-05-09 |
Genre | : Literary Criticism |
ISBN | : 0739180770 |
In the wake of its defeat in World War II, as Japan was forced to remake itself from “empire” to “nation” in the face of an uncertain global situation, literature and literary criticism emerged as highly contested sites. Today, this remarkable period holds rich potential for opening new dialogue between scholars in Japan and North America as we rethink the historical and contemporary significance of a number of important issues, including the meaning of the American occupation both inside and outside of Japan, the shifting semiotics of “literature” and “politics,” and the origins of crucial ideological weapons of the cultural Cold War. This collection features works by Japanese intellectuals written in the immediate postwar period. These writings—many appearing in English for the first time—offer explorations into the social, political, and philosophical debates among Japanese literary elites that shaped the country’s literary culture in the aftermath of defeat.