The Plays Of Oscar Wilde Lady Windermeres Fan A Woman Of No Importance PDF Download

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Lady Windermere's Fan

Lady Windermere's Fan
Author: Oscar Wilde
Publisher: A&C Black
Total Pages: 140
Release: 2014-03-24
Genre: Drama
ISBN: 1408145189

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'My own business always bores me to death; I prefer other people's' Lady Windermere has a happy marriage - or, at least, that's what she believes until one of London society's gossips, the Duchess of Berwick, arrives with her daughter to voice her suspicions about an affair Lord Windermere appears to be having. It's not just the Duchess who has evidence, however. Windermere's private bank book shows that he's been giving large sums of money to a 'Mrs Erlynne' - on frequent occasions - and he himself even admits to seeing much of the woman. To add insult to injury, Windermere insists that Mrs Erlynne is invited to the ball that is being held for Lady Windermere's birthday. Employing the witty dialogue, social satire and outrageous paradox for which he is still remembered, Wilde's play shows us the destructiveness of gossip and superficial judgement, examines the ambiguous sexual morality and gender politics at the heart of the British ruling class, while simultaneously challenging our perceptions of what constitutes a 'good woman'. This student edition contains a fully annotated version of the playtext. The introduction includes an account of Wilde's life and a detailed analysis of Lady Windermere's Fan as well as its stage history. Ian Small is Professor of English Literature at the University of Birmingham. He is the author of a number of critical studies on Wilde and has edited several of Wilde's works, including a scholarly edition of Wilde's second society comedy, A Woman of No Importance, also published in the New Mermaids series.


Lady Windermere's Fan

Lady Windermere's Fan
Author: Oscar Wilde
Publisher:
Total Pages: 374
Release: 1909
Genre:
ISBN:

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Lady Windermere's Fan

Lady Windermere's Fan
Author: Oscar Wilde
Publisher:
Total Pages: 128
Release: 1893
Genre: Literary Criticism
ISBN:

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Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first produced 22 February 1892 at the St James's Theatre in London. The play was first published in 1893. Like many of Wilde's comedies, it bitingly satirizes the morals of society.The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman. She confronts him with it but although he denies it, he invites the other woman, Mrs Erlynne, to his wife's birthday ball. Angered by her husband's supposed unfaithfulness, Lady Windermere decides to leave her husband for another lover. After discovering what has transpired, Mrs Erlynne follows Lady Windermere and attempts to persuade her to return to her husband and in the course of this, Mrs Erlynne is discovered in a compromising position. It is then revealed Mrs Erlynne is Lady Windermere's mother, who abandoned her family twenty years before the time the play is set. Mrs Erlynne sacrifices herself and her reputation to save her daughter's marriage. The best known line of the play sums up the central theme.


A Woman of No Importance & Lady Windermere's Fan

A Woman of No Importance & Lady Windermere's Fan
Author: Oscar Wilde
Publisher:
Total Pages: 144
Release: 2020-01-07
Genre: Fiction
ISBN: 9781618958952

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Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for "gross indecency", imprisonment, and early death at age 46. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Trinity College Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and interior decoration, and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French while in Paris but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. (wikipedia.org)


A Woman of No Importance

A Woman of No Importance
Author: Oscar Wilde
Publisher:
Total Pages: 182
Release: 1895*
Genre:
ISBN: 9780712904117

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Lady Windermere's Fan - A Play about a Good Woman

Lady Windermere's Fan - A Play about a Good Woman
Author: Oscar Wilde
Publisher: Hazen Press
Total Pages: 148
Release: 2009-05
Genre: Drama
ISBN: 1444645757

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INTRODUCTION The early Chinese believed that jade had an immortality of its own and was impervious to decay. For them there was no substance nobler, purer, more durable, more pre-eminently suitable for the fashioning of religious emblems and the embodiment of dogma. Round jade, as round a kernel, the whole body of early Chinese civilisation crystallised. And yet they were not the first discoverers or users of jade, for the Babylonians made seal cylinders of jade, and Professor Elliott Smith believes that the Turkestan jade mountains and rivers were first worked by miners from Mesopotamia who, passing on legends about the magical qualities of jade, infected the Chinese with their beliefs. From the third millennium he says, the mines on the S.E. of the Caspian were being exploited and contact was established between Babylonians, Elamites, and the population of Turkestan. But however early the contacts, assumed or established, we can state truthfully that the Chinese made jade particularly and everlastingly their own, embodying in it their traditions, their religion, their administrative system. They may have derived their belief in the life-giving properties of jade from the Elamites, or have come to attach a magical value to its presence from the Babylonian miners, but for neither of these peoples was it the vehicle of supernatural beliefs, and, penetrate as far back as we may into pre-history, we cannot find a time in China in which jade was not used for religious purposes. What perhaps emphasises the peculiar position of jade in Chinese culture is the fact that other early peoples used jade, although for them it had no significance greater or even as great as gold or pearls. Jade was dug and worked in many parts of Europe. Hatchets have been found in Switzerland, nephrite celts in South Italy and France, Germany, Dalmatia, and Hungary. Jade celts, too, were discovered by Schliemann at Hissarlik, but by no people save the Chinese has jade been made the nucleus and the shrine of a civilisation-although its use was distributed in Turkestan, Persia, Siberia, India, Lake Baikal, and Japan, and to a minor degree the substance was prized by most Asiatic peoples. It is only during the last two decades that collectors have begun to realise the enormous importance of jade. Dr. Laufer broke new ground when, in 1912, he published his great work, xde, A Study in Chinese Archzology and Religion. His object in writing this book was rather ethnological than artistic. He himself calls it a contribution to the l Anthropology, Encyclopzdia Britannica.....