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| Author | : Kynaston McShine |
| Publisher | : ABRAMS |
| Total Pages | : 304 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : 9780810961975 |
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
| Author | : James Cuno |
| Publisher | : Princeton University Press |
| Total Pages | : 209 |
| Release | : 2018-06-05 |
| Genre | : Art |
| ISBN | : 0691188688 |
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating--and surprisingly frank--roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
| Author | : Princeton University. Art Museum |
| Publisher | : |
| Total Pages | : 27 |
| Release | : 2008 |
| Genre | : |
| ISBN | : |
| Author | : Lorna Owen |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 169 |
| Release | : 2014-11-18 |
| Genre | : Art |
| ISBN | : 1580933947 |
A beautifully designed introduction to art history by way of artworks that feature the mouse—from the ancient world to drawings by Picasso, Disney, and Art Spiegelman. Across centuries and civilizations, artists have used the mouse—the planet’s most common mammal after us—to illustrate our myths and beliefs. Mice have appeared as Japanese symbols of good luck or medieval emblems of evil, in Arab fables, Russian political satire and Nazi propaganda, as scientific tools and to help us challenge the way we see nature. With more than 80 rarely reproduced works—including paintings by Hieronymus Bosch and Gustav Klimt, a silkscreen by Andy Warhol, a print by Hokusai, a photograph by André Kertész, a sculpture by Claes Oldenburg, a video installation by Bruce Nauman, a performance by Joseph Beuys, and many more—Lorna Owen has created an engaging presentation of an extraordinary range. The pieces, which represent every period of visual art, are accompanied by Owen’s intriguing text about the story behind each work. She has combined her passion for art and her empathy for the unsung archetype of the animal kingdom to explain not only how or why the artist came to use the mouse as a subject, but how the art, in the end, reveals more about us than it could ever reveal about this humble creature.
| Author | : Anne Rachel Leonard |
| Publisher | : Smart Museum of Art, the University of C |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9780935573497 |
Catalogue published in conjunction with an exhibition held at the Smart Museum of Art, University of Chicago, Feb. 10-June 5, 2011.
| Author | : Patricia Mears |
| Publisher | : Vendome Press |
| Total Pages | : 0 |
| Release | : 2019-10-15 |
| Genre | : Design |
| ISBN | : 9780865653733 |
A gorgeously illustrated look at the profound influence that classical ballet and the ballerina have had on high fashion Ballerina: Fashion's Modern Muse is a revelatory, irresistible treat for dance aficionados and fashionistas alike. Couturiers such as Balmain, Balenciaga, Chanel, Schiaparelli, Charles James, Dior, and Yves Saint Laurent designed ballet-inspired dresses and gowns, many featuring the boned bodices and voluminous tulle skirts of classical tutus. And ready-to-wear designers such as Claire McCardell found inspiration in ballet leotards and other practice clothing, creating knitted separates, bathing suits, and wrap dresses. Written by fashion and ballet experts, the book is illustrated with archival photography by such masters as Richard Avedon, Edward Steichen, Irving Penn, Man Ray, and Cecil Beaton, along with newly commissioned photography of contemporary ballerinas wearing ballet-influenced couture.
| Author | : Elyse Zorn Karlin |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 257 |
| Release | : 2015-02-10 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1580934048 |
A new perspective on woman’s role in the world of art jewelry at the turn of the twentieth century—from Art Nouveau in France and the Arts and Crafts movement in Britain, to Jugendstil in Germany and Austria, Louis Comfort Tiffany in New York, and American Arts and Crafts in Chicago—and the most extensive survey to date of the sheer diversity and beauty of art jewelry during this period. Accompanying a groundbreaking exhibition at The Richard H. Driehaus Museum in Chicago, this lavishly illustrated catalog showcases nearly two hundred stunning pieces from the Driehaus Collection and prominent national collections, many of which have never been seen by the public. Women were not only the intended wearers of art jewelry during the early twentieth century, but also an essential part of its creation. Their work—boldly artistic, exquisitely detailed, hand wrought, and inspired by nature—is now widely sought after by collectors and museums alike. From the world’s first independent female jewelry makers, to the woman as artistic motif, this jewelry reflected rapid changes in definitions of femininity and social norms. Essays by noted scholars explore five different areas of jewelry design and fabrication, and discuss the important female figures and historic social milieu associated with these movements—from the suffragists and the Rational Dress Society in England; to the Wiener Werkstätte and Gustav Klimt; and the Art Nouveau masters René Lalique and Alphonse Mucha, who depicted otherworldly women in jewelry for equally fascinating patrons like Sarah Bernhardt. The essays are illustrated by historic photographs and decorative arts of the period as well as the extraordinary pieces themselves: hair combs, bracelets, brooches, and tiaras executed in moonstones, translucent horn, enamel, opals, aquamarines, and much more. As Driehaus writes in his introduction to Maker & Muse, “Essential as these elements are, the metal and gemstones of a necklace—or a brooch or a bracelet—are like a canvas. It is the designer who evokes true greatness, beauty, and value from them. Neither monumental nor mass-produced, the object contains a memory of a particular artist’s skilled hand.”
| Author | : Mia Fineman |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 195 |
| Release | : 2019-07-01 |
| Genre | : Art |
| ISBN | : 1588396843 |
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} On July 20, 1969, half a billion viewers around the world watched as the first television footage of American astronauts on the moon was beamed back to earth—a thrilling turning point in the history of images, satisfying an age-old curiosity about our planet’s only natural satellite. To celebrate the fiftieth anniversary of the Apollo 11 moon landing, this captivating volume surveys the role photography has played in the scientific study and artistic interpretation of the moon from the dawn of the medium to the present, highlighting not only stunning photographic works but also related prints, drawings, paintings, and astronomical instruments. Apollo’s Muse traces the history of lunar photography, from newly discovered daguerreotypes of the 1840s to contemporary film and video works. Along the way, it explores nineteenth century efforts to map the lunar surface, whimsical fantasies of life on the moon, the visual language of the Cold War space race, and work created in response to the moon landing by artists such as Robert Rauschenberg, Nancy Graves, and Aleksandra Mir. A delightful introduction by Tom Hanks, star of the award winning 1995 film Apollo 13, delves into the universal fascination with representations of the cosmos and the ways in which space travel has radically expanded the limits of human vision.
| Author | : Jessie Burton |
| Publisher | : HarperCollins |
| Total Pages | : 292 |
| Release | : 2016-07-26 |
| Genre | : Fiction |
| ISBN | : 0062409948 |
From the #1 internationally bestselling author of The Miniaturist comes a captivating and brilliantly realized story of two young women—a Caribbean immigrant in 1960s London, and a bohemian woman in 1930s Spain—and the powerful mystery that ties them together. England, 1967. Odelle Bastien is a Caribbean émigré trying to make her way in London. When she starts working at the prestigious Skelton Institute of Art, she discovers a painting rumored to be the work of Isaac Robles, a young artist of immense talent and vision whose mysterious death has confounded the art world for decades. The excitement over the painting is matched by the intrigue around the conflicting stories of its discovery. Drawn into a complex web of secrets and deceptions, Odelle does not know what to believe or who she can trust, including her mesmerizing colleague, Marjorie Quick. Spain, 1936. Olive Schloss, the daughter of a Viennese Jewish art dealer and an English heiress, follows her parents to Arazuelo, a poor, restless village on the southern coast. She grows close to Teresa, a young housekeeper, and Teresa’s half-brother, Isaac Robles, an idealistic and ambitious painter newly returned from the Barcelona salons. A dilettante buoyed by the revolutionary fervor that will soon erupt into civil war, Isaac dreams of being a painter as famous as his countryman Picasso. Raised in poverty, these illegitimate children of the local landowner revel in exploiting the wealthy Anglo-Austrians. Insinuating themselves into the Schloss family’s lives, Teresa and Isaac help Olive conceal her artistic talents with devastating consequences that will echo into the decades to come. Rendered in exquisite detail, The Muse is a passionate and enthralling tale of desire, ambition, and the ways in which the tides of history inevitably shape and define our lives.
| Author | : Haidy Geismar |
| Publisher | : UCL Press |
| Total Pages | : 166 |
| Release | : 2018-05-14 |
| Genre | : Business & Economics |
| ISBN | : 1787352838 |
Museum Object Lessons for the Digital Age explores the nature of digital objects in museums, asking us to question our assumptions about the material, social and political foundations of digital practices. Through four wide-ranging chapters, each focused on a single object – a box, pen, effigy and cloak – this short, accessible book explores the legacies of earlier museum practices of collection, older forms of media (from dioramas to photography), and theories of how knowledge is produced in museums on a wide range of digital projects. Swooping from Ethnographic to Decorative Arts Collections, from the Google Art Project to bespoke digital experiments, Haidy Geismar explores the object lessons contained in digital form and asks what they can tell us about both the past and the future. Drawing on the author’s extensive experience working with collections across the world, Geismar argues for an understanding of digital media as material, rather than immaterial, and advocates for a more nuanced, ethnographic and historicised view of museum digitisation projects than those usually adopted in the celebratory accounts of new media in museums. By locating the digital as part of a longer history of material engagements, transformations and processes of translation, this book broadens our understanding of the reality effects that digital technologies create, and of how digital media can be mobilised in different parts of the world to very different effects.
