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| Author | : G. Kitson Clark |
| Publisher | : Routledge |
| Total Pages | : 329 |
| Release | : 2013-07-23 |
| Genre | : History |
| ISBN | : 1136124128 |
Based on the Ford Lectures, delivered at Oxford in 1960, the author describes some of the forces which created what we call `Victorian England'.
| Author | : Herbert Schlossberg |
| Publisher | : Ohio State University Press |
| Total Pages | : 420 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780814208434 |
Schlossberg (senior research associate, the Ethics and Public Policy Center) argues that by the time Victoria became queen in 1837, Victorian culture was already in place. Focusing on the period between the 1790s and the 1840s, he shows how the religious revival that took hold of England's culture constituted a "silent revolution" that formed the basis of Victorian culture. He describes various manifestations of the religious revival, focusing on the main renewal movements in the Church of England and the spread of evangelicalism to dissenting religious groups. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Jo Devereux |
| Publisher | : McFarland |
| Total Pages | : 265 |
| Release | : 2016-08-02 |
| Genre | : Art |
| ISBN | : 1476626049 |
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
| Author | : L. Zastoupil |
| Publisher | : Springer |
| Total Pages | : 372 |
| Release | : 2010-08-16 |
| Genre | : Religion |
| ISBN | : 0230111491 |
This book investigates Rammohun Roy as a transnational celebrity. It examines the role of religious heterodoxy - particularly Christian Unitarianism - in transforming a colonial outsider into an imagined member of the emerging Victorian social order It uses his fame to shed fresh light on nineteenth-century British reformers, including advocates of liberty of the press, early feminists, free trade imperialists, and constitutional reformers such as Jeremy Bentham. Rammohun Roy's intellectual agendas are also interrogated, particularly how he employed Unitarianism and the British satiric tradition to undermine colonial rule in Bengal and provincialize England as a laggard nation in the progress towards rational religion and political liberty.
| Author | : Paul Johnson |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2010-03-04 |
| Genre | : History |
| ISBN | : 1139487051 |
Corporate capitalism was invented in nineteenth-century Britain; most of the market institutions that we take for granted today - limited companies, shares, stock markets, accountants, financial newspapers - were Victorian creations. So were the moral codes, the behavioural assumptions, the rules of thumb and the unspoken agreements that made this market structure work. This innovative study provides the first integrated analysis of the origin of these formative capitalist institutions, and reveals why they were conceived and how they were constructed. It explores the moral, economic and legal assumptions that supported this formal institutional structure, and which continue to shape the corporate economy of today. Tracing the institutional growth of the corporate economy in Victorian Britain and demonstrating that many of the perceived problems of modern capitalism - financial fraud, reckless speculation, excessive remuneration - have clear historical precedents, this is a major contribution to the economic history of modern Britain.
| Author | : Roger Ellis |
| Publisher | : Stackpole Books |
| Total Pages | : 456 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780811716406 |
"When histories, too often, have little room for the individuals who are the life and soul of the past, there is a place for a history which is composed of the lives of those who helped to make it what it was-and is." --Geoffrey Treasure, series editor. Many see the Victorian era as Britain's heyday. Certainly some of the nation's most exceptional citizens lived then, not least, of course, Queen Victoria herself. In all fields, pioneers were at work, among them Isbard Kingdom Brunel, Florence Nightingale, John Ruskin, William Morris, Sir Robert Peel, Sir John Stuart Mill, Michael Faraday, Edward Lear, and Charles Darwin. To come in the series: Who's Who in Roman Britain and Anglo-Saxon England, Who's Who in Early Medieval England, Who's Who in Late Medieval England, Who's Who in Stuart Britain, Who's Who in Early Hanoverian Britain,Who's Who in Late Hanoverian Britain
| Author | : Leah Price |
| Publisher | : Princeton University Press |
| Total Pages | : 361 |
| Release | : 2012-04-09 |
| Genre | : Literary Criticism |
| ISBN | : 1400842182 |
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
| Author | : Michael Mason |
| Publisher | : |
| Total Pages | : 370 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : |
BL A challenging examination of Victorian sexuality. BL Confronts one of the most persistent historical cliches of modern times. BL Draws on a wealth of documentary evidence including medical, scientific, religious, demographic, and literary texts. At a time when AIDS, abortion, and sexual abuse have become favourite topics of media and academic debate, it is no surprise that the Victorians, with their strong associations with prudery and puritanism, are frequently held up as an example of a sexual culture far different from our own. Yet whatdid the Victorians really think about sex? What was the reality of their sexual behaviour, and what wider concepts - biological, political, religious - influenced their sexual moralism? The Making of Victorian Sexuality directly confronts one of the most persistent cliches of modern times. Michael Mason shows how much of our perception of nineteenth-century sexual culture is simply wrong. Far from being a license for prudery and hypocrisy, Victorian sexual moralism is shown to bein reality a code intelligently embraced by wealthy and poor alike as part of a humane and progressive vision of society's future. The `average' Victorian man was not necessarily the church-going, tyrannical, secretly lecherous, bourgeois `paterfamilias' of modern-day legend, but often an agnostic,radical-minded, sexually continent citizen, with a deliberately restricted number of children. Persuasively arguing that there is much in Victorian sexual moralism to teach the complacently libertarian twentieth century, this lively and fascinating study offers a radical challenge to one of the most persistent myths of our age.
| Author | : Ben Wilson |
| Publisher | : Penguin |
| Total Pages | : 482 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9781594201165 |
A history of pre-Victorian England cites the contributions of Romantic authors, profiles the role of imperialism, and traces Britain's influence as an economic and political power, likening elements of the period to those of today's world.
| Author | : Katherine Haskins |
| Publisher | : Routledge |
| Total Pages | : 226 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351546287 |
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
