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The Hip-Hop Generation Fights Back

The Hip-Hop Generation Fights Back
Author: Andreana Clay
Publisher: NYU Press
Total Pages: 242
Release: 2012-07-02
Genre: Social Science
ISBN: 0814723950

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From youth violence, to the impact of high stakes educational testing, to editorial hand wringing over the moral failures of hip-hop culture, young people of color are often portrayed as gang affiliated, “troubled,” and ultimately, dangerous. The Hip-Hop Generation Fights Back examines how youth activism has emerged to address the persistent inequalities that affect urban youth of color. Andreana Clay provides a detailed account of the strategies that youth activists use to frame their social justice agendas and organize in their local communities. Based on two years of fieldwork with youth affiliated with two non-profit organizations in Oakland, California, The Hip-Hop Generation Fights Back shows how youth integrate the history of social movement activism of the 1960s, popular culture strategies like hip-hop and spoken word, as well as their experiences in the contemporary urban landscape, to mobilize their peers. Ultimately, Clay’s comparison of the two youth organizations and their participants expands our understandings of youth culture, social movements, popular culture, and race and ethnic relations.


It's Bigger Than Hip Hop

It's Bigger Than Hip Hop
Author: M. K. Asante, Jr.
Publisher: St. Martin's Press
Total Pages: 304
Release: 2008-09-16
Genre: Social Science
ISBN: 1429946350

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In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."


Can't Stop Won't Stop

Can't Stop Won't Stop
Author: Jeff Chang
Publisher: St. Martin's Press
Total Pages: 561
Release: 2007-04-01
Genre: Social Science
ISBN: 1429902698

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Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.


Chicano Rap

Chicano Rap
Author: Pancho McFarland
Publisher: University of Texas Press
Total Pages: 217
Release: 2012-09-21
Genre: Music
ISBN: 0292748485

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Powered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions—San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.


Coming of Age in the Hip Hop Generation

Coming of Age in the Hip Hop Generation
Author: Askia Davis
Publisher:
Total Pages: 414
Release: 2012
Genre: African American families
ISBN: 9780985502409

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What do you get when a father, who came of age in the Black Power and Black is Beautiful Generation, attempts to raise a son coming of age in the Hip Hop Generation? You get two views of reality, psychological warfare, harmony, disharmony, hope, and ongoing transformation. Coming of Age in the Hip Hop Generation: Warrior of the Void is a co-authored father-son memoir. It is written in the son's voice and covers the first 18 years of his life growing up African American and Puerto Rican in Brooklyn. The void is the space that exists between who we are and who we are called to become. It is the space where we encounter so many flamboyant demons while our few guardian angels often remain hidden from sight. Demons often choose not to appear horrific; they most often choose to appear enchanting. Warrior of the Void presents Askia Akhenaton's faith-affirming journey through the first 18 years of the void. Come inside for an intimate and unique examination of: innocence and harmony; love and heartbreak; sex education and mis-education from parents, teens, the Internet, teachers, and musicians; disharmony and the fight for independence and self-identity; racial profiling and stop-and-frisk encounters with the police; mind manipulation to create a pervasive and negative image of black and Latino males; American his-story vs. history; the spell of video games, music, sports, and social media; 12th grade senioritis and its cure; and God, faith, and family.


The Hip-Hop Generation

The Hip-Hop Generation
Author: Bakari Kitwana
Publisher: Civitas Books
Total Pages: 256
Release: 2008-08-05
Genre: Social Science
ISBN: 0786724935

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The Hip Hop Generation is an eloquent testament for black youth culture at the turn of the century. The only in-depth study of the first generation to grow up in post-segregation America, it combines culture and politics into a pivotal work in American studies. Bakari Kitwana, one of black America's sharpest young critics, offers a sobering look at this generation's disproportionate social and political troubles, and celebrates the activism and politics that may herald the beginning of a new phase of African-American empowerment.


The Hip Hop Movement

The Hip Hop Movement
Author: Reiland Rabaka
Publisher: Lexington Books
Total Pages: 432
Release: 2013-04-04
Genre: Social Science
ISBN: 0739181173

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The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.


The Black Church and Hip Hop Culture

The Black Church and Hip Hop Culture
Author: Emmett G. Price
Publisher: Scarecrow Press
Total Pages: 230
Release: 2011-11-10
Genre: Music
ISBN: 081088237X

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Throughout the 1950s and 1960s, the Black Church stood as the stronghold of the Black Community, fighting for equality and economic self-sufficiency and challenging its body to be self-determined and self-aware. Hip Hop Culture grew from disenfranchised urban youth who felt that they had no support system or resources. Impassioned with the same urgent desires for survival and hope that their parents and grandparents had carried, these youth forged their way from the bottom of America’s belly one rhyme at a time. For many young people, Hip Hop Culture is a supplement, or even an alternative, to the weekly dose of Sunday-morning faith. In this collection of provocative essays, leading thinkers, preachers, and scholars from around the country confront both the Black Church and the Hip Hop Generation to realize their shared responsibilities to one another and the greater society. Arranged into three sections, this volume addresses key issues in the debate between two of the most significant institutions of Black Culture. The first part, “From Civil Rights to Hip Hop,” explores the transition from one generation to another through the transmission—or lack thereof—of legacy and heritage. Part II, “Hip Hop Culture and the Black Church in Dialogue,” explores the numerous ways in which the conversation is already occurring—from sermons to theoretical examinations and spiritual ponderings. Part III, “Gospel Rap, Holy Hip Hop, and the Hip Hop Matrix,” clarifies the perspectives and insights of practitioners, scholars, and activists who explore various expressions of faith and the diversity of locations where these expressions take place. In The Black Church and Hip Hop Culture, pastors, ministers, theologians, educators, and laypersons wrestle with the duties of providing timely commentary, critical analysis, and in some cases practical strategies toward forgiveness, healing, restoration, and reconciliation. With inspiring reflections and empowering discourse, this collection demonstrates why and how the Black Church must re-engage in the lives of those who comprise the Hip Hop Generation.


Urban Science Education for the Hip-hop Generation

Urban Science Education for the Hip-hop Generation
Author: Christopher Emdin
Publisher: Brill / Sense
Total Pages: 0
Release: 2010
Genre: African Americans
ISBN: 9789087909864

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Christopher Emdin is an assistant professor of science education and director of secondary school initiatives at the Urban Science Education Center at Teachers College, Columbia University. He holds a Ph.D. in urban education with a concentration in mathematics, science and technology; a master's degree in natural sciences; and a bachelor's degree in physical anthropology, biology, and chemistry. His book, Urban Science Education for the Hip-Hop Generation is rooted in his experiences as student, teacher, administrator, and researcher in urban schools and the deep relationship between hip-hop culture and science that he discovered at every stage of his academic and professional journey. The book utilizes autobiography, outcomes of research studies, theoretical explorations, and accounts of students' experiences in schools to shed light on the causes for the lack of educational achievement of urban youth from the hip-hop generation.


Party Crashing

Party Crashing
Author: Keli Goff
Publisher: Civitas Books
Total Pages: 306
Release: 2009-04-28
Genre: Political Science
ISBN: 0786732326

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For the last forty years the label "black voter" has been virtually synonymous with "Democrat" but a new generation of voters is changing that. In her provocative new book Party Crashing, political commentator Keli Goff introduces America's newest swing voter. Like soccer moms and Nascar dads before them, young, black voters born after the Civil Rights Movement are becoming increasingly up for grabs, politically speaking. While the politics of their parents and grandparents were shaped by the Civil Rights Movement, Goff notes that the politics of her peers, members of the post-Civil Rights generation, have been shaped by a number of cultural influencers that transcend race; from "The Cosby Show," to icons such as Oprah Winfrey, and the tragedy of 9/11. Civil rights has long been the defining political issue for black Americans but for this emerging generation of black voters, civil rights is now one issue among many that define their politics. As a result, they are challenging the idea that one's skin color should color one's political identity, and they are also challenging the idea that they should be Democrats. Since the support of black Americans has been crucial to the success of democratic candidates-from Presidents Kennedy to Clinton-this shift could be one of the most important developments in modern politics, arguably as important as the Civil Rights movement itself. Along with the political shift occurring, Goff also examines the cultural shift that is taking place on a wide range of issues including: gay marriage, hip-hop, and the emergence of what Goff calls "Generation Obama." Through in-depth interviews with young, black voters, groundbreaking survey research, and conversations with a range of high profile Americans-from Colin Powell to Russell Simmons-Party Crashing explores the issues and people who have helped shape the politics of the post-Civil Rights Generation, and how this generation is reshaping America.