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Mistress of Udolpho

Mistress of Udolpho
Author: Rictor Norton
Publisher: Bloomsbury Publishing
Total Pages: 329
Release: 1999-05-01
Genre: Literary Criticism
ISBN: 1847142699

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This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of "The Mysteries of Udolpho", the world's first "best seller". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her probable mental breakdown. The text constitutes a "cultural history" of a writing woman, demonstrating her place within radical culture, literary tradition and aesthetic discourse, and examining her role in the rise of the professional woman writer. Her novels are analyzed mainly in the context of her biography and sources.


The Novels

The Novels
Author: Ann Ward Radcliffe
Publisher:
Total Pages: 764
Release: 1974
Genre:
ISBN:

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Novelist's Library

Novelist's Library
Author: Anne Ward Radcliffe
Publisher:
Total Pages: 822
Release: 1824
Genre:
ISBN:

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Locating Ann Radcliffe

Locating Ann Radcliffe
Author: Andrew Smith
Publisher: Routledge
Total Pages: 196
Release: 2020-05-21
Genre: History
ISBN: 1000652041

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This volume broadens the critical understanding of Ann Radcliffe’s work and includes explorations of the publication history of her work, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry. Ann Radcliffe (1764-1823) was the best-selling author of the eighteenth century and her Gothic novels set the tone for a generation of Gothic writers. Regarded as having made a pioneering contribution to the Female Gothic of the period she was also an important critic of the Gothic’s different forms. This collection also includes an analysis of Radcliffe’s account of her medical ailments in her Commonplace Book which provides a new way of thinking about female bodies in pain and how they are represented in her novels. The collection provides an important critical reassessment of a major Gothic writer of the period. It will be of interest to scholars working on the Gothic, eighteenth-century literature, and women’s writing. This book was originally published as a special issue of Women’s Writing.


The Romance of the Forest

The Romance of the Forest
Author: Ann Radcliffe
Publisher:
Total Pages: 296
Release: 1806
Genre:
ISBN:

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Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney

Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney
Author: Jessica A. Volz
Publisher: Anthem Press
Total Pages: 262
Release: 2017-03
Genre: Juvenile Nonfiction
ISBN: 1783086610

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Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney argues that the proliferation of visual codes, metaphors and references to the gaze in women’s novels published in Britain between 1778 and 1815 is more significant than scholars have previously acknowledged. The book’s innovative survey of the oeuvres of four culturally representative women novelists of the period spanning the Anglo-French War and the Battle of Waterloo reveals the importance of visuality – the continuum linking visual and verbal communication. It provided women novelists with a methodology capable of circumventing the cultural strictures on female expression in a way that concealed resistance within the limits of language. In contexts dominated by ‘frustrated utterance’, penetrating gazes and the perpetual threat of misinterpretation, Jane Austen, Ann Radcliffe, Maria Edgeworth and Frances Burney used references to the visible and the invisible to comment on emotions, socio-economic conditions and patriarchal abuses. Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney offers new insights into verbal economy and the gender politics of the era by reassessing expression and perception from a uniquely telling point of view.