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The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)

The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)
Author:
Publisher: BRILL
Total Pages: 320
Release: 2020-11-16
Genre: History
ISBN: 9004424598

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The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia. Contributors are Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Jitske Jasperse, Therese Martin, Pamela A. Patton, Ana Rodríguez, and Nancy L. Wicker.


The Medieval Iberian Treasury in the Context of Cultural Interchange

The Medieval Iberian Treasury in the Context of Cultural Interchange
Author: Therese Martin
Publisher:
Total Pages: 320
Release: 2020
Genre: History
ISBN: 9789004424586

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"The Medieval Iberian Treasury in the Context of Cultural Interchange-expanded beyond the special issue of Medieval Encounters from which it was drawn-centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia"--


The Ornament of the World

The Ornament of the World
Author: Maria Rosa Menocal
Publisher: Back Bay Books
Total Pages: 262
Release: 2009-11-29
Genre: History
ISBN: 0316092797

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This classic bestseller — the inspiration for the PBS series — is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." —Christopher Hitchens, The Nation


Illuminating Metalwork

Illuminating Metalwork
Author: Joseph Salvatore Ackley
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 740
Release: 2021-12-20
Genre: Literary Criticism
ISBN: 3110637081

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The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.


Textiles of Medieval Iberia

Textiles of Medieval Iberia
Author: Gale R. Owen-Crocker
Publisher: Boydell & Brewer
Total Pages: 417
Release: 2022-09-27
Genre:
ISBN: 1783277017

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An examination of the fabrics, garments and cloth of the Iberian Middle Ages, bringing out in particular the international context.


The Wolf King

The Wolf King
Author: Abigail Krasner Balbale
Publisher: Cornell University Press
Total Pages: 361
Release: 2023-01-15
Genre: History
ISBN: 1501765892

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The Wolf King explores how political power was conceptualized, constructed, and wielded in twelfth-century al-Andalus, focusing on the eventful reign of Muhammad ibn Sad ibn Ahmad ibn Mardanīsh (r. 1147–1172). Celebrated in Castilian and Latin sources as el rey lobo/rex lupus and denigrated by Almohad and later Arabic sources as irreligious and disloyal to fellow Muslims because he fought the Almohads and served as vassal to the Castilians, Ibn Mardanīsh ruled a kingdom that at its peak constituted nearly half of al-Andalus and served as an important buffer between the Almohads and the Christian kingdoms of Castile and Aragon. Through a close examination of contemporary sources across the region, Abigail Krasner Balbale shows that Ibn Mardanīsh's short-lived dynasty was actually an attempt to integrate al-Andalus more closely with the Islamic East—particularly the Abbasid caliphate. At stake in his battles against the Almohads was the very idea of the caliphate in this period, as well as who could define righteous religious authority. The Wolf King makes effective use of chronicles, chancery documents, poetry, architecture, coinage, and artifacts to uncover how Ibn Mardanīsh adapted language and cultural forms from around the Islamic world to assert and consolidate power—and then tracks how these strategies, and the memory of Ibn Mardanīsh more generally, influenced expressions of kingship in subsequent periods.


Persian Cultures of Power and the Entanglement of the Afro-Eurasian World

Persian Cultures of Power and the Entanglement of the Afro-Eurasian World
Author: Matthew P. Canepa
Publisher: Getty Publications
Total Pages: 298
Release: 2024-01-02
Genre: History
ISBN: 1606068431

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A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE. Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée.


Transmissions and Translations in Medieval Literary and Material Culture

Transmissions and Translations in Medieval Literary and Material Culture
Author: Megan Henvey
Publisher: Art and Material Culture in Me
Total Pages: 412
Release: 2021-12-16
Genre: Art
ISBN: 9789004499324

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"Bringing together the work of scholars from disparate fields of enquiry, this volume provides a timely and stimulating exploration of the themes of transmission and translation, charting developments, adaptations and exchanges - textual, visual, material and conceptual - that reverberated across the medieval world, within wide-ranging temporal and geographical contexts. Such transactions generated a multiplicity of fusions expressed in diverse and often startling ways - architecturally, textually and through peoples' lived experiences - that informed attitudes of selfhood and 'otherness', senses of belonging and ownership, and concepts of regionality, that have been further embraced in modern and contemporary arenas of political and cultural discourse. Contributors are Tarren Andrews, Edel Bhreathnach, Cher Casey, Katherine Cross, Amanda Doviak, Elisa Foster, Matthias Friedrich, Jane Hawkes, Megan Henvey, Aideen Ireland, Alison Killilea, Ross McIntire, Lesley Milner, John Mitchell, Nino Simonishvili, and Rachael Vause"--


Deconstructing the Myths of Islamic Art

Deconstructing the Myths of Islamic Art
Author: Onur Öztürk
Publisher: Routledge
Total Pages: 320
Release: 2022-03-20
Genre: Art
ISBN: 100055595X

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Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.