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The Movie Moguls

The Movie Moguls
Author: Philip French
Publisher: Weidenfeld & Nicolson
Total Pages: 208
Release: 1971
Genre: Biography & Autobiography
ISBN:

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"In the early 1890s the cinema was a peepshow novelty in penny arcades. Thirty years later it was America's fourth largest industry, with its production center in Hollywood. This vast new business was dominated by eight major corporations, which not only made the movies but distributed and exhibited them in their own chains of movie theaters across the nation and around the globe. And these films helped shape the tastes and behavior of several generations the world over. For the most part, movie companies were created by European immigrants who arrived penniless in the United States during the last two decades of the nineteenth century--men such as Louis B. Mayer, Samuel Goldwyn, Adolph Zukor, William Fox, the Warner Brothers. The Movie Moguls looks at the backgrounds, characters, and careers of these extraordinary men."--From dust jacket.


The movie moguls

The movie moguls
Author: Philip French
Publisher:
Total Pages: 208
Release: 1971
Genre: Cine
ISBN:

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The Men Who Made Hollywood

The Men Who Made Hollywood
Author: Michael Freedland
Publisher: Aurum
Total Pages: 0
Release: 2009
Genre: Hollywood (Los Angeles, Calif.)
ISBN: 9781906217631

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First or second generation Jewish immigrants who had often worked their way up from poor backgrounds, the Hollywood Moguls were remarkable entrepreneurs, the likes of whom will probably never be seen again. Sam Goldwyn, Jack and Harry Warner, Louis B. Mayer, Harry Cohn, and Zukor and Lasky ruled the movie empires in the golden age of Hollywood. These Tinseltown gods liked to be seen at race meetings as proof of their social standing, were loyal to their wives but made good use of the casting couch, were Jewish but more American than apple pie, and the stories of their rise to the top are as fascinating as they are entertaining. When Harry Cohn, iron dictator of Columbia Pictures, died, a rabbi was asked if there was anything good that could be said of him "Sure," he replied, "he’s dead." Louis B. Mayer, of MGM fame, regarded himself as head of a big family—if one of his "children" was out of line, his solution was to punch them in the jaw. Jack Warner had a determination that the studio bearing his name should product quality products. Brother Harry looked upon things differently: "I don’t want it good," he once said, "I want it Tuesday." This is a fascinating look at the men who really did make Hollywood and, in doing so, created the first and arguably most important art form of the 20th century. Based on interviews with family members, actors, producers, and directors this is a frank and detailed portrayal of the extraordinary lives of these powerbrokers, from their backgrounds and motivations to their love lives and quarrels.


Death of the Moguls

Death of the Moguls
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
Total Pages: 281
Release: 2012-08-28
Genre: Performing Arts
ISBN: 0813553784

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Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command. Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.


Movie Moguls Speak

Movie Moguls Speak
Author: Steven Priggé
Publisher: McFarland
Total Pages: 236
Release: 2004-01-01
Genre: Performing Arts
ISBN: 9780786419296

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In the film world today, there is extraordinary attention paid to actors, actresses and directors, yet the producers who gave many of them their first breaks and helped mold their careers have managed to remain outside the limelight. This work covers producers who gave early breaks to actors and actresses like Al Pacino and Demi Moore, directors like Steven Spielberg and Todd Haynes, and writers like Aaron Sorkin. These legends may never have become known if not for their producers' behind-the-scenes insight and ability to recognize talent. Interviewees include David Brown (Jaws, A Few Good Men), Martin Richards (Chicago, The Shining), Barbara Broccoli and Michael G. Wilson (Goldeneye, Die Another Day), Dino DeLaurentiis (La Strada, Hannibal), Michael Phillips (Taxi Driver, The Sting), Martin Bregman (Serpico, Scarface), Lauren Shuler Donner (You've Got Mail, X-Men), Robert Chartoff (Rocky, Raging Bull), Mace Neufeld (The Hunt for Red October, Patriot Games), Paula Wagner (Vanilla Sky, Mission: Impossible), and many, many more!


The Moguls and the Dictators

The Moguls and the Dictators
Author: Associate Professor David Welky, PH.D.
Publisher: JHU Press
Total Pages: 443
Release: 2008
Genre: History
ISBN: 0801890446

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This author's analytical approach will be appreciated by historians as well as film buffs. He examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how or whether the silver screen would portray certain wartime attributes.


The Men Who Would Be King

The Men Who Would Be King
Author: Nicole LaPorte
Publisher: HMH
Total Pages: 517
Release: 2010-05-04
Genre: Performing Arts
ISBN: 0547487169

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“The definitive history of the studio” created by the larger-than-life team of Spielberg, Geffen, and Katzenberg (Los Angeles Times). For sixty years, since the birth of United Artists, the studio landscape was unchanged. Then came Hollywood’s Circus Maximus—created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg, who gave the world The Lion King—an entertainment empire called DreamWorks. Now Nicole LaPorte, who covered the company for Variety, goes behind the hype to reveal for the first time the delicious truth of what happened. Readers will feel they are part of the creative calamities of moviemaking as LaPorte’s fly-on-the-wall detail shows us Hollywood’s bizarre rules of business. We see the clashes between the often-otherworldly Spielberg’s troops and Katzenberg’s warriors, the debacles and disasters, but also the Oscar-winning triumphs, including Saving Private Ryan. We watch as the studio burns through billions of dollars, its rich owners get richer, and everybody else suffers. LaPorte displays Geffen, seducing investors like Microsoft’s Paul Allen, showing his steel against CAA’s Michael Ovitz, and staging fireworks during negotiations with Paramount and Disney. Here is a blockbuster behind-the-scenes Hollywood story—up close, glamorous, and gritty.


Moguls

Moguls
Author: Michael Benson
Publisher: Citadel
Total Pages: 305
Release: 2024-09-24
Genre: Performing Arts
ISBN: 0806543086

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The sensational, lurid, and wickedly entertaining true story of the brothers who invented Hollywood to become the godfathers of cinema - movie moguls Nicholas and Joseph Schenck - studded with glamorous stars, scandals, mobsters, murders, and one legendary blond bombshell. . . Groundbreaking pioneers of the Hollywood Dream Factory, Joseph and Nicholas Schenck may not have been household names like the Warner brothers or Louis B. Mayer, but they were infinitely more powerful, influential—and ruthless. A pair of Russian immigrants with giant ambitions, the Schencks turned their small nickelodeon business in New York’s Bowery into a partnership with Loew’s movie theaters and a controlling interest in three major studios: MGM, 20th Century Fox, and United Artists. They painted the silver screen silver, laid the foundations for the all-powerful studio system, and ruled a global movie empire from their Gatsby-sized mansions on the East and West coasts. The Schencks had become moguls. Their story is the stuff of legends—and their scandals are among the greatest stories Hollywood never told. This riveting, behind-the-scenes account reveals the suprising truth about: The union-busting mob deal that landed Joe Schenck in federal prison for four years—on tax evasion charges including deductions for a menage a trois. The cutthroat and merciless political maneuvering that defined the Hollywood studio heads. The lurid murder charges against silent film star “Fatty” Arbuckle—whose legal defense was paid for by Joe Schenck. Joe’s secret infatuation with Marilyn Monroe, even though Marilyn’s mother named her Norma after Joe’s wife! The brothers’ ingenious creation of the Academy of Motion Pictures and the Oscars—and indomitable control over the entire film industry. From the earliest days of silent films and the swinging era of the Roaring Twenties, through the Golden Age of the studio system and the patriotic call of WWII, to the Red Scare paranoia of the McCarthy years, the history of the Schenck brothers is the story of Hollywood itself—and the endurng power of the American Dream. Moguls is a must-read for film fans, history buffs, and anyone who loves the movies.


Korda

Korda
Author: Charles Drazin
Publisher: Sidgwick & Jackson Limited
Total Pages: 411
Release: 2002
Genre: Biography & Autobiography
ISBN: 9780283063503

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Alexander Kordas own story is as extraordinary as any film hes ever made, taking him from revolutionary Hungary to Hollywood during the advent of sound, and London in the 30s where he set up a film empire. A friend of Churchill, he worked for British Intelligence and was knighted for his war effort. In his new book, Charles Drazin paints a vivid picture of this remarkable man.


When Hollywood Was Right

When Hollywood Was Right
Author: Donald T. Critchlow
Publisher: Cambridge University Press
Total Pages: 237
Release: 2013-10-21
Genre: History
ISBN: 1107650283

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Hollywood was not always a bastion of liberalism. Following World War II, an informal alliance of movie stars, studio moguls and Southern California business interests formed to revitalize a factionalized Republican Party. Coming together were stars such as John Wayne, Robert Taylor, George Murphy and many others, who joined studio heads Cecil B. DeMille, Louis B. Mayer, Walt Disney and Jack Warner to rebuild the Republican Party. They found support among a large group of business leaders who poured money and skills into this effort, which paid off with the election of George Murphy to the US Senate and of Richard Nixon and Ronald Reagan to the highest office in the nation. This is an exciting story based on extensive new research that will forever change how we think of Hollywood politics.