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| Author | : Jan Reid |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 2021-07-30 |
| Genre | : |
| ISBN | : 9780875657769 |
"This is the biography of George T. Ruby, an African American statesman who was active in Texas politics and fought for equal rights for black freedmen in Reconstruction Texas"--
| Author | : Jan Reid |
| Publisher | : University of Texas Press |
| Total Pages | : 408 |
| Release | : 2010-07-05 |
| Genre | : Music |
| ISBN | : 0292787766 |
Musical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds—Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene—progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin. Four new chapters and an epilogue show how the creative burst of the seventies directly spawned a new generation of talents who carry on the tradition—Lyle Lovett, Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Earl Keen, Steve Earle, Jimmy LaFave, Kelly Willis, Joe Ely, Bruce and Charlie Robison, and The Dixie Chicks.
| Author | : Jan Reid |
| Publisher | : Da Capo Press, Incorporated |
| Total Pages | : 380 |
| Release | : 1974 |
| Genre | : Music |
| ISBN | : |
Musical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds--Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene--progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin.
| Author | : Jan Reid |
| Publisher | : University of Texas Press |
| Total Pages | : 286 |
| Release | : 2005-09-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0292709730 |
On April 20, 1998, Jan Reid was shot during a robbery in Mexico City, where he had gone to watch his friend, the boxer Jesus Chavez, fight. In The Bullet Meant for Me, Reid powerfully recounts his ordeal, the long chain of life events that brought him to that fateful attack, and his struggle to regain the ability to walk and to be a full partner in a deeply satisfying marriage. Re-examining the whole trajectory of his life, Reid questions how much the Texan ideal of manhood shaped his identity, including his love for boxing and participation in the sport. He meditates on male friendship as he tells the story of his close relationship with Chavez, whose career and personal travails Reid details with empathy and insight. And he describes his long months in physical therapy, during which he drew on the unwavering love of his wife and daughter, as well as the courage and strength he had learned from boxing, to heal his body and spirit. A moving, intimate portrait of a man, a friendship, and a marriage, The Bullet Meant for Me is Jan Reid's most personal book.
| Author | : Jay Dunston Milner |
| Publisher | : University of North Texas Press |
| Total Pages | : 276 |
| Release | : 1998 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781574410501 |
Once upon a time there was an innocent lad from West Texas who wrote a novel and fell in with a rabble of Texas writers as they were bridging the literary gap between J. Frank Dobie and his paisanos and the current bumper crop of Texas writers who seem to be everywhere writing about everything. This rowdy rabble of gap bridgers bonded in a sort of literary and social club they called Maddog Inc. (Motto: Doing indefinable services to mankind.) But our hero managed to live through it all anyway. This is his story. Jay Milner was part of a generation of Texas writers whose heyday lasted from the late 1950s through the 1970s. The group comprised Billie Lee Brammer, Edwin "Bud" Shrake, Gary Cartwright, Dan Jenkins, Larry L. King, Pete Gent, and (peripherally) Larry McMurtry and Willie Morris, among others. From the musical scene there were the "picker poets" such as Willie Nelson, Jerry Jeff Walker, Guy Clark, Billy Joe Shaver, and Waylon Jennings. Some of the primary works coming from this generation of writers include Brammer's The Gay Place, Shrake's Strange Peaches, Cartwright's Confessions of a Washed-up Sportswriter, King's The Whorehouse Papers and None But a Blockhead, Jan Reid's The Improbable Rise of Redneck Rock, and Willie Nelson's album Phases and Stages.
| Author | : Chris Willman |
| Publisher | : Rednecks & Bluenecks |
| Total Pages | : 330 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 9781595580177 |
Willman looks at the way country music's increasing popularity and conservative drift parallel the transformation of the Democratic South into the heart of the Republican mainstream.
| Author | : Jan Reid |
| Publisher | : Univ of TX + ORM |
| Total Pages | : 294 |
| Release | : 2010-02-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0292792859 |
A biography of the Sir Douglas Quintet and Texas Tornados founder, a rock and roll innovator whose Grammy Award–winning career spans half the twentieth century. Doug Sahm was a singer, songwriter, and guitarist of legendary range and reputation. The first American musician to capitalize on the 1960s British invasion, Sahm vaulted to international fame leading a faux-British band called the Sir Douglas Quintet, whose hits included “She’s About a Mover,” “The Rains Came,” and “Mendocino.” He made the cover of Rolling Stone magazine in 1968 and 1971 and performed with the Grateful Dead, Dr. John, Willie Nelson, Boz Scaggs, and Bob Dylan. Texas Tornado is the first biography of this national music legend. Jan Reid traces the whole arc of Sahm’s incredibly versatile musical career, as well as the manic energy that drove his sometimes-turbulent personal life and loves. Reid follows Sahm from his youth in San Antonio as a prodigy steel guitar player through his breakout success with the Sir Douglas Quintet and his move to California, where, with an inventive take on blues, rock, country, and jazz, he became a star in San Francisco and invented the “cosmic cowboy” vogue. Reid also chronicles Sahm’s later return to Texas and to chart success with the Grammy Award–winning Texas Tornados, a rowdy “conjunto rock and roll band” that he modeled on the Beatles and which included Sir Douglas alum Augie Meyers and Tejano icons Freddy Fender and Flaco Jimenez. With his exceptional talent and a career that bridged five decades, Doug Sahm was a rock and roll innovator whose influence can only be matched among his fellow Texas musicians by Buddy Holly, Roy Orbison, Janis Joplin, and Stevie Ray Vaughan. Texas Tornado vividly captures the energy and intensity of this musician whose life burned out too soon, but whose music continues to rock. “Doug was like me, maybe the only figure from that period of time that I connected with. His was a big soul. He had a hit record, “She’s About a Mover,” and I had a hit record [“Like a Rolling Stone”] at the same time. So we became buddies back then, and we played the same kind of music. We never really broke apart. We always hooked up at certain intervals in our lives. . . . I’d never met anyone who’d played on stage with Hank Williams before, let alone someone my own age. Doug had a heavy frequency, and it was in his nerves. . . . I miss Doug. He got caught in the grind. He should still be here.” —Bob Dylan “I once made the analogy that Doug was like St. Sebastian—pierced by 1,000 arrows—but instead of blood, talent coming out of every wound. I really regard him as the best musician I ever knew, because of his versatility, and the range of his information and taste.” —Jerry Wexler, Atlantic Records producer
| Author | : Jan Reid |
| Publisher | : Texas A&M University Press |
| Total Pages | : 514 |
| Release | : 2010-10-06 |
| Genre | : Fiction |
| ISBN | : 0875654274 |
Comanche Sundown is the story of the great war chief Quanah Parker, a freed slave and cowboy named Bose Ikard, and the women they love. In 1869 Quanah and Bose do their best to kill each other in a brutal fight on horseback in West Texas. But over several years, through the flash and chaos of war and killing they discover that they are friends, not enemies. They change from violent unformed youths into men of courage and decency. The son of the ferocious warrior Nocona and the tragic captive Texan Cynthia Ann Parker, Quanah suffers the wound of being slurred and rejected by many Comanches as someone of impure blood and certain bad luck. When told he cannot marry his youthful love Weckeah, he rides off and joins another band of his people in the canyonlands and plains of the Texas Panhandle. Later, when Quanah has just emerged as a war chief in a daring rout of army cavalry, in defiance of elders and tradition he elopes with Weckeah and leads a following of the wildest Comanche bunch of all. The enslaved son of a white physician, Bose is freed by the Civil War and rides on trail drives of longhorns into New Mexico Territory that are led by the pioneering Charles Goodnight. Bose winds up captured, utilized, and eventually valued by Quanah and his people. That period in young Bose’s life brings him into intoxicating friendship with Quanah’s other wife, To-ha-yea, a Mescalero Apache and born heart-breaker. Comanche Sundown lays out a sprawling and plausible recast of Southwestern history that brings Pat Garrett, Billy the Kid, Bat Masterson, Colonel Ranald “Bad Hand” Mackenzie, and General William T. Sherman into one fray. In the tradition of Thomas Berger’s Little Big Man, William Styron’s The Confessions of Nat Turner, Larry McMurtry’s Lonesome Dove, and Cormac McCarthy’s All the Pretty Horses, Jan Reid’s novel offers a rich blend of historical detail, exquisite eye for the terrain and the animals, and insight into the culture, customs, poetry, and dignity of Native Americans caught up in a desperate fight to survive.
| Author | : Jan Reid |
| Publisher | : University of Texas Press |
| Total Pages | : 769 |
| Release | : 2012-10-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 0292745796 |
This intimate biography of the pioneering Texas governor is “required reading for political junkies—and for women considering a life in politics” (Booklist). When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President Bush—“Poor George, he can’t help it. He was born with a silver foot in his mouth”—she became an instant celebrity and triggered a rivalry that would alter the course of history. In 1990, she won the governorship of Texas, becoming the first ardent feminist elected to high office in America. Richards opened pathways for greater diversity in public service, and her achievements created a legacy that transcends her tenure in office. In Let the People In, Jan Reid offers an intimate portrait of Ann Richards’s remarkable rise to power as a liberal Democrat in a deeply conservative state. Reid draws on his long friendship with Richards, as well as interviews with family, personal correspondence, and extensive research to tell the story of Richards’s life, from her youth in Waco, through marriage and motherhood, her struggle with alcoholism, and her shocking encounters with Lyndon Johnson and Jimmy Carter. Reid shares the inside story of Richards’s rise from county office to the governorship, as well as her score-settling loss of the governorship to George W. Bush. Reid also describes Richards’s final years as a mentor to a new generation of public servants, including Hillary Clinton.
| Author | : Richard Bauman |
| Publisher | : University of Texas Press |
| Total Pages | : 336 |
| Release | : 2013-06-11 |
| Genre | : Social Science |
| ISBN | : 0292757379 |
"And Other Neighborly Names"—the title is from a study by Americo Paredes of the names, complimentary and otherwise, exchanged across cultural boundaries by Anglos and Mexicans—is a collection of essays devoted to various aspects of folk tradition in Texas. The approach builds on the work of the folklorists who have helped give the study of folklore in Texas such high standing in the field-Mody Boatright, J. Frank Dobie, John Mason Brewer, the Lomaxes, and of course Paredes himself, to whom this book is dedicated. Focusing on the ways in which traditions arise and are maintained where diverse peoples come together, the editors and other essayists—John Holmes McDowell, Joe Graham, Alicia María González, Beverly J. Stoeltje, Archie Green, José E. Limón, Thomas A. Green, Rosan A. Jordan, Patrick B. Mullen, and Manuel H. Peña—examine conjunto music, the corrido, Gulf fishermen's stories, rodeo traditions, dog trading and dog-trading tales, Mexican bakers' lore, Austin's "cosmic cowboy" scene, and other fascinating aspects of folklore in Texas. Their emphasis is on the creative reaction to socially and culturally pluralistic situations, and in this they represent a distinctively Texan way of studying folklore, especially as illustrated in the performance-centered approach of Paredes, Boatright, and others who taught at the University of Texas at Austin. As an overview of this approach—its past, present, and future—"And Other Neighborly Names" makes a valuable contribution both to Texas folklore and to the discipline as a whole.
