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The Long Revolution

The Long Revolution
Author: Raymond Williams
Publisher: Broadview Press
Total Pages: 401
Release: 2001-03-02
Genre: Literary Criticism
ISBN: 1770481753

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Raymond Williams, whose other works include Keywords, The Country and the City, Culture and Society, and Modern Tragedy, was one of the world’s foremost cultural critics. Almost uniquely, his work bridged the divides between aesthetic and socio-economic inquiry, between Marxist thought and mainstream liberal thought, and between the modern and post-modern world. When The Long Revolution first appeared in 1961, much of the acclaim it received was based on its prescriptions for Britain in the '60s, which form a relatively brief final section of the whole. The body of the book has since come to be recognized as one of the foundation documents in the cultural analysis of English-speaking culture. The “long revolution” of the title is a cultural revolution, which Williams sees as having unfolded alongside the democratic revolution and the industrial revolution. With this book, Williams led the way in recognizing the importance of the growth of the popular press, the growth of standard English, and the growth the reading public in English-speaking culture and in Western culture as a whole. In addition, Williams’s discussion of how culture is to be defined and analyzed has been of considerable importance in the development of cultural studies as an independent discipline. Originally published by Chatto & Windus, The Long Revolution is now available only in this Broadview Encore Edition.


Modern Tragedy

Modern Tragedy
Author: Raymond Williams
Publisher: New Left Books
Total Pages: 236
Release: 1979
Genre: Literary Criticism
ISBN:

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Raymond Williams

Raymond Williams
Author: John Higgins
Publisher: Routledge
Total Pages: 272
Release: 2013-06-17
Genre: Literary Criticism
ISBN: 1135630194

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Raymond Williams' prolific output is increasingly recognised as the most influential body of work on literary and cultural studies in the past fifty years. This book provides the most comprehensive study to date of the theoretical and historical context of Williams' thinking on literature, politics and culture. John Higgins traces: * Williams' intellectual development * the related growth of a New Left cultural politics * the origins of the theory and practice of cultural materialism. Raymond Williams is an astonishing achievement and will challenge many received ideas about Williams' work.


The Raymond Williams Reader

The Raymond Williams Reader
Author: John Higgins
Publisher: John Wiley & Sons
Total Pages: 338
Release: 2001-01-19
Genre: Literary Criticism
ISBN: 0631213104

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This carefully-structured reader presents a survey of the whole body of Williams' existing work, providing existing readers with a new perspective on his writings, and new readers with the opportunity to explore his ideas in depth.


Culture and Society

Culture and Society
Author: Raymond Williams
Publisher:
Total Pages: 0
Release: 1958
Genre:
ISBN:

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Raymond Williams

Raymond Williams
Author: Elizabeth Eldridge
Publisher: Routledge
Total Pages: 215
Release: 2005-10-10
Genre: Social Science
ISBN: 1134953224

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This book provides a critical introduction to the full range of Williams' work - fiction and non-fiction. It assesses the significance of his contribution in understanding culture, politics and society. Fair-minded, accurate and sensitive, the book makes crucial connections between the different aspects of Williams' work and the underlying concern for a democratic polity which informed it.


Culture and Materialism

Culture and Materialism
Author: Raymond Williams
Publisher: Verso Books
Total Pages: 365
Release: 2020-10-13
Genre: Philosophy
ISBN: 1839763078

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A comprehensive introduction to the work of one of the outstanding intellectuals of the twentieth century. Raymond Williams is a towering presence in cultural studies, most importantly as the founder of the apporach that has come to be known as "cultural materialism." Yet Williams's method was always open-ended and fluid, and this volume collects together his most significant work from over a twenty-year peiod in which he wrestled with the concepts of materialism and culture and their interrelationship. Aside from his more directly theoretical texts, however, case-studies of theatrical naturalism, the Bloomsbury group, advertising, science fiction, and the Welsh novel are also included as illustrations of the method at work. Finally, Williams's identity as an active socialist, rather than simply an academic, is captured by two unambiguously political pieces on the past, present and future of Marxism.


Raymond Williams at 100

Raymond Williams at 100
Author: Paul Stasi
Publisher: Rowman & Littlefield
Total Pages: 212
Release: 2021-04-07
Genre: Social Science
ISBN: 1538145081

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Raymond Williams was “by common consent” one of the “two most commanding intellectual figures in the New Left that emerged in Britain at the turn of the sixties,” the other being Edward Thompson. Williams published in 1961 a text entitled “The Future of Marxism.” In that essay, Williams has some remarkable things to say about imperialism, the successes of actually existing socialism, balanced against its failures, and the continued relevance of socialism as the horizon of human liberation. He also makes a characteristic methodological point: “the relation between systems of thought and actual history is both complex and surprising.” The future of Marxism, that is to say, will not depend on dogma, but will instead rest on historical developments, on how well are able to actualize Marx’s ideals in our own unique conjuncture. This volume takes up the challenge of reading and extending Williams’s thought in light of the actual history that has occurred since his passing but with the same ideal of socialism as its guiding horizon. If there is one thread visible throughout all of Williams’s work, it is the felt presence of a living, thinking individual, of a person continually testing ideas in experience in order to see whether they fit the world they are meant to describe. The aim of this volume, timed to coincide with what would have been Williams’s 100th birthday, is to test his ideas in our own experience and to engage Williams’s work in ways that move past the familiar terrain that has grown around it. We now know that “experience” is a dangerous category, that “community” can be hijacked by the right as much as the left, and that “tradition” contains as much conflict as commonality. Those committed to Williams’s work can easily find textual arguments or developments across his career to answer these charges, and they have. What our volume offers is a set of arguments by younger scholars influenced by Williams’s writings that moves past some of these debates, extending Williams’s work into the 21st century, testing and weighing his ideas in light of recent developments and contemporary intellectual culture. In doing so, we treat Williams’s thought as one of those “resources of hope,” which he famously suggested would sustain us. At a time of deepening inequality and austerity and growing rightward reaction, and yet simultaneously, and with seeming dialectical necessity, a renewed investment in socialism, Williams might be exactly the kind of figure we need.


Television

Television
Author: Raymond Williams
Publisher: Routledge
Total Pages: 192
Release: 2004-06-01
Genre: Social Science
ISBN: 1134379374

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Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.