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The Jazz of Physics

The Jazz of Physics
Author: Stephon Alexander
Publisher: Basic Books
Total Pages: 272
Release: 2016-04-26
Genre: Science
ISBN: 0465098509

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More than fifty years ago, John Coltrane drew the twelve musical notes in a circle and connected them by straight lines, forming a five-pointed star. Inspired by Einstein, Coltrane put physics and geometry at the core of his music. Physicist and jazz musician Stephon Alexander follows suit, using jazz to answer physics' most vexing questions about the past and future of the universe. Following the great minds that first drew the links between music and physics-a list including Pythagoras, Kepler, Newton, Einstein, and Rakim-The Jazz of Physics reveals that the ancient poetic idea of the Music of the Spheres," taken seriously, clarifies confounding issues in physics. The Jazz of Physics will fascinate and inspire anyone interested in the mysteries of our universe, music, and life itself.


Existential Physics

Existential Physics
Author: Sabine Hossenfelder
Publisher: Penguin
Total Pages: 273
Release: 2022-08-09
Genre: Science
ISBN: 1984879456

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A NEW YORK TIMES BESTSELLER “An informed and entertaining guide to what science can and cannot tell us.” —The Wall Street Journal “Stimulating . . . encourage[s] readers to push past well-trod assumptions […] and have fun doing so.” —Science Magazine From renowned physicist and creator of the YouTube series “Science without the Gobbledygook,” a book that takes a no-nonsense approach to life’s biggest questions, and wrestles with what physics really says about the human condition Not only can we not currently explain the origin of the universe, it is questionable we will ever be able to explain it. The notion that there are universes within particles, or that particles are conscious, is ascientific, as is the hypothesis that our universe is a computer simulation. On the other hand, the idea that the universe itself is conscious is difficult to rule out entirely. According to Sabine Hossenfelder, it is not a coincidence that quantum entanglement and vacuum energy have become the go-to explanations of alternative healers, or that people believe their deceased grandmother is still alive because of quantum mechanics. Science and religion have the same roots, and they still tackle some of the same questions: Where do we come from? Where do we go to? How much can we know? The area of science that is closest to answering these questions is physics. Over the last century, physicists have learned a lot about which spiritual ideas are still compatible with the laws of nature. Not always, though, have they stayed on the scientific side of the debate. In this lively, thought-provoking book, Hossenfelder takes on the biggest questions in physics: Does the past still exist? Do particles think? Was the universe made for us? Has physics ruled out free will? Will we ever have a theory of everything? She lays out how far physicists are on the way to answering these questions, where the current limits are, and what questions might well remain unanswerable forever. Her book offers a no-nonsense yet entertaining take on some of the toughest riddles in existence, and will give the reader a solid grasp on what we know—and what we don’t know.


The History of Jazz

The History of Jazz
Author: Ted Gioia
Publisher: Oxford University Press, USA
Total Pages: 481
Release: 1997-11-20
Genre: Social Science
ISBN: 0199840296

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Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities, New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe "King" Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the world's greatest hot tune writer"), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being "entertainers," wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature.


Stephen Hawking

Stephen Hawking
Author: Leonard Mlodinow
Publisher: Pantheon
Total Pages: 241
Release: 2020
Genre: Biography & Autobiography
ISBN: 1524748684

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An intimate and inspirational exploration of Stephen Hawking--the man, the friend, and the physicist. Stephen Hawking was one of the most famous and influential physicists in the world. He left a mark in our culture that touched the lives of millions. His books have inspired countless scientists-to-be, and his research on the laws of black holes and the origin of the universe charted new territory. Recalling his nearly two-decades as a friend and collaborator with Stephen Hawking, Leonard Mlodinow brings a complex man into focus like no one has before. He introduces us to Hawking the colleague, for whom no detail is too minor to get right, a challenge for a man who could only type one word per minute. We meet Hawking the friend, who creates such strong connections with those around him that he can communicate powerfully with just the raise of an eyebrow. We witness Hawking the genius, who, against all odds, flourishes after he is diagnosed with ALS and pours his mind into uncovering the mysteries of the universe. Brilliant, impish, and kind, Hawking endeared himself to almost everyone he came into contact with. This beautiful portrait is inpirational and is sure to stick with you long after you've read it.


The Jazz Revolution

The Jazz Revolution
Author: Kathy J. Ogren
Publisher: Oxford University Press
Total Pages: 240
Release: 1992-06-04
Genre: Music
ISBN: 0195360621

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Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along with many other Americans celebrated it--both as an expression of black culture and as a symbol of rebellion against American society. But an equal number railed against it. Whites were shocked by its raw emotion and sexuality, and blacks considered it "devil's music" and criticized it for casting a negative light on the black community. In this illuminating work, Kathy Ogren places this controversy in the social and cultural context of 1920s America and sheds new light on jazz's impact on the nation as she traces its dissemination from the honky-tonks of New Orleans, New York, and Chicago, to the clubs and cabarets of such places as Kansas City and Los Angeles, and further to the airwaves. Ogren argues that certain characteristics of jazz, notably the participatory nature of the music, its unusual rhythms and emphasis, gave it a special resonance for a society undergoing rapid change. Those who resisted the changes criticized the new music; those who accepted them embraced jazz. In the words of conductor Leopold Stowkowski, "Jazz [had] come to stay because it [was] an expression of the times, of the breathless, energetic, superactive times in which we [were] living, it [was] useless to fight against it." Numerous other factors contributed to the growth of jazz as a popular music during the 1920s. The closing of the Storyville section of New Orleans in 1917 was a signal to many jazz greats to move north and west in search of new homes for their music. Ogren follows them to such places as Chicago, New York, and San Francisco, and, using the musicians' own words as often as possible, tells of their experiences in the clubs and cabarets. Prohibition, ushered in by the Volstead Act of 1919, sent people out in droves to gang-controlled speak-easies, many of which provided jazz entertainment. And the 1920s economic boom, which made music readily available through radio and the phonograph record, created an even larger audience for the new music. But Ogren maintains that jazz itself, through its syncopated beat, improvisation, and blue tonalities, spoke to millions. Based on print media, secondary sources, biographies and autobiographies, and making extensive use of oral histories, The Jazz Revolution offers provocative insights into both early jazz and American culture.


Coming Through Slaughter

Coming Through Slaughter
Author: Michael Ondaatje
Publisher: Vintage
Total Pages: 180
Release: 2011-03-23
Genre: Fiction
ISBN: 0307776611

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Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.


Music, Math, and Mind

Music, Math, and Mind
Author: David Sulzer
Publisher:
Total Pages: 240
Release: 2021-03-23
Genre:
ISBN: 9780231193788

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This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music. Written for musicians and music lovers with any level of science and math proficiency, including none, Music, Math, and Mind demystifies how music works while testifying to its beauty and wonder.


The Trouble with Gravity

The Trouble with Gravity
Author: Richard Panek
Publisher: Houghton Mifflin
Total Pages: 261
Release: 2019
Genre: Science
ISBN: 0544526740

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An award-winning science writer traces our millennia-long effort to understand the phenomenon of gravity--the greatest mystery in physics, and a force that has shaped our universe and our minds in ways we have never fully understood until now.


Einstein's Dice and Schrödinger's Cat

Einstein's Dice and Schrödinger's Cat
Author: Paul Halpern
Publisher: Basic Books
Total Pages: 282
Release: 2015-04-14
Genre: Science
ISBN: 0465040659

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"A fascinating and thought-provoking story, one that sheds light on the origins of . . . the current challenging situation in physics." -- Wall Street Journal When the fuzzy indeterminacy of quantum mechanics overthrew the orderly world of Isaac Newton, Albert Einstein and Erwin Schröger were at the forefront of the revolution. Neither man was ever satisfied with the standard interpretation of quantum mechanics, however, and both rebelled against what they considered the most preposterous aspect of quantum mechanics: its randomness. Einstein famously quipped that God does not play dice with the universe, and Schröger constructed his famous fable of a cat that was neither alive nor dead not to explain quantum mechanics but to highlight the apparent absurdity of a theory gone wrong. But these two giants did more than just criticize: they fought back, seeking a Theory of Everything that would make the universe seem sensible again. In Einstein's Dice and Schröger's Cat, physicist Paul Halpern tells the little-known story of how Einstein and Schröger searched, first as collaborators and then as competitors, for a theory that transcended quantum weirdness. This story of their quest-which ultimately failed-provides readers with new insights into the history of physics and the lives and work of two scientists whose obsessions drove its progress. Today, much of modern physics remains focused on the search for a Theory of Everything. As Halpern explains, the recent discovery of the Higgs Boson makes the Standard Model-the closest thing we have to a unified theory- nearly complete. And while Einstein and Schröger failed in their attempt to explain everything in the cosmos through pure geometry, the development of string theory has, in its own quantum way, brought this idea back into vogue. As in so many things, even when they were wrong, Einstein and Schröger couldn't help but get a great deal right.