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The Many Forms of Fear, Horror and Terror

The Many Forms of Fear, Horror and Terror
Author:
Publisher: BRILL
Total Pages: 231
Release: 2020-09-25
Genre: Social Science
ISBN: 1848880138

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This eBook records the proceedings of the 3rd Annual 'Fear, Horror, and Terror' conference, which was held at Mansfield College, Oxford in September 2009. A group of academics from disparate subject areas, including literature, film studies, religious studies, social psychology, and psychoanalysis, came together to discuss fear, horror, and terror.


On Fear, Horror, and Terror: Giving Utterance to the Unutterable

On Fear, Horror, and Terror: Giving Utterance to the Unutterable
Author: Pedro Querido
Publisher: BRILL
Total Pages: 141
Release: 2019-06-24
Genre: Social Science
ISBN: 900439799X

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This volume is a collection of essays whose diversity of insights and methodologies facilitates a kaleidoscopic look at a universally-recognizable cluster of phenomena and experiences of fear, anxiety, horror, and terror that often defy straightforward categorization or even description.


The Gothic Flame

The Gothic Flame
Author: Devendra P. Varma
Publisher: Metuchen, N.J. : Scarecrow Press
Total Pages: 264
Release: 1987
Genre: Literary Criticism
ISBN: 9780810820777

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False Bingo

False Bingo
Author: Jac Jemc
Publisher: Macmillan + ORM
Total Pages: 164
Release: 2019-10-08
Genre: Fiction
ISBN: 0374720428

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"Combines the otherworldliness of Jeff VanderMeer’s “Annihilation,” the menacing irony of Shirley Jackson and the cold feminist fury of Margaret Atwood" --The New York Times Book Review Named a Fall Read by The Boston Globe and the Chicago Tribune The mundane becomes sinister in a disquieting story collection from the author of The Grip of It In Jac Jemc’s dislocating second story collection, False Bingo, we watch as sinister forces—some supernatural, some of this earth, some real and some not—work their ways into the mundanity of everyday life. In “Strange Loop,” an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in “Delivery,” a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. “Don’t Let’s” finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts. Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. “This is not a morality tale about the goodness of one character triumphing over the bad of another,” the sadistic narrator of “Pastoral” announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.


Horror after 9/11

Horror after 9/11
Author: Aviva Briefel
Publisher: University of Texas Press
Total Pages: 272
Release: 2012-08-24
Genre: Performing Arts
ISBN: 0292742428

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Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.


The Book of Horror

The Book of Horror
Author: Matt Glasby
Publisher: Quarto Publishing Group USA
Total Pages: 179
Release: 2020-09-22
Genre: Art
ISBN: 0711251797

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“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)


Body Gothic

Body Gothic
Author: Xavier Aldana Reyes
Publisher: University of Wales Press
Total Pages: 264
Release: 2014-10-15
Genre: Literary Criticism
ISBN: 1783160942

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The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012).


Rethinking Genre in Contemporary Global Cinema

Rethinking Genre in Contemporary Global Cinema
Author: Silvia Dibeltulo
Publisher: Springer
Total Pages: 242
Release: 2018-08-02
Genre: Performing Arts
ISBN: 3319901346

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Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.


Thinking Dead

Thinking Dead
Author: Murali Balaji
Publisher: Lexington Books
Total Pages: 268
Release: 2013-09-26
Genre: Social Science
ISBN: 0739183834

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Zombies are everywhere these days. We are consuming zombies as much as they are said to be consuming us in mediated apocalyptic scenarios on popular television shows, video game franchises and movies. The “zombie industry” generates billions a year through media texts and other cultural manifestations (zombie races and zombie-themed parks, to name a few). Zombies, like vampires, werewolves, witches and wizards, have become both big dollars for cultural producers and the subject of audience fascination and fetishization. With popular television shows such as AMC’s The Walking Dead (based on the popular graphic novel) and movie franchises such as the ones pioneered by George Romero, global fascination with zombies does not show signs of diminishing. In The Thinking Dead: What the Zombie Apocalypse Means, edited by Murali Balaji, scholars ask why our culture has becomes so fascinated by the zombie apocalypse. Essays address this question from a range of theoretical perspectives that tie our consumption of zombies to larger narratives of race, gender, sexuality, politics, economics and the end of the world. Thinking Dead brings together an array of media and cultural studies scholars whose contributions to understanding our obsession with zombies will far outlast the current trends of zombie popularity.