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The Hand on the Shakespearean Stage

The Hand on the Shakespearean Stage
Author: Farah Karim Cooper
Publisher: Bloomsbury Publishing
Total Pages: 324
Release: 2016-04-21
Genre: Drama
ISBN: 1474234283

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This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare's time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays.


Shakespearean Stage Production

Shakespearean Stage Production
Author: Cécile de Banke
Publisher: Routledge
Total Pages: 327
Release: 2014-08-13
Genre: Performing Arts
ISBN: 1317652800

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An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.


The Cambridge Companion to Shakespeare on Stage

The Cambridge Companion to Shakespeare on Stage
Author: Stanley Wells
Publisher: Cambridge University Press
Total Pages: 559
Release: 2002-05-30
Genre: Drama
ISBN: 1139826484

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This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.


Chasing Shakespeares

Chasing Shakespeares
Author: Sarah Smith
Publisher: Simon and Schuster
Total Pages: 288
Release: 2010-05-11
Genre: Young Adult Fiction
ISBN: 1439122199

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From an author the San Francisco Chronicle hails as "daring and splendid" comes an exhilarating novel of passion and ideas that cuts to the heart of one of literature's most fascinating and enduring mysteries: the enigma of Shakespeare. Meet Joe Roper, tough-minded young graduate student, who has been lucky enough to land a job cataloging the famed Kellogg Collection of Elizabethan texts and curiosities. Joe's been passionate about Shakespeare since he read a duct-taped paperback at age nine and found the witches, warriors, murders, and ghosts as much fun as Stephen King, but his working-class roots make him a fish out of water in the academic world. He is seemingly as far from adventure as it's possible to be -- until the delicious Posy Gould enters, stage right. A glamorous rising star at Harvard, she insists that a letter Joe has found, signed by one W. Shakespeare of Stratford, is a career-making discovery for them both -- because the letter says Shakespeare didn't write the plays. To Joe's mind, the letter is a forgery. When Posy insists they test it, the two literary sleuths head for England to prove their clashing theories. But they find themselves in a world where the London Eye looks out over Shakespeare's city, Hollywood producers rub elbows with Elizabethan spies, and mystery shadows the heart of Westminster Abbey and the lanes of rural England. And Joe and Posy find that, when you start chasing Shakespeares, what you find is not only who he was, but who you are, and how far you're willing to go.... A first-rate mystery from one of the masters of the genre, Chasing Shakespeares is also a literary shell game, a love story, and a profound meditation on identity and ownership. Sarah Smith has created a novel that rivals A. S. Byatt's Possession in its rich and fast-moving blend of literary history and page-turning suspense.


Shakespeare, Theatre, and Time

Shakespeare, Theatre, and Time
Author: Matthew Wagner
Publisher: Routledge
Total Pages: 181
Release: 2013-03-01
Genre: Performing Arts
ISBN: 1136661638

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That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' (Love's Labour's Lost), one who can untie knots (Twelfth Night), or, perhaps most famously, simply ‘out of joint’ (Hamlet). Yet most critical commentary on time and Shakespeare tends to incorporate little focus on time as an essential - if elusive - element of stage praxis. This book aims to fill that gap; Wagner's focus is specifically performative, asking after time as a stage phenomenon rather than a literary theme or poetic metaphor. His primary approach is phenomenological, as the book aims to describe how time operates on Shakespearean stages. Through philosophical, historiographical, dramaturgical, and performative perspectives, Wagner examines the ways in which theatrical activity generates a manifest presence of time, and he demonstrates Shakespeare’s acute awareness and manipulation of this phenomenon. Underpinning these investigations is the argument that theatrical time, and especially Shakespearean time, is rooted in temporal conflict and ‘thickness’ (the heightened sense of the present moment bearing the weight of both the past and the future). Throughout the book, Wagner traces the ways in which time transcends thematic and metaphorical functions, and forms an essential part of Shakespearean stage praxis.


The Shakespearean Stage, 1574-1642

The Shakespearean Stage, 1574-1642
Author: Andrew Gurr
Publisher: Cambridge University Press
Total Pages: 298
Release: 1992-01-23
Genre: Drama
ISBN: 9780521422406

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The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.


The Shakespearean Stage Space

The Shakespearean Stage Space
Author: Mariko Ichikawa
Publisher: Cambridge University Press
Total Pages: 237
Release: 2013
Genre: Literary Criticism
ISBN: 1107020352

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The Shakespearean Stage Space explores the original staging of plays by Shakespeare and his contemporaries in Renaissance playhouses.


The Complete Idiot's Guide to Shakespeare's Plays

The Complete Idiot's Guide to Shakespeare's Plays
Author: Cynthia Greenwood
Publisher: Penguin
Total Pages: 372
Release: 2008
Genre: Drama
ISBN: 9781592577088

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Here art thou real Shakespeare. The resurgence of interest in Shakespeare's plays - largely due to recent film adaptations - has reminded the world that Shakespearean theatre is a social art form. This guide focuses on the essence of the spoken word of his plays rather than simply dissecting them. It also explores the cultural and historical contexts for the major plays, offering the director's and actor's perspective in addition to that of the scholar and close reader. Each major play is explored in depth, explaining Shakespearean terms Offers commentary on the experience of each play on and off stage with attention to language and verse Appendixes include Shakespeare's likely collaborations, a glossary, suggested further reading, and resources for viewing live performances and video/audio recordings Perfect for students, general readers, theatregoers, and actors Published to commemorate Shakespeare's 443rd birthday


Stage Directions and Shakespearean Theatre

Stage Directions and Shakespearean Theatre
Author: Gillian Woods
Publisher: Bloomsbury Publishing
Total Pages: 370
Release: 2017-12-14
Genre: Drama
ISBN: 1474257496

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What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.


Lighting the Shakespearean Stage, 1567 - 1642

Lighting the Shakespearean Stage, 1567 - 1642
Author: R. B. Graves
Publisher: SIU Press
Total Pages: 310
Release: 1999-12-08
Genre: Literary Criticism
ISBN: 9780809322756

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In Lighting the Shakespearean Stage, 1567–1642,R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents.