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The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland

The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland
Author: Alex Cahill
Publisher: Cambridge Scholars Publishing
Total Pages: 202
Release: 2018-06-11
Genre: Biography & Autobiography
ISBN: 1527512169

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In 1945, the Irish Catholic Church began a unique relationship with the entertainment industry through an organization known as the Catholic Stage Guild of Ireland. This Guild, whose members included Jimmy O’Dea, Noel Purcell, Cyril Cusack, and Gabriel Fallon, acted as a microcosm of twentieth-century Ireland, dramatically depicting the heartaches and successes of the Irish Catholics. This unprecedented study of the Catholic Stage Guild begins an investigation on the contemporary relationship between the Irish Catholic Church and theatre that, until now, has rarely been examined. Written for those interested in theatre studies, Catholic studies, and Irish studies, the Catholic Stage Guild of Ireland’s persuasion over the theatre population both within and outside the country’s borders proposes a story long overdue to be told – until now.


Theatre History Studies 2020, Vol. 39

Theatre History Studies 2020, Vol. 39
Author: Lisa Jackson-Schebetta
Publisher: University Alabama Press
Total Pages: 296
Release: 2020-12-15
Genre: Performing Arts
ISBN: 0817371141

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No Crown Without the Cross

No Crown Without the Cross
Author: Lauren Alexandra Iben Cahill
Publisher:
Total Pages: 257
Release: 2015
Genre:
ISBN:

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In December 1948, an article by Seamus Brady in The Manitoba Ensign claimed, “[The Catholic Stage Guild of Ireland] has branches in every city in Ireland, as well as in Britain, America and Australia.” Its presence, according to Brady’s article, was overwhelming. And yet by the 1970s, the Guild mysteriously seemed to disappear altogether from Irish society. This popularity and disappearance formulated my dissertation’s primary research question: how did the life of the Catholic Stage Guild of Ireland (its birth, success, and disappearance) reflect twentieth century Irish Catholicism and its relationship with the nation? This question encouraged numerous subsidiary questions including: how was the Guild as popular as Brady claims? And if it indeed was as Brady claims, then why did it extinguish? This dissertation seeks to uncover whether the Catholic Stage Guild of Ireland’s seemingly short, but powerful years emulating the status and movements of Irish Catholicism in the twentieth century. The Catholic Stage Guild of Ireland dramatically depicted the heartaches and successes of the Irish Catholics. Created by firm Catholics during a time in which the religion was celebrated, then altered, then slandered, the Catholic Stage Guild offers insight into individual attitudes concerning the state of the country and its primary religion. A study of the Catholic Stage Guild (which until now has not been conducted) will not only examine the history and purpose of this group of Catholic artists, but also falls in the foreground against the backdrop of twentieth century Ireland and provides insight into the movements of Irish Catholicism and nationalism during this time. Ultimately, this dissertation provides a historical context for Catholics to understand the relationship between Irish Catholicism, Irish nationalism and Irish theatre in the twentieth century, as well as provides non-Catholics with a sense of the importance of a Catholic Stage Guild in a time consumed by religious conflict.


We Remember Maynooth

We Remember Maynooth
Author: Salvador Ryan
Publisher: Messenger Publications
Total Pages: 865
Release: 2020-12-19
Genre: Religion
ISBN: 178812281X

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Founded in 1795, Maynooth College has a singular place in the history of the Irish Church, and indeed the Catholic Church globally. Its beginning was as a small seminary of thirty students and ten professors, most of whom were fleeing the ravages of the French Revolution. It has been the subject of riots in the streets of London and has played host to kings and popes. Its buildings have created one of the loveliest of university campuses and its chapel is among the highest free- standing structures in Ireland. It expanded rapidly, becoming a Pontifical University, a constituent college of the National University of Ireland and, at one time, the largest seminary in world. It has educated many thousands of students and led the way in many branches of the arts and sciences. But, beyond that, for its large number of alumni, found across all sectors of society internationally, it is a tapestry of rich memories. This book is a contribution to this rich tapestry. It is a compilation of pen pictures, personal reminiscences and sketches on aspects of the college’s life and history. The contributors have all been associated with Maynooth in many different spheres, either as students or staff, and in many cases both. Some have offered images of their time at Maynooth; others, portraits of characters and personalities they encountered there. These pages are part history, part folk history, part aide-me?moire. For some, it will be an introduction to a place they have heard about but never known. For others, it will be a reminder of their time in the college, evoking memories of their own story and the stories of those who journeyed with them. For everyone, it will open up this historic center of learning and tell the tales of those who walked its Pugin-designed buildings.


Theatre History Studies 2019, Vol. 38

Theatre History Studies 2019, Vol. 38
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 268
Release: 2020-02-11
Genre: Performing Arts
ISBN: 0817371133

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Theatre History Studies 2018

Theatre History Studies 2018
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 371
Release: 2018-12-18
Genre: Performing Arts
ISBN: 0817371125

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Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity


Theatre History Studies 2018, Vol. 37

Theatre History Studies 2018, Vol. 37
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 380
Release: 2018-12-18
Genre: Performing Arts
ISBN: 9780817371128

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Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity


The Advocate

The Advocate
Author:
Publisher:
Total Pages: 104
Release: 2003-08-19
Genre:
ISBN:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.


The Nation

The Nation
Author:
Publisher:
Total Pages: 718
Release: 1918
Genre: Great Britain
ISBN:

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The Churchman

The Churchman
Author:
Publisher:
Total Pages: 1030
Release: 1899
Genre: Church history
ISBN:

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