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The Object Stares Back

The Object Stares Back
Author: James Elkins
Publisher: Houghton Mifflin Harcourt
Total Pages: 276
Release: 1997
Genre: Art
ISBN: 9780156004978

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A study on how our eyes function with our brains examines the irrational elements of physical sight and concludes that human seeing transforms both the viewer and the object being viewed.


The Object Stares Back

The Object Stares Back
Author: James Elkins
Publisher:
Total Pages: 271
Release: 1996-01-01
Genre: Psychology
ISBN: 9780684800950

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A thoughtful study on how our eyes function with our brains examines the irrational elements of physical sight and concludes that human seeing transforms both the viewer and the object being viewed. 15,000 first printing.


How to Use Your Eyes

How to Use Your Eyes
Author: James Elkins
Publisher: Routledge
Total Pages: 319
Release: 2007-08-20
Genre: Art
ISBN: 1135961603

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James Elkins's How to Use Your Eyes invites us to look at--and maybe to see for the first time--the world around us, with breathtaking results. Here are the common artifacts of life, often misunderstood and largely ignored, brought into striking focus. With the discerning eye of a painter and the zeal of a detective, Elkins explores complicated things like mandalas, the periodic table, or a hieroglyph, remaking the world into a treasure box of observations--eccentric, ordinary, marvelous.


Why Art Cannot Be Taught

Why Art Cannot Be Taught
Author: James Elkins
Publisher: University of Illinois Press
Total Pages: 228
Release: 2001-05-17
Genre: Art
ISBN: 9780252069505

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He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful. Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art--including art that takes time to complete and art that isn't serious--that cannot be learned in studio art classes.


The Domain of Images

The Domain of Images
Author: James Elkins
Publisher: Cornell University Press
Total Pages: 307
Release: 2018-08-06
Genre: Art
ISBN: 1501723901

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In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.


Pictures and Tears

Pictures and Tears
Author: James Elkins
Publisher: Routledge
Total Pages: 218
Release: 2005-08-02
Genre: Art
ISBN: 113595013X

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This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.


Why Are Our Pictures Puzzles?

Why Are Our Pictures Puzzles?
Author: James Elkins
Publisher: Routledge
Total Pages: 343
Release: 2004-11-23
Genre: Art
ISBN: 1135963568

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With bracing clarity, James Elkins explores why images are taken to be more intricate and hard to describe in the twentieth century than they had been in any previous century. Why Are Our Pictures Puzzles? uses three models to understand the kinds of complex meaning that pictures are thought to possess: the affinity between the meanings of paintings and jigsaw-puzzles; the contemporary interest in ambiguity and 'levels of meaning'; and the penchant many have to interpret pictures by finding images hidden within them. Elkins explores a wide variety of examples, from the figures hidden in Renaissance paintings to Salvador Dali's paranoiac meditations on Millet's Angelus, from Persian miniature paintings to jigsaw-puzzles. He also examines some of the most vexed works in history, including Watteau's "meaningless" paintings, Michelangelo's Sistine Ceiling, and Leonardo's Last Supper.


The Object Stares Back

The Object Stares Back
Author: James Elkins
Publisher:
Total Pages: 271
Release: 1996
Genre: Vision
ISBN:

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Friends of Interpretable Objects

Friends of Interpretable Objects
Author: Miguel Tamen
Publisher: Harvard University Press
Total Pages: 214
Release: 2004-03
Genre: Art
ISBN: 9780674013681

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Tamen shows how inanimate objects take on life through interpretation—notably as they are collected and housed in museums. He claims that an object becomes interpretable only in the context of a “society of friends.” Thus, he suggests, our tendency as humans to interpret the phenomenal world gives objects both a life and a society.


Drifts

Drifts
Author: Kate Zambreno
Publisher: Penguin
Total Pages: 338
Release: 2020-05-19
Genre: Fiction
ISBN: 0593087216

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“Drifts is a dazzling and enjoyable book. Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup. I've never read truer pages on the subject of pregnancy. No writer has come so close to achieving a total grasp of life: the entanglement of everyday things, a writing project, and a pregnant body, in a single work.” —Annie Ernaux, winner of the Nobel Prize in Literature Named a Best Book of the Year by The Paris Review, Elle, Harper's Bazaar, Esquire, Vulture, and Refinery29 “Reading all Zambreno feels like the jolt one gets from a surprise cut or burn in the kitchen, that sudden recognition that you’re in a body and the body can be hurt.” —Alicia Kennedy, Refinery29 Haunting and compulsively readable, Drifts is an intimate portrait of reading, writing, and creative obsession. At work on a novel that is overdue, spending long days walking neighborhood streets with her restless terrier, corresponding ardently with fellow writers, the narrator grows obsessed with the challenge of writing the present tense, of capturing time itself. Entranced by the work of Rainer Maria Rilke, Albrecht Dürer, Chantal Akerman, and others, she photographs the residents and strays of her neighborhood, haunts bookstores and galleries, and records her thoughts in a yellow notebook that soon subsumes her work on the novel. As winter closes in, a series of disturbances—the appearances and disappearances of enigmatic figures, the burglary of her apartment—leaves her distracted and uncertain . . . until an intense and tender disruption changes everything. A story of artistic ambition, personal crisis, and the possibilities and failures of literature, Drifts is the work of an exhilarating and vital writer.