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| Author | : John Storm Roberts |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 306 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : 0195121015 |
In this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last 20 years. 50 halftones.
| Author | : John Storm Roberts |
| Publisher | : |
| Total Pages | : |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
| Author | : Dizzy Gillespie |
| Publisher | : |
| Total Pages | : |
| Release | : 2010 |
| Genre | : |
| ISBN | : |
| Author | : Paul Roldan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1992 |
| Genre | : |
| ISBN | : |
| Author | : John Storm Roberts |
| Publisher | : Schirmer Trade Books |
| Total Pages | : 328 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : |
Examines in depth the long-standing influence of Latin music on jazz. Details the early influence of Latin styles on the birth of the musical form, and the continuing cross- pollination of Brazilian, Cuban, Argentinean, and Mexican music with American jazz. Profiles such key Latin jazz musicians as Tito Puente, Astrid Gilberto, Chick Corea and others, as well as Anglo and Black musicians who were deeply influenced by Latin music, such as Stan Getz and Dizzy Gillespie. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Ilan Stavans |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1751 |
| Release | : 2014-07-29 |
| Genre | : Social Science |
| ISBN | : |
This definitive two-volume encyclopedia of Latin music spans 5 centuries and 25 countries, showcasing musicians from Celia Cruz to Plácido Domingo and describing dozens of rhythms and essential themes. Eight years in the making, Latin Music: Musicians, Genres, and Themes is the definitive work on the topic, providing an unparalleled resource for students and scholars of music, Latino culture, Hispanic civilization, popular culture, and Latin American countries. Comprising work from nearly 50 contributors from Spain, Latin America, the Caribbean, and the United States, this two-volume work showcases how Latin music—regardless of its specific form or cultural origins—is the passionate expression of a people in constant dialogue with the world. The entries in this expansive encyclopedia range over topics as diverse as musical instruments, record cover art, festivals and celebrations, the institution of slavery, feminism, and patriotism. The music, traditions, and history of more than two dozen countries—such as Argentina, Brazil, Costa Rica, Cuba, El Salvador, Guatemala, Honduras, Mexico, Panama, Spain, and Venezuela—are detailed, allowing readers to see past common stereotypes and appreciate the many different forms of this broadly defined art form.
| Author | : Fredrick B. Pike |
| Publisher | : University of Texas Press |
| Total Pages | : 465 |
| Release | : 2010-07-05 |
| Genre | : Political Science |
| ISBN | : 0292787898 |
The lazy greaser asleep under a sombrero and the avaricious gringo with money-stuffed pockets are only two of the negative stereotypes that North Americans and Latin Americans have cherished during several centuries of mutual misunderstanding. This unique study probes the origins of these stereotypes and myths and explores how they have shaped North American impressions of Latin America from the time of the Pilgrims up to the end of the twentieth century. Fredrick Pike's central thesis is that North Americans have identified themselves with "civilization" in all its manifestations, while viewing Latin Americans as hopelessly trapped in primitivism, the victims of nature rather than its masters. He shows how this civilization-nature duality arose from the first European settlers' perception that nature—and everything identified with it, including American Indians, African slaves, all women, and all children—was something to be conquered and dominated. This myth eventually came to color the North American establishment view of both immigrants to the United States and all our neighbors to the south.
| Author | : Leonardo Acosta |
| Publisher | : Smithsonian Institution |
| Total Pages | : 321 |
| Release | : 2016-06-21 |
| Genre | : Biography & Autobiography |
| ISBN | : 1588345475 |
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
| Author | : Charles Hiroshi Garrett |
| Publisher | : Univ of California Press |
| Total Pages | : 308 |
| Release | : 2008-10-12 |
| Genre | : Music |
| ISBN | : 0520942825 |
Identifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres—including art music, jazz, popular song, ragtime, and Hawaiian music—and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound.
| Author | : Julie Malnig |
| Publisher | : University of Illinois Press |
| Total Pages | : 394 |
| Release | : 2023-01-10 |
| Genre | : Performing Arts |
| ISBN | : 0252055144 |
This dynamic collection documents the rich and varied history of social dance and the multiple styles it has generated, while drawing on some of the most current forms of critical and theoretical inquiry. The essays cover different historical periods and styles; encompass regional influences from North and South America, Britain, Europe, and Africa; and emphasize a variety of methodological approaches, including ethnography, anthropology, gender studies, and critical race theory. While social dance is defined primarily as dance performed by the public in ballrooms, clubs, dance halls, and other meeting spots, contributors also examine social dance’s symbiotic relationship with popular, theatrical stage dance forms. Contributors are Elizabeth Aldrich, Barbara Cohen-Stratyner, Yvonne Daniel, Sherril Dodds, Lisa Doolittle, David F. García, Nadine George-Graves, Jurretta Jordan Heckscher, Constance Valis Hill, Karen W. Hubbard, Tim Lawrence, Julie Malnig, Carol Martin, Juliet McMains, Terry Monaghan, Halifu Osumare, Sally R. Sommer, May Gwin Waggoner, Tim Wall, and Christina Zanfagna.
