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The Global Auteur

The Global Auteur
Author: Seung-hoon Jeong
Publisher: Bloomsbury Publishing USA
Total Pages: 411
Release: 2017-12-28
Genre: Performing Arts
ISBN: 1501338560

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Once heralded and defined by the likes of François Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art cinema to the fore, The Global Auteur shows how politics and philosophy are present in the works of these important filmmakers. They can be still seen leading a fight that their glorious predecessors seemed to have abandoned in the face of global capitalism and the market economy. Yet, as the contributors show, a new world calls for a new cinema, and thus for new auteurs. Covering a range of global auteurs such as Lars von Trier, Lav Diaz, Lee Chang-dong and Abderrahmane Sissako, The Global Auteur provides a much-needed reassessment of the film auteur for the global age.


Wong Kar-Wai

Wong Kar-Wai
Author: Stephen Teo
Publisher: Bloomsbury Publishing
Total Pages: 262
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1839021268

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This study of Hong Kong cult director Wong Kar-wai provides an overview of his career and in-depth analysis of his seven feature films to date. Teo probes Wong's cinematic and literary influences - from Martin Scorsese to Haruki Murakami - yet shows how Wong transcends them all.


Global Auteurs

Global Auteurs
Author: Brian Michael Goss
Publisher: Peter Lang Incorporated, International Academic Publishers
Total Pages: 0
Release: 2009
Genre: Business & Economics
ISBN: 9781433101458

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Global Auteurs employs auteur theory to examine the work of three contemporary and innovative directors: Pedro Almodóvar, Lars von Trier, and Michael Winterbottom. With extensive background information on the global film industry, and on auteur theory and its implications for ideological critique, this book's insightful case studies examine both ideologies the filmmakers re-circulate and ideologies that they confront in textual form. The discussion of Pedro Almodóvar devotes particular attention to mass mediation, the family, and gender in the corpus of his films, while Lars von Trier's corpus is interpreted as driven by a motif that characterizes all of his films: the «failed idealist». Michael Winterbottom's body of work presents a genre-diverse, post-MTV style concerned with «outsiders» and taboo, representation and truth, and human rights. Global Auteurs' sophisticated approach to decoding film is suitable for graduate and undergraduate courses on film, global mass media, and contemporary Europe.


1968 and Global Cinema

1968 and Global Cinema
Author: Christina Gerhardt
Publisher: Wayne State University Press
Total Pages: 413
Release: 2018-10-17
Genre: Art
ISBN: 0814342949

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The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies, and film and media studies.


Biopolitical Ethics in Global Cinema

Biopolitical Ethics in Global Cinema
Author: Seung-hoon Jeong
Publisher: Oxford University Press
Total Pages: 345
Release: 2023-06-30
Genre: Performing Arts
ISBN: 0190093781

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Biopolitical Ethics in Global Cinema takes a new approach to world cinema through critical theory. Whereas world cinema often refers to non-American films deemed artistic or peripheral, Seung-hoon Jong examines its mapping frames: the territorial 'national frame,' the deterritorializing 'transnational frame,' and the 'global frame.' If world cinema studies have mostly displayed national cinemas and their transnational mutations, his global frame highlights two conflicting ethical facets of globalization: the 'soft-ethical' inclusion of differences in multicultural, neoliberal systems and their 'hard-ethical' symptoms of fundamentalist exclusion and terror. Reflecting both, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical 'abjection' and ethical 'agency.' In this frame, the book explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Jeong comparatively navigates these films, highlighting less essentialist particularities than compatible localities that perform universal aspects of biopolitical ethics by centering the narrative of 'double death': the abject as symbolically dead struggle for lost subjectivity or new agency until physically dying. This narrative pervades global cinema from Hollywood blockbusters and European art films to Middle Eastern dramas and Asian genre films. Ultimately, the book renews critical discourses on global issues--including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia--through a core cluster of political, ethical, and psychoanalytic philosophies.


The Global Film Book

The Global Film Book
Author: Roy Stafford
Publisher: Routledge
Total Pages: 527
Release: 2014-01-10
Genre: Performing Arts
ISBN: 1136474587

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The Global Film Book is an accessible and entertaining exploration of the development of film as global industry and art form, written especially for students and introducing readers to the rich and varied cinematic landscape beyond Hollywood. Highlighting areas of difference and similarity in film economies and audiences, as well as form, genre and narrative, this textbook considers a broad range of examples and up to date industry data from Europe, Africa, Asia, Australasia and Latin America. Author Roy Stafford combines detailed studies of indigenous film and television cultures with cross border, global and online entertainment operations, including examples from Nollywood to Korean Cinema, via telenovelas and Nordic crime drama. The Global Film Book demonstrates a number of contrasting models of contemporary production, distribution and consumption of film worldwide, charting and analysing the past, present and potential futures for film throughout the world. The book also provides students with: a series of exploratory pathways into film culture worldwide illuminating analyses and suggestions for further readings and viewing, alongside explanatory margin notes and case studies a user friendly text design, featuring over 120 colour images a dynamic and comprehensive blog, online at www.globalfilmstudies.com, providing updates and extensions of case studies in the book and analysis of the latest developments in global film issues.


Global Crisis

Global Crisis
Author: Geoffrey Parker
Publisher: Yale University Press
Total Pages: 944
Release: 2013-03-15
Genre: History
ISBN: 0300189192

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The acclaimed historian demonstrates a link between climate change and social unrest across the globe during the mid-17th century. Revolutions, droughts, famines, invasions, wars, regicides, government collapses—the calamities of the mid-seventeenth century were unprecedented in both frequency and severity. The effects of what historians call the "General Crisis" extended from England to Japan and from the Russian Empire to sub-Saharan Africa and the Americas. In this meticulously researched volume, historian Geoffrey Parker presents the firsthand testimony of men and women who experienced the many political, economic, and social crises that occurred between 1618 to the late 1680s. He also incorporates the scientific evidence of climate change during this period into the narrative, offering a strikingly new understanding of the General Crisis. Changes in weather patterns, especially longer winters and cooler and wetter summers, disrupted growing seasons and destroyed harvests. This in turn brought hunger, malnutrition, and disease; and as material conditions worsened, wars, rebellions, and revolutions rocked the world.


Michael Mann

Michael Mann
Author: Steven Rybin
Publisher: Scarecrow Press
Total Pages: 320
Release: 2013-04-04
Genre: Performing Arts
ISBN: 0810890844

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Michael Mann first made his mark as a writer for such television programs as Starsky and Hutch, Police Story, and Vegas. In 1981 he made his feature film directing debut with the James Caan thriller Thief, and in the 1980s he served as a writer and executive producer for the groundbreaking programs Miami Vice and Crime Story. Though he has delved into other genres, Mann’s career as a writer, producer, and director has consistently focused on criminal activity, from small-time hoods and professional thieves to corporate manipulators and serial killers. In Michael Mann: Crime Auteur, Steven Rybin looks at the television programs and films that Mann has stamped with his personal signature. This book closely examines the themes and techniques used in films such as Manhunter, Heat, The Insider, and Collateral and connects these elements to his work on the non-genre films The Last of the Mohicans and Ali. A revised and significantly expanded edition of The Cinema of Michael Mann (2007), this book includes new chapters on Public Enemies and the big screen version of Miami Vice, as well as Mann’s work on the shows Crime Story and Luck. Covering Mann’s entire career, this book will be of interest to fans of the writer/director’s body of work as well as to scholars of both film and television.


Sine Ni Lav Diaz

Sine Ni Lav Diaz
Author: Parichay Patra
Publisher: Intellect (UK)
Total Pages: 232
Release: 2021-11-21
Genre:
ISBN: 9781789384246

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A holistic consideration of the works of celebrated Filipino filmmaker Lav Diaz. This original collection considers Lav Diaz and his works without being confined to a specific approach or research method. On the contrary, it touches on nearly every major contemporary academic approach to cinema. Though Diaz's contributions to slow and durational cinema are well known and his importance in contemporary world cinema is beyond doubt, the director remains largely unexplored in cinema studies. The book addresses this research gap, situating Diaz at the crucial juncture of new auteurism, Filipino New Wave, and transnational cinema, but it does not neglect the industrial-exhibitional coordinates of his cinema. The first book-length study on the groundbreaking auteur, the collection takes a critical look at his career and corpus from various perspectives, with contributions from cinema studies researchers, film critics, festival programmers, and artists. It offers a nuanced overview of the filmmaker and the cinematic traditions he belongs to for film enthusiasts, researchers, and general readers alike.


The Tattooist of Auschwitz

The Tattooist of Auschwitz
Author: Heather Morris
Publisher: Bonnier Zaffre Ltd.
Total Pages: 244
Release: 2018-02-01
Genre: Fiction
ISBN: 1760403180

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The incredible story of the Auschwitz-Birkenau tattooist and the woman he loved. Lale Sokolov is well-dressed, a charmer, a ladies' man. He is also a Jew. On the first transport of men from Slovakia to Auschwitz in 1942, Lale immediately stands out to his fellow prisoners. In the camp, he is looked up to, looked out for, and put to work in the privileged position of Tatowierer - the tattooist - to mark his fellow prisoners, forever. One of them is a young woman, Gita, who steals his heart at first glance. His life given new purpose, Lale does his best through the struggle and suffering to use his position for good. This story, full of beauty and hope, is based on years of interviews author Heather Morris conducted with real-life Holocaust survivor and Auschwitz-Birkenau tattooist Ludwig (Lale) Sokolov. It is heart-wrenching, illuminating, and unforgettable. 'Morris climbs into the dark miasma of war and emerges with an extraordinary tale of the power of love' - Leah Kaminsky