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The Immoderate Past

The Immoderate Past
Author: C. Hugh Holman
Publisher: University of Georgia Press
Total Pages: 134
Release: 2008
Genre: Literary Criticism
ISBN: 0820333573

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The Immoderate Past deals with the southern writer's preoccupation with history, concentrating on representative novelists from three major periods. Finding the origins of this preoccupation in the antebellum period, when most American novelists wrote in the mode of Sir Walter Scott, C. Hugh Holman examines the Revolutionary romances of William Gilmore Simms. With the coming of realism to American fiction after the Civil War, the southern writer turned to a combination of the realistic method with the novel of manners in order to describe the way of life in the South during the nineteenth century. The Civil War replaced the American Revolution as the crucial event in the novels of this second period and was seen as disrupting the quality and texture of antebellum southern life. To illustrate the southern novel in the realistic tradition, Holman discusses Ellen Glasgow's The Battleground, DuBose Heyward's Peter Ashley, Stark Young's So Red the Rose, Allen Tate's The Fathers, Margaret Mitchell's Gone with the Wind, and Margaret Walker's Jubilee. Since the 1930s writers in the region have experimented with modernistic techniques distorting reality in order to make special statement about the nature and meaning of the southern experience. To illustrate this latest development in southern writing, Holman turns to William Faulkner's Light in August and Absalom, Absalom!; Robert Penn Warren's All the King's Men, World Enough and Time, Brother to Dragons, and Wilderness; and William Styron's Confessions of Nat Turner. The Immoderate Past closes with a consideration of the extent to which southern novelists have persisted in using time as a major dimension in their fiction, whereas time has tended to be displaced by space in the standard American novel.


The Immoderate Past

The Immoderate Past
Author: Anna Jacoba Leenhouts
Publisher:
Total Pages: 338
Release: 1982
Genre: American fiction
ISBN:

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The Immoderate Past

The Immoderate Past
Author: Clarence Hugh Holman
Publisher:
Total Pages: 128
Release: 1977
Genre:
ISBN: 9780598115676

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Immoderate Past

Immoderate Past
Author: Clarence H. Holman
Publisher:
Total Pages: 128
Release: 1977-01-01
Genre:
ISBN: 9780877971146

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The Immoderate Past

The Immoderate Past
Author: Richard C. Rowland
Publisher:
Total Pages: 0
Release: 1980
Genre: American literature
ISBN:

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Religion and the Life of the Nation

Religion and the Life of the Nation
Author: Rowland A. Sherrill
Publisher: University of Illinois Press
Total Pages: 284
Release: 1990
Genre: Religion
ISBN: 9780252061110

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Judgment and Grace in Dixie

Judgment and Grace in Dixie
Author: Charles Reagan Wilson
Publisher: University of Georgia Press
Total Pages: 238
Release: 2007-06-01
Genre: Social Science
ISBN: 9780820329659

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Religion has permeated nearly every aspect of modern southern culture in the US, with results that range from portraits of Jesus on black velvet to the soul-stirring orations of Martin Luther King Jr. This work gives an appraisal of religion's influence on such expressions of regional life as literature, music and folk art.


South to the Future

South to the Future
Author: Fred C. Hobson
Publisher: University of Georgia Press
Total Pages: 132
Release: 2002
Genre: History
ISBN: 9780820324111

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Until recently, the American South has often been treated in isolation by historians and literary critics. In these essays five scholars of southern history and literature evaluate elements of contemporary--and future--southern experience, including place, community, culture, class, gender, and racial roles. Fred Hobson observes in his introductory essay that the U.S. South must be seen in relation to a larger world--the Caribbean and Central and South America, as well as European countries with a similar grounding in hardship and defeat. Moreover, the South can no longer be viewed in black-and-white terms--especially if the subject is race. Joel Williamson's essay challenges fellow historians to broaden their purview by getting acquainted with Gone with the Wind, Elvis Presley, and other phenomena of southern culture(s). Linda Wagner-Martin discusses the innovative ways in which contemporary southern writers such as Charles Frazier take on traditional southern concerns and shows us how "place becomes space" for Alice Walker, Barbara Kingsolver, Cormac McCarthy, and other southern-born writers whose works are often set outside the geographical South. Thadious Davis looks at the "youngsters" of southern poetry, fiction, and drama, revealing how their work reflects a racially and ethnically mixed, digitized, and otherwise reconfigured South. In the writings of Shay Youngblood, Randall Kenan, Donna Tartt, Mona Lisa Salloy, and others, one can see the collapsing of distinctions between the literary and the popular, and a greater comfort with social fluidity and mobility. The concluding essay by Edward Ayers, set in 2076, offers a witty glimpse of things-perhaps-to-come. Through a series of short dispatches from a sixteen-year-old narrator of Scottish-Ghanian-Honduran-Korean-Cherokee descent, Ayers transports us to the Consolidated South that counts Incarceration Incorporated among its largest employers. As these writings signal new depths and directions in southern historical and literary studies, they compose a witty and erudite album of snapshots, revealing a region on the verge of big changes.


Vietnam and the Southern Imagination

Vietnam and the Southern Imagination
Author: Owen W. Gilman
Publisher: Univ. Press of Mississippi
Total Pages: 226
Release: 1992
Genre:
ISBN: 9781617035340

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