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The Global Structure of Visual Space

The Global Structure of Visual Space
Author: Tarow Indow
Publisher: World Scientific
Total Pages: 228
Release: 2004
Genre: Psychology
ISBN: 9812388427

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The space we see around us is the end product of a long series of processes: physical, physiological, and cognitive. It is a highly structured perceptual entity. In contrast to the fact that most studies of visual perception are concerned with local phenomena in this visual space, the main purpose of this book is to discuss the global structure of visual space. The physical space which surrounds us is of Euclidean structure, but its perceived image is not necessarily structured in that way. Problems such as why the sky appears as a vault and why the horizon is located at eye level are discussed in the book.


The Geometries of Visual Space

The Geometries of Visual Space
Author: Mark Wagner
Publisher: Psychology Press
Total Pages: 290
Release: 2006
Genre: Psychology
ISBN: 0805852522

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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.


The Many Mappings of Visual Space

The Many Mappings of Visual Space
Author: Francesca Cowden Fortenbaugh
Publisher:
Total Pages: 208
Release: 2012
Genre:
ISBN:

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It can be argued that individuals are most often concerned with the objects that exist in an environment, as it is these objects that are recognized, localized and acted upon. However, the space between objects plays as critical a role in activities of daily living as the objects themselves because without the perception of an underlying spatial structure, accurate localization, navigation, and manipulations of objects would not be possible. To date, questions still exist as to how space is perceived across the visual field as a function of eccentricity (i.e., where an object is located within the visual field) and the factors that influence space perception in the visual periphery. In particular, conflicting reports have been found in the literature regarding inherent biases in peripheral localization and the modulating affect of attention on the perceived structure of visual space. The aim of these studies was to help resolve some of these issues. In the first two chapters it is argued that perception of both the locations and shapes of objects presented in the periphery are influenced by voluntary and involuntary attention. In Chapter 2, the results of three experiments demonstrate that changes in the distribution of sustained voluntary attention alter the perceived locations of target dots presented at different eccentricities along the cardinal axes. Specifically, the results show that when attention is focused on a region of space, targets appear to be located more peripherally than when attention is distributed across the visual field. The next three experiments in Chapter 3 show that rapid shifts in the location of involuntary attention can distort the perceived shape of an oval. These studies support the assertion that changes in attention alter the underlying structure of visual space, and thus, alter the perceived locations and/or shape of any object presented in that space. The experiments in Chapter 4 investigate the role of visual boundaries in spatial localization and argue that different classes of borders are associated with the different reference frames and metrics used in defining the underlying perceptual structure of visual space. The results of these experiments show that when spatial localization occurs relative to the intrinsic borders of the visual field, participants show a peripheral bias and a non-linear scaling of target locations across eccentricity. The introduction of external boundaries first leads to a linear scaling of target locations and can change the pattern of mislocalization from a peripheral to a foveal bias. In Chapter 5, it is argued that the borders of the visual field are used to compute location in a more natural metric (percentage of visual field extent) than degrees of visual angle for determining spatial location within a retinotopic reference frame, and that this metric may determine the allocation of processing resources across the visual field. Using a crowding paradigm in which participants perform significantly better when target gratings are presented along the lower vertical meridian than the upper vertical meridian, the results of the final experiment show that both inter-subject and intra-subject variability can be accounted for by this new metric. Collectively, these experiments highlight the fact that visual space is not a stable mapping of the external environment. Rather, the perceived structure of visual space is flexible and can be altered by both the borders that define a space as well as the attentional state of an observer.


Visual Space Perception

Visual Space Perception
Author: William H. Ittelson
Publisher:
Total Pages: 234
Release: 1960
Genre: Perception
ISBN:

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The Geometry of Vision and the Mind Body Problem

The Geometry of Vision and the Mind Body Problem
Author: Robert E. French
Publisher: Peter Lang Incorporated, International Academic Publishers
Total Pages: 228
Release: 1987
Genre: Medical
ISBN:

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This book focuses on the philosophy of perception with particular emphasis on the geometry of phenomenal visual space and mind body issues concerning the relationships between that space and neural activity in the brain. The contents include a detailed attack on naive realism and a defense of the causal theory of perception, along with analyses of both the topology and metric structure of visual space. It is shown how a variable curvature geometry for visual space can account for phenomenal visual depth perception, and an extension of that analysis is given to the other sense systems. The final chapter defends the claim that the conscious mind is a spatial entity, but still questions whether a physicalist reduction can be made of it to activity in the brain.


Space-Time Geometries for Motion and Perception in the Brain and the Arts

Space-Time Geometries for Motion and Perception in the Brain and the Arts
Author: Tamar Flash
Publisher: Springer Nature
Total Pages: 265
Release: 2021-01-04
Genre: Mathematics
ISBN: 3030572277

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This book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception. Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists.


Geometric Representations of Perceptual Phenomena

Geometric Representations of Perceptual Phenomena
Author: R. Duncan Luce
Publisher: Psychology Press
Total Pages: 368
Release: 2013-05-13
Genre: Psychology
ISBN: 113478953X

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Based on a conference held in honor of Professor Tarow Indow, this volume is organized into three major topics concerning the use of geometry in perception: * space -- referring to attempts to represent the subjective space within which we locate ourselves and perceive objects to reside; * color -- dealing with attempts to represent the structure of color percepts as revealed by various experimental procedures; and * scaling -- focusing on the organization of various bodies of data -- in this case perceptual -- through scaling techniques, primarily multidimensional ones. These topics provide a natural organization of the work in the field, as well as one that corresponds to the major aspects of Indow's contributions. This book's goal is to provide the reader with an overview of the issues in each of the areas, and to present current results from the laboratories of leading researchers in these areas.