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The Penguin Guide to New York City, 1989

The Penguin Guide to New York City, 1989
Author: Alan Tucker
Publisher: Penguin (Non-Classics)
Total Pages: 452
Release: 1989-03
Genre: Travel
ISBN: 9780140199079

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The Penguin Guide to Australia, 1989

The Penguin Guide to Australia, 1989
Author: David Sindell
Publisher: Penguin Group
Total Pages: 322
Release: 1988-10
Genre: Fiction
ISBN: 9780140199055

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Visitors can know before they go with this guide to the Land Down Under. Maps, advice, shopping, and attractions are all included in one handy volume. Fifteen sections provide in-depth information on every topic.


The Penguin Guide to New York City 1991

The Penguin Guide to New York City 1991
Author: Stephen Brewer
Publisher: Penguin Group
Total Pages: 516
Release: 1991
Genre: Travel
ISBN: 9780140199314

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New Serial Titles

New Serial Titles
Author:
Publisher:
Total Pages: 2508
Release: 1990
Genre: Periodicals
ISBN:

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The Publishers Weekly

The Publishers Weekly
Author:
Publisher:
Total Pages: 1766
Release: 1988
Genre: American literature
ISBN:

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Jack Kerouac's On the Road

Jack Kerouac's On the Road
Author: Harold Bloom
Publisher: Infobase Publishing
Total Pages: 261
Release: 2004
Genre: AUTOBIOGRAPHICAL FICTION, AMERICAN--HISTORY AND CRITICISM
ISBN: 0791075818

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Presents ten critical essays published between 1973 and 2001 on Jack Kerouac's "On the Road," and includes a chronology, a bibliography, and an introduction by Harold Bloom.


Complete Recorded Works in Transcription

Complete Recorded Works in Transcription
Author: Sam Morgan's Jazz Band
Publisher: A-R Editions, Inc.
Total Pages: 312
Release: 2012-01-01
Genre: Music
ISBN: 0895797240

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Book URL: https://www.areditions.com/rr/rra/a073.html This edition consists of musical transcriptions of all eight recordings of Sam Morgan¿s Jazz Band, made in New Orleans in 1927. These are among the first recordings of black New Orleans jazz bands made in their home city and, as the band consisted of musicians who stayed on in New Orleans after the Great Exodus to Chicago and New York in the early 1920s, the recordings preserve a purer form of the collectively improvised ensemble of the earliest black jazz bands. It is a loosely integrated, purely linear ensemble mass, a collective projecting of melodic lines close to the unassimilated heterophonic singing of the Black Primitive Baptist and Sanctified Churches. This proto jazz style was being rapidly eclipsed in the 1920s by more flamboyant and technically brilliant forms of New Orleans jazz being recorded by Louis Armstrong, Sidney Bechet, and Jelly Roll Morton. The scores contained herein are the first complete transcriptions of this rare and distinctive music to appear in print.