The Modernist Nekyia
Author | : |
Publisher | : |
Total Pages | : 574 |
Release | : 2001 |
Genre | : Literature |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 574 |
Release | : 2001 |
Genre | : Literature |
ISBN | : |
Author | : Evans Lansing Smith |
Publisher | : |
Total Pages | : 608 |
Release | : 2001 |
Genre | : Art |
ISBN | : |
It focuses on `necrotypes', symbolic images typically found in association with descent to the underworld. It also takes an interdisciplinary approach to the subject, with chapters on the nekyia in film, science, psychology, and painting. It pays careful attention to the multicultural sources for the myth - Egyptian, Mesopotamian, Greco-Roman, Judeo-Christian, Celtic, Norse, and Native American.
Author | : Evans Lansing Smith |
Publisher | : |
Total Pages | : 184 |
Release | : 1990 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Evans Lansing Smith |
Publisher | : University of Iowa Press |
Total Pages | : 277 |
Release | : 2008-09 |
Genre | : Literary Criticism |
ISBN | : 1587297647 |
One of the unique voices in our century, James Merrill was known for his mastery of prosody; his ability to write books that were not just collected poems but unified works in which each individual poem contributed to the whole; and his astonishing evolution from the formalist lyric tradition that influenced his early work to the spiritual epics of his later career. Merrill's accomplishments were recognized with a Pulitzer Prize in 1977 for Divine Comedies and a National Book Critics Circle Award in 1983 for The Changing Light at Sandover. In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill’s poetry. Smith illustrates how pervasive this myth is in Merrill’s work – not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet’s books, before and after that central text. By focusing on the details of versification and prosody, Smith demonstrates the ingenious fusion of form and content that distinguishes Merrill as a poet. Moving beyond purely literary interpretations of the poetry, Smith illuminates the numerous allusions to music, art, theology, philosophy, religion, and mythology found throughout Merrill’s work.
Author | : Simone Celine Marshall |
Publisher | : BRILL |
Total Pages | : 206 |
Release | : 2017-11-01 |
Genre | : Literary Criticism |
ISBN | : 9004357025 |
In The Medieval Presence in the Modernist Aesthetic: Unattended Moments, editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical span of a century is covered, from musical modernist Richard Wagner’s final opera Parsifal (1882) to Russell Hoban’s speculative fiction Riddley Walker (1980), and themes of Arthurian literature, scholastic philosophy, Irish legends, classical philology, dream theory, Orthodox theology and textual exegesis are brought into conversation with key Modernist writers, including T. S. Eliot, Ezra Pound, Samuel Beckett, Marcel Proust, W. B. Yeats, Evelyn Waugh and Eugene Ionesco. These scholarly investigations are original, illuminating, and often delightful.
Author | : Lydia Langerwerf |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 215 |
Release | : 2020-05-15 |
Genre | : Literary Criticism |
ISBN | : 1527551830 |
Hercules is a hero; we were all brought up to appreciate the basic idea of the ancient hero. But what about him makes him one? This book aims to challenge some of the standard expectations as to what constitutes a hero, considering the phenomenon of heroism from a range of viewpoints. In this book we invite you to walk around the monumental notions of the hero and heroism, and endeavour to reach out and touch them on all sides. The chapters in this volume testify to the difficulty of answering the question ‘what is a hero?’ and engage with a variety of themes in attempting to offer some replies. They demonstrate not just the variety of ways in which the protagonists of ancient literature can be deemed heroic, but also the tendency for aspects of heroism to turn sour once identified. It seems that the moment we recognise heroic features, we are forced to question them. Do heroes necessitate anti-heroes, for example? Portraying protagonists’ heroic qualities in an ambigous light focuses the reader’s attention on the problem of realising the ideals of heroism in historic actuality. Various chapters ask the rhetorical question of whether we should expect, or more importantly, desire historical actors to behave like mythical heroes. To what extent can a hero ever be integrated into normal society? What difference might there be between a tragic and an epic hero? The commonplace ‘The only good hero is a dead hero’ summarises the extent to which this book also focuses on heroic death and dying. Covering Euripides to Monty Python, Roman soldiers to the modern military, this volume offers the reader a chance to think about the changing notion of the hero and recognise heroic qualities throughout western culture.
Author | : Lynn Kozak |
Publisher | : Bloomsbury Publishing |
Total Pages | : 288 |
Release | : 2019-02-07 |
Genre | : Literary Criticism |
ISBN | : 1350040967 |
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight 'translation,' a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studies would term 'adaptation', 'refiguration' and 'intervention.' As the volume's essays reveal, modernist 'translations' of Classical texts crucially informed the innovations of many modernists and often themselves constituted modernist literary projects. Thus the volume responds to gaps in both Classical reception and Modernist studies: essays treat a comparatively understudied area in Classical reception by reviving work in a subfield of Modernist studies relatively inactive in recent decades but enjoying renewed attention through the recent work of contributors to this volume. The volume's essays address work significantly informed by Classical materials, including Homer, Sophocles, Euripides, Sappho, Ovid, and Propertius, and approach a range of modernist writers: Pound and H.D., among the modernists best known for work engaging the Classics, as well as Cummings, Eliot, Joyce, Laura Riding, and Yeats.
Author | : Catherine Bates |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2010-04-22 |
Genre | : Literary Criticism |
ISBN | : 1139828274 |
Every great civilisation from the Bronze Age to the present day has produced epic poems. Epic poetry has always had a profound influence on other literary genres, including its own parody in the form of mock-epic. This Companion surveys over four thousand years of epic poetry from the Babylonian Epic of Gilgamesh to Derek Walcott's postcolonial Omeros. The list of epic poets analysed here includes some of the greatest writers in literary history in Europe and beyond: Homer, Virgil, Dante, Camões, Spenser, Milton, Wordsworth, Keats and Pound, among others. Each essay, by an expert in the field, pays close attention to the way these writers have intimately influenced one another to form a distinctive and cross-cultural literary tradition. Unique in its coverage of the vast scope of that tradition, this book is an essential companion for students of literature of all kinds and in all ages.
Author | : Justine McConnell |
Publisher | : Classical Presences |
Total Pages | : 324 |
Release | : 2013-06-20 |
Genre | : History |
ISBN | : 0199605009 |
This book explores works from Africa and the African diaspora which respond to the Homeric Odyssey. As a founding text of the Western canon, and as a homecoming trope and quest for identity, the Odyssey has inspired writers who are simultaneously striving against and appropriating the very forms which had been used to oppress them.
Author | : Betsy Hall |
Publisher | : University Professors Press |
Total Pages | : 314 |
Release | : 2020-07-11 |
Genre | : Psychology |
ISBN | : 1939686369 |
Psychotherapy's Pilgrim-Poet: The Story Within imaginatively describes the interior experience of the therapeutic client by utilizing the images of epic literature as an interpretive lens for the psychotherapeutic process. Through the characters, plot, and psychological landscape of The Epic of Gilgamesh, Homer's Odyssey, Herman Melville's Moby-Dick, and Toni Morrison's Beloved, we look anew at the client's motivation to journey, their courage, affects, memories and wounds, the therapeutic bond, the encounter with the unconscious, and the act of story-telling. The author demonstrates that depth psychological work is a soulful pilgrimage characterized by a spiritual and heroic descent to the deep psyche in pursuit of wholeness and the authentic self. Although this book is theoretically informed, it is not intended to provide clinical explanations; rather, it aspires to describe the psychotherapeutic experience from an inside point of view, from the inner life of the client. The primary aim is to renew and deepen an understanding of the client's profoundly difficult and courageous psychological endeavor in depth psychotherapy. This book is a culmination of the author's experiences as researcher, teacher, therapist, enthused reader of epic, and most importantly, as client. It weaves together the author's personal stories with client vignettes, epic literature, depth psychology, mythological studies, and literary criticism.