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| Author | : Patrick B. Mullen |
| Publisher | : University of Illinois Press |
| Total Pages | : 226 |
| Release | : 2008 |
| Genre | : African Americans |
| ISBN | : 0252074866 |
The challenges of interracial fieldwork
| Author | : Frantz Fanon |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Black race |
| ISBN | : 9780745399546 |
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
| Author | : Jane Anna Gordon |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 317 |
| Release | : 2014-12-17 |
| Genre | : Philosophy |
| ISBN | : 1783482826 |
In 1967, C.L.R. James, the much-celebrated Afro-Trinidadian Marxist, stated that he knew of no figure in history who had “such tremendous influence on such widely separated spheres of humanity” within a few years of his death as the eighteenth-century philosopher Jean-Jacques Rousseau. While this impact was most pronounced in revolutionary politics inspired by political theories that rejected basing political authority in monarchy, aristocracy, and the Church, it extended to European literature, to philosophies of education, and the articulation of the social sciences. But what particularly struck James about Rousseau was the strong resonance of his work in Caribbean thought and politics. This volume illuminates these resonances by advancing a creolizing method of reading Rousseau that couples figures not typically engaged together, to create conversations among people of seemingly divided worlds in fact entangled by colonizing projects and histories. Doing this enables us to grapple with the meaning of creolization and the full range of Rousseau’s legacies not only in contemporary Western Europe and the United States, but in the Francophone colonies, territories, and larger Global South.
| Author | : Cynthia Davis |
| Publisher | : Scarecrow Press |
| Total Pages | : 294 |
| Release | : 2013-05-09 |
| Genre | : Reference |
| ISBN | : 0810891530 |
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
| Author | : T Storm Heter |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 251 |
| Release | : 2023-12-06 |
| Genre | : Philosophy |
| ISBN | : 1538162598 |
Jean-Paul Sartre’s work has been taken up by writers outside of Europe, particularly in the Global South, who have developed phenomenological and existential analyses of racism, colonialism, and other structures of domination. Sartre’s philosophical concepts are fundamentally open, for instance his notions of humanism, bad-faith, and freedom. As a situational, committed thinker, Sartre worked to illuminate the urgent questions of his time at the concrete and the abstract level. The creolization of Sartrean thinking is consistent with the existential projects of engagement, authenticity, political commitment, and liberation from oppression. This volume asks how his European model of phenomenology was (and can be) transformed when it is taken up by thinkers who have lived experience with colonialism. They book also engages Sartre in his relation to key interlocutors (especially Beauvoir and Fanon) who were influenced by him and who influenced him in turn. The book demonstrates how Sartrean philosophy is productively related to Africana philosophy, Africana phenomenology, and Africana existentialism. This volume treats creolization not as a discrete topic, but as an interdisciplinary, global approach to reading and thinking. Each author’s contribution embodies an aspect of creolizing thinking, understood as the articulation of cultural and conceptual hybridity under conditions of eurocentrism, epistemic colonialism and the legacies of slavery. Creolizing Sartre re-reads Sartrean texts to recast existential themes through the lens of Caribbean philosophies and the broader philosophies of the Global South. Contributors: Lawrence Bamikole, Sybil Newton Cooksey, James Haile III, Paget Henry, T Storm Heter, Thomas Meagher, Michael J. Monahan, Anthony Sean Neal, Nathalie Nya, Kris F. Sealey, Hiroaki Seki, Jonathan Webber.
| Author | : Simon J. Bronner |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 1033 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 0190840617 |
"This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--
| Author | : Stacy I. Morgan |
| Publisher | : University of Texas Press |
| Total Pages | : 272 |
| Release | : 2017-04-18 |
| Genre | : History |
| ISBN | : 1477312102 |
Winner, Wayland D. Hand Prize, American Folklore Society, 2018 Originating in a homicide in St. Louis in 1899, the ballad of “Frankie and Johnny” became one of America’s most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and “Frankie and Johnny” in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan’s research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
| Author | : Catherine A. Stewart |
| Publisher | : UNC Press Books |
| Total Pages | : 372 |
| Release | : 2016-02-05 |
| Genre | : History |
| ISBN | : 1469626276 |
From 1936 to 1939, the New Deal's Federal Writers' Project collected life stories from more than 2,300 former African American slaves. These narratives are now widely used as a source to understand the lived experience of those who made the transition from slavery to freedom. But in this examination of the project and its legacy, Catherine A. Stewart shows it was the product of competing visions of the past, as ex-slaves' memories of bondage, emancipation, and life as freedpeople were used to craft arguments for and against full inclusion of African Americans in society. Stewart demonstrates how project administrators, such as the folklorist John Lomax; white and black interviewers, including Zora Neale Hurston; and the ex-slaves themselves fought to shape understandings of black identity. She reveals that some influential project employees were also members of the United Daughters of the Confederacy, intent on memorializing the Old South. Stewart places ex-slaves at the center of debates over black citizenship to illuminate African Americans' struggle to redefine their past as well as their future in the face of formidable opposition. By shedding new light on a critically important episode in the history of race, remembrance, and the legacy of slavery in the United States, Stewart compels readers to rethink a prominent archive used to construct that history.
| Author | : |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 638 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0807833258 |
Collects interviews and commentary on blues and gospel music from the Mississippi Delta area, and discusses how race relations, connections to the sacred, and Southern life helped mold this style of music.
| Author | : William Ferris |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 319 |
| Release | : 2010-08-01 |
| Genre | : Music |
| ISBN | : 0807899720 |
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music and a DVD of original film, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself. The enhanced ebook edition includes: * Almost 2 hours of video clips and interviews scattered throughout the text * An hour of original music, also imbedded throughout the text * Concludes with the full DVD of original film and full CD of original music Watch the video below to see a demonstration of the the features of this enhanced ebook:
