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| Author | : Uchendu, Victor Chikezie |
| Publisher | : Vancouver, B.C. : Crane Library |
| Total Pages | : 110 |
| Release | : 1974 |
| Genre | : Igbo (African people) |
| ISBN | : |
| Author | : |
| Publisher | : McFarland |
| Total Pages | : 467 |
| Release | : 2018-07-10 |
| Genre | : Music |
| ISBN | : 1476631875 |
Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. Yet there has been little effort at compiling recorded evidence to document their development. This discography brings together hundreds of recordings that trace in detail the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South.
| Author | : Apollos O. Nwauwa |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 267 |
| Release | : 2019-05-20 |
| Genre | : Political Science |
| ISBN | : 1498589936 |
Scholarly studies on the Igbo have been scant and fragmented. Politics and Identity Formation in Southeastern Nigeria: The Igbo in Perspective fills an obvious gap, exploring the social, cultural,economic, political, and aesthetic traditions that distinguish the Igbo of southeasternNigeria from their neighbors. In scope, content, and analysis this book is both multi- and cross-disciplinary, focusing on the experiences and forces that have shaped the Igbo society, identity formation, and sociocultural, political, and aesthetic representations. Themes such as the importance ofIgbo names in understanding the people’s social, linguistic, religious, gender, and cultural identities, as well as the intersection of language, politics, socialization, education, and aesthetic expression in the Igbo experience in Nigeria, are interrogated in a refreshing fashion with an appreciable level of originality.
| Author | : G. Chuku |
| Publisher | : Springer |
| Total Pages | : 351 |
| Release | : 2016-04-27 |
| Genre | : History |
| ISBN | : 1137311290 |
In this groundbreaking collection, leading historians, Africanists, and other scholars document the life and work of twelve Igbo intellectuals who, educated within European traditions, came to terms with the dominance of European thought while making significant contributions to African intellectual traditions.
| Author | : Ashley Walker |
| Publisher | : Chicago Review Press |
| Total Pages | : 170 |
| Release | : 2022-11-15 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 1641607262 |
Nothing moves us like music. Music Mavens transports readers around the world (and beyond)—to a jazz performance in Genoa, an instrument lab in London, a Tokyo taiko dojo, a New York City beatbox battle, and even a film scoring session aboard the starship Enterprise, to name a few. Along the way, it spotlights artists whose work spans musical genres and industry roles, including composing and songwriting, performing and conducting, audio engineering, producing, and rock photography. In Music Mavens, 15 extraordinary women reveal how they turned their passions into platforms and how they use their power to uplift others. Their musical resumes will inspire, but the way each artist lives her life is the real story.
| Author | : Stephen Ellis |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2016-07-01 |
| Genre | : Political Science |
| ISBN | : 0197547974 |
Nigeria and Nigerians have acquired a notorious reputation for involvement in drug-trafficking, fraud, cyber-crime and other types of serious crime. Successful Nigerian criminal networks have a global reach, interacting with their Italian, Latin American and Russian counterparts. Yet in 1944, a British colonial official wrote that 'the number of persistent and professional criminals is not great' in Nigeria and that 'crime as a career has so far made little appeal to the young Nigerian'. This book traces the origins of Nigerian organised crime to the last years of colonial rule, when nationalist politicians acquired power at a regional level. In need of funds for campaigning, they offered government contracts to foreign businesses in return for kickbacks, in a pattern that recurs to this day. Political corruption encouraged a wider disrespect for the law that spread throughout Nigerian society. When the country's oil boom came to an end in the early 1980s, young Nigerian college graduates headed abroad, eager to make money by any means. Nigerian crime went global at the very moment new criminal markets were emerging all over the world.
| Author | : Yoad Winter |
| Publisher | : Frontiers Media SA |
| Total Pages | : 181 |
| Release | : 2022-04-01 |
| Genre | : Science |
| ISBN | : 2889747166 |
| Author | : Adiele Eberechukwu Afigbo |
| Publisher | : Africa World Press |
| Total Pages | : 736 |
| Release | : 2005 |
| Genre | : Nigeria |
| ISBN | : 9781592213245 |
These essays attempt to focus the light of history,on Nigeria, Nigerians and their contemporary,condition. The root idea here is that fundamental,to all historical works - that when the mind,interacts with the past, the result is something,like a torchlight whose beam is focused on the,present, thus enabling us to achieve a better,understanding of the problems which face us.,Afigbo has probed deep into Nigeria's pastbringing out all the facets, all the elements and,all the issues that are necessary to improve the,present.
| Author | : Ruth M. Stone |
| Publisher | : Routledge |
| Total Pages | : 524 |
| Release | : 2010-04-02 |
| Genre | : Music |
| ISBN | : 1135900019 |
The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.
| Author | : Jerrilyn McGregory |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 239 |
| Release | : 2010-10-05 |
| Genre | : Social Science |
| ISBN | : 1604737832 |
Jerrilyn McGregory explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. She examines African American sacred music outside of Sunday church-related activities, showing that singing conventions and anniversary programs fortify spiritual as well as social needs. In this region African Americans maintain a social world of their own creation. Their cultural performances embrace some of the most pervasive forms of African American sacred music—spirituals, common meter, Sacred Harp, shape-note, traditional, and contemporary gospel. Moreover, the contexts in which they sing include present-day observations such as the Twentieth of May (Emancipation Day), Burial League Turnouts, and Fifth Sunday. Rather than tracing the evolution of African American sacred music, this ethnographic study focuses on contemporary cultural performances, almost all by women, which embrace all forms. These women promote a female-centered theology to ensure the survival of their communities and personal networks. They function in leadership roles that withstand the test of time. Their spiritual activism presents itself as a way of life. In Wiregrass Country, “You don't have to sing like an angel” is a frequently expressed sentiment. To these women, “good” music is God's music regardless of the manner delivered. Therefore, Downhome Gospel presents gospel music as being more than a transcendent sound. It is local spiritual activism that is writ large. Gospel means joy, hope, expectation, and the good news that makes the soul glad.
