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| Author | : Henry Russell Hitchcock |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 280 |
| Release | : 1995 |
| Genre | : Architecture |
| ISBN | : 9780393315189 |
The most influential work of architectural criticism and history of the twentieth century, now available in a handsomely designed new edition.
| Author | : Terence Riley |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 228 |
| Release | : 1992 |
| Genre | : Architecture |
| ISBN | : |
Ter gelegenheid van een tentoonstelling in de Arthur Ross Architectural Gallery, Buell Hall van 9 maart tot 2 mei 1992.
| Author | : Hasan-Uddin Khan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Architectural design |
| ISBN | : 9783836510523 |
In the 1930s, the term International Style came into use to describe a new form of architecture evolved from Bauhaus and its conviction that "form follows function." This book traces the exciting evolution of a style while examining the individual and regional forms it took.
| Author | : Tom Wolfe |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 133 |
| Release | : 2009-11-24 |
| Genre | : Architecture |
| ISBN | : 142992425X |
After critiquing—and infuriating—the art world with The Painted Word, award-winning author Tom Wolfe shared his less than favorable thoughts about modern architecture in From Bauhaus to Our Haus. In this examination of the strange saga of twentieth century architecture, Wolfe takes such European architects as Ludwig Mies van der Rohe, Le Corbusier, and Bauhaus art school founder Walter Gropius to task for their glass and steel box designed buildings that have influenced—and infected—America’s cities.
| Author | : Charles L. Davis II |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 305 |
| Release | : 2019-09-06 |
| Genre | : Architecture |
| ISBN | : 0822986639 |
In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of “race” and “style” as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists—Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze—to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.
| Author | : Richard Hollis |
| Publisher | : Yale University Press |
| Total Pages | : 288 |
| Release | : 2006-01-01 |
| Genre | : Design |
| ISBN | : 9780300106763 |
Originally published: London: Laurence King Pub., 2006.
| Author | : Barbara Radice |
| Publisher | : Thames & Hudson |
| Total Pages | : 207 |
| Release | : 1995 |
| Genre | : Architecture |
| ISBN | : 9780500273777 |
Founded in 1981, the international group of architects, Memphis, shook the design world to its foundations. Based in Italy and led by Ettore Sottsass, it overturned and re-shaped the pre-suppositions on which the production of so-called Modern Design is based. It became the almost mythical symbol of the New Design. Laughing out loud at our culture and at itself, Memphis pulled out all stops when it came to colour, pattern, decoration and ornamentation.
| Author | : Bruce Davis |
| Publisher | : |
| Total Pages | : 344 |
| Release | : 1988 |
| Genre | : Art |
| ISBN | : |
| Author | : |
| Publisher | : Rizzoli Publications |
| Total Pages | : 250 |
| Release | : 2008-10-21 |
| Genre | : Architecture |
| ISBN | : 0847830675 |
The birthplace of American modernism, Los Angeles is the epicenter for a new way of living for the last one hundred years, as manifested in its cutting-edge architecture and design. With roots in the innovative houses by Frank Lloyd Wright, Greene & Greene, and Rudolph Schindler in the early twentieth century, this constantly evolving city became a crucible of modern living. Inspired by the International Style, architects and designers in Los Angeles developed their own individual styles with a rare sensitivity to site, landscape, and human scale. This brand of modernism, blurring the boundaries of indoors and outdoors, has since been imitated from Seattle to Sydney. Acclaimed architecture and design photographer Tim Street-Porter captures the best Modernist architecture of Los Angeles, from the seminal Neutra houses to the idiosynchratic structures by Frank Gehry. With iconic buildings by Craig Ellwood, Pierre Koenig, John Lautner, Charles and Ray Eames, and Oscar Niemeyer, among others, L.A. Modern presents the full spectrum of Los Angeles modernism in gorgeous new color photography.
| Author | : Ken Tadashi Ōshima |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 2009 |
| Genre | : Architecture |
| ISBN | : |
Following World War I, a generation of young architects in Japan took part in a movement toward "international architecture," or kokusai kenchiku, designing houses for people who blended Japanese and Western customs in their daily lives, and public buildings--from schools and hospitals to weather stations and golf clubhouses--that encompassed modern forms and new materials, especially earthquake-resistant reinforced concrete, yet systhesized the new with the old.--Ken Tadashi Oshima is assistant professor of architecture at the University of Washington.
