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A First Poetry Book

A First Poetry Book
Author: Pie Corbett
Publisher: Pan Macmillan
Total Pages: 334
Release: 2012-09-13
Genre: Juvenile Nonfiction
ISBN: 1447235010

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A perfect introduction to poetry for young children. A First Poetry Book is packed with fabulous poems, created to enjoy in school and at home. From pets to pirates, seasons to space, and mermaids to minibeasts – this topic-based poetry collection, edited by Pie Corbett and Gaby Morgan, is ideal for 5 to 7-year-olds.


How to Read and Write Poetry

How to Read and Write Poetry
Author: Anna Cosman
Publisher: Franklin Watts
Total Pages: 80
Release: 1979
Genre: Juvenile Nonfiction
ISBN: 9780531022610

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Discusses the reading and writing of different forms of poetry. Includes examples of words by Robert Frost and David Young.


Here's a Little Poem

Here's a Little Poem
Author: Jane Yolen
Publisher: Walker
Total Pages: 104
Release: 2010
Genre: Children's poetry, American
ISBN: 9781406327113

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An illustrated first book of poetry, 'Here's a Little Poem' contains over 60 verses from noted English and American authors, including Wendy Cope, Roger McGough, John Agard and Grace Nichols.


The First Poetical Reading Book

The First Poetical Reading Book
Author: Walter M'Leod (of the Royal Military Asylum, Chelsea.)
Publisher:
Total Pages: 72
Release: 1849
Genre: English poetry
ISBN:

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First World War Poetry

First World War Poetry
Author: Jon Silkin
Publisher: Penguin
Total Pages: 324
Release: 1997-02-01
Genre: Poetry
ISBN: 9780141180090

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A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.


Intaglio

Intaglio
Author: Ariana-Sophia M. Kartsonis
Publisher: Wick Poetry First Books (Paper
Total Pages: 116
Release: 2006
Genre: Poetry
ISBN:

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Winner of the 2005 Stan and Tom Wick Poetry Prize "The image evoked by Intaglio, this first collection by Ariana-Sophia Kartsonis, rests on a paradox, one perhaps central to the poetic impulse itself: that design can be shaped by what is cut away, by the loss that surrounds it, so that what is missing creates the negative space which raises the figure in relief, presents it to sight, and touch. Relief: a word whose two meanings--one artistic and material, the other emotional and intangible, together suggest how art engraves meaning."--Eleanor Wilner, Judge "Intaglio is a remarkable new book by a haunting new voice. Freighted with music and beauty, even the simplest lines are memorable: 'There is this heron in a hush of lift / and my eyes are filled with it.' In the lift, there is also a lyric pressure, an inner intensity which evokes the best kind of madness: 'Let Nothing be that / which bitch-slaps the heart, / for the heart, like a hospital, / is a many-winged thing.' Kartsonis has offered up a vision both playful and painful, all of it lit with the eerie glow of her brilliance. What a lovely and terrifying offering. What an extraordinary introduction to this new poet."--Laura Kasischke "With Intaglio, Kartsonis carefully incises the sensuality of history onto the fleet attentions of the day. And onto loss, onto bereavement, she incises the incredible, now credible, luxuries of everlastingness. This is a formidable debut, lavish in its mind and loves." --Donald Revell


Don't Read Poetry

Don't Read Poetry
Author: Stephanie Burt
Publisher: Hachette UK
Total Pages: 243
Release: 2019-05-21
Genre: Literary Criticism
ISBN: 0465094511

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An award-winning poet offers a brilliant introduction to the joys--and challenges--of the genre In Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about "poetry," whether we think we like it or think we don't, in order to help us cherish--and distinguish among--individual poems. A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike.