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The Great American Pop Art Store

The Great American Pop Art Store
Author: Constance White Glenn
Publisher:
Total Pages: 142
Release: 1997
Genre: Art
ISBN:

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Published to accompany exhibition held at the University Art Museum, California State University, 26/8 - 26/10, 1997.


Pop Impressions Europe/USA

Pop Impressions Europe/USA
Author: Wendy Weitman
Publisher: The Museum of Modern Art
Total Pages: 140
Release: 1999
Genre: Architecture
ISBN: 9780870700774

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Essay by Wendy Weitman.


The great American pop art store

The great American pop art store
Author: White Glenn (Historienne d'art.)
Publisher:
Total Pages: 115
Release: 1997
Genre:
ISBN:

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American Pop Art

American Pop Art
Author: Lawrence Alloway
Publisher:
Total Pages: 184
Release: 1974
Genre: Art
ISBN:

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"Catalog of the exhibition:" p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April 16. 1974, with support from the National Endowment for the Arts.


Corita Kent and the Language of Pop

Corita Kent and the Language of Pop
Author: Susan Dackerman
Publisher: Yale University Press
Total Pages: 339
Release: 2015-01-01
Genre: Art
ISBN: 0300214715

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Exhibition catalog published in conjunction with the exhibition held at the Harvard Art Museums, Cambridge, Massachusetts, September 3, 2015-January 3, 2016 and at the San Antonio Museum of Art, San Antonio, Texas, February 13-May 8, 2016.


Edward Ruscha

Edward Ruscha
Author: Lisa Turvey
Publisher: Yale University Press
Total Pages: 453
Release: 2014-01-01
Genre: Art
ISBN: 0300209495

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An immense contribution to scholarship on Ed Ruscha and his pioneering artistic practice, offering thorough documentation of his works on paper This highly anticipated book—the first in a series of three—comprehensively chronicles the first two decades of Ed Ruscha’s (b. 1937) work on paper, which comprises the largest component of his production of original works. Over 1,000 works on paper are documented, all created between 1956 and 1976, and they encompass a wide range of formats, materials, themes, and styles. Included are collages, ephemeral sketches, preparatory studies for paintings, oil on paper works, and drawings executed in a variety of inventive materials, including gunpowder and organic substances. Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references. Essays by Lisa Turvey and Harry Cooper complete this extraordinary survey, which expands and enriches our understanding of Ruscha’s pioneering exploration of the written word as a subject for visual art and his witty assessment of the iconography of Los Angeles, both real and imagined.


Annual Report

Annual Report
Author: National Endowment for the Arts
Publisher:
Total Pages: 172
Release:
Genre: Federal aid to the arts
ISBN:

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Reports for 1980-19 also include the Annual report of the National Council on the Arts.


Art and Merchandise in Keith Haring’s Pop Shop

Art and Merchandise in Keith Haring’s Pop Shop
Author: Amy Raffel
Publisher: Routledge
Total Pages: 248
Release: 2020-12-30
Genre: Art
ISBN: 1000286940

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As one of the first academic monographs on Keith Haring, this book uses the Pop Shop, a previously overlooked enterprise, and artist merchandising as tools to reconsider the significance and legacy of Haring’s career as a whole. Haring developed an alternative approach to both the marketing and the social efficacy of art: he controlled the sales and distribution of his merchandise, while also promulgating his belief in accessibility and community activism. He proved that mass-produced objects can be used strategically to form a community and create social change. Furthermore, looking beyond the 1980s, into the 1990s and 2000s, Haring and his shop prefigured artists’ emerging, self-aware involvement with the mass media, and the art world’s growing dependence on marketing and commercialism. The book will be of interest to scholars or students studying art history, consumer culture, cultural studies, media studies, or market studies, as well as anyone with a curiosity about Haring and his work, the 1980s art scene in New York, the East Village, street art, art activism, and art merchandising.


Artists & Prints

Artists & Prints
Author: Deborah Wye
Publisher: The Museum of Modern Art
Total Pages: 296
Release: 2004
Genre: Architecture
ISBN: 9780870701252

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Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.