Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Foreign In International Crime Fiction PDF full book. Access full book title The Foreign In International Crime Fiction.
| Author | : Jean Anderson |
| Publisher | : A&C Black |
| Total Pages | : 257 |
| Release | : 2012-06-14 |
| Genre | : Literary Criticism |
| ISBN | : 1441128174 |
Reading texts from across the world, this book examines the depiction of ‘the foreigner' in popular 20th and 21st century crime writing.
| Author | : Jean Anderson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 223 |
| Release | : 2012-06-14 |
| Genre | : Literary Criticism |
| ISBN | : 1441181989 |
'The foreigner' is a familiar character in popular crime fiction, from the foreign detective whose outsider status provides a unique perspective on a familiar or exotic location to the xenophobic portrayal of the criminal 'other'. Exploring popular crime fiction from across the world, The Foreign in International Crime Fiction examines these popular works as 'transcultural contact zones' in which writers can tackle such issues as national identity, immigration, globalization and diaspora communities. Offering readings of 20th and 21st-century crime writing from Norway, the UK, India, China, Europe and Australasia, the essays in this book open up new directions for scholarship on crime writing and transnational literatures.
| Author | : Maarit Piipponen |
| Publisher | : Springer Nature |
| Total Pages | : 305 |
| Release | : 2020-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 3030534138 |
Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts’ wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.
| Author | : Fabricio Tocco |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 249 |
| Release | : 2022-04-06 |
| Genre | : Literary Criticism |
| ISBN | : 1793651655 |
This book examines how Latin American detective stories portray individualism and the state through the figures of the private eye and the police. Fabricio Tocco argues that these portrayals constitute a far more radical critique than the one developed by the Anglo-American canon, culminating in a transnational “poetics of failure” rooted in dissatisfaction with the neoliberal state.
| Author | : Richard Bradford |
| Publisher | : OUP Oxford |
| Total Pages | : 144 |
| Release | : 2015-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 0191642703 |
Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
| Author | : Andrew Pepper |
| Publisher | : Springer |
| Total Pages | : 247 |
| Release | : 2016-09-23 |
| Genre | : Literary Criticism |
| ISBN | : 1137425733 |
Why has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction – and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state.
| Author | : Louise Nilsson |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 313 |
| Release | : 2017-02-23 |
| Genre | : Literary Criticism |
| ISBN | : 1501319345 |
While crime fiction is one of the most widespread of all literary genres, this is the first book to treat it in its full global is the first book to treat crime fiction in its full global and plurilingual dimensions, taking the genre seriously as a participant in the international sphere of world literature. In a wide-ranging panorama of the genre, twenty critics discuss crime fiction from Bulgaria, China, Israel, Mexico, Scandinavia, Kenya, Catalonia, and Tibet, among other locales. By bringing crime fiction into the sphere of world literature, Crime Fiction as World Literature gives new insights not only into the genre itself but also into the transnational flow of literature in the globalized mediascape of contemporary popular culture.
| Author | : Richard Bradford |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 153 |
| Release | : 2015 |
| Genre | : Crime in literature |
| ISBN | : 0199658781 |
Since the mid-19th century crime fiction has been one of the most popular sub-genres of the novel. In this Very Short Introduction, Richard Bradford explores its origins and the features that define its varied style. He considers its role in popular culture around the world and considers why its classification as "literature" is still ambiguous.
| Author | : Jesper Gulddal |
| Publisher | : Cambridge University Press |
| Total Pages | : 331 |
| Release | : 2022-04-21 |
| Genre | : Literary Criticism |
| ISBN | : 1108605354 |
Accessible yet comprehensive, this first systematic account of crime fiction across the globe offers a deep and thoroughly nuanced understanding of the genre's transnational history. Offering a lucid account of the major theoretical issues and comparative perspectives that constitute world crime fiction, this book introduces readers to the international crime fiction publishing industry, the translation and circulation of crime fiction, international crime fiction collections, the role of women in world crime fiction, and regional forms of crime fiction. It also illuminates the past and present of crime fiction in various supranational regions across the world, including East and South Asia, the Arab World, Sub-Saharan Africa, Europe and Scandinavia, as well as three spheres defined by a shared language, namely the Francophone, Lusophone, and Hispanic worlds. Thoroughly-researched and broad in scope, this book is as valuable for general readers as for undergraduate and postgraduate students of popular fiction and world literature.
| Author | : Nina L. Molinaro |
| Publisher | : Routledge |
| Total Pages | : 186 |
| Release | : 2016-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 131707906X |
Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermin Garzon, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.
