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The London Journal

The London Journal
Author:
Publisher:
Total Pages: 874
Release: 1845
Genre:
ISBN:

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The London Journal

The London Journal
Author:
Publisher:
Total Pages: 886
Release: 1863
Genre:
ISBN:

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The London Journal of Arts and Sciences

The London Journal of Arts and Sciences
Author:
Publisher:
Total Pages: 386
Release: 1823
Genre:
ISBN:

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Containing reports of all new patents, with a description of their respective principles and properties: also, original communications on subjects connected with science and philosophy; particularly such as embrace the most recent inventions and dicoveries in practical mechanics.


The London journal

The London journal
Author: University Women's Club, London, Ont
Publisher:
Total Pages: 56
Release: 1966*
Genre: London (Ont.)
ISBN:

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The London Journal of Arts and Sciences

The London Journal of Arts and Sciences
Author:
Publisher:
Total Pages: 382
Release: 1828
Genre:
ISBN:

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Containing reports of all new patents, with a description of their respective principles and properties: also, original communications on subjects connected with science and philosophy; particularly such as embrace the most recent inventions and dicoveries in practical mechanics.


The London Journal, 1845-83

The London Journal, 1845-83
Author: Andrew King
Publisher: Routledge
Total Pages: 286
Release: 2019-12-14
Genre:
ISBN: 9780367887773

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This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area. Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural 'zones' where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers. He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Ã0/00mile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.