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The Evolution of Horror in the Twenty-First Century

The Evolution of Horror in the Twenty-First Century
Author: Simon Bacon
Publisher: Lexington Books Horror Studies
Total Pages: 0
Release: 2023
Genre: Horror films
ISBN: 9781793643391

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"The Evolution of Horror in the Twenty-First Century explores the many aspects of the horror genre across thematics and media in the 2020s. Consisting of 21 chapters by experts in the field, this book examines how horror reveals the anxieties around our current cultural moment and how that might develop in the future"--


The Evolution of Horror in the Twenty-First Century

The Evolution of Horror in the Twenty-First Century
Author: Simon Bacon
Publisher: Rowman & Littlefield
Total Pages: 341
Release: 2023-03-15
Genre: Social Science
ISBN: 1793643407

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The Evolution of Horror in the Twenty-First Century examines the intimate connections between the horror genre and its audience’s experience of being in the world at a particular historical and cultural moment. This book not only provides frameworks with which to understand contemporary horror, but it also speaks to the changes wrought by technological development in creation, production, and distribution, as well as the ways in which those who are traditionally underrepresented positively within the genre- women, LGBTQ+, indigenous, and BAME communities - are finally being seen and finding space to speak.


Technology, Monstrosity, and Reproduction in Twenty-first Century Horror

Technology, Monstrosity, and Reproduction in Twenty-first Century Horror
Author: K. Jackson
Publisher: Springer
Total Pages: 186
Release: 2013-11-19
Genre: Social Science
ISBN: 1137360267

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Through a wide spectrum of horror sub-genres, this book examines how the current state of horror reflects the anxieties in Western culture. Horror films bring them to a mass audience and offer new figures for the nameless faceless 'antagonist' that plagues us and provides material with which to build a different understanding of ourselves.


Dark Dreams 2.0

Dark Dreams 2.0
Author: Charles Derry
Publisher: McFarland
Total Pages: 449
Release: 2009-12-21
Genre: Performing Arts
ISBN: 0786456957

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Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.


The Ethics of Horror

The Ethics of Horror
Author: Michael J. Burke
Publisher: Lexington Books
Total Pages: 259
Release: 2024-03-06
Genre: Social Science
ISBN: 1666910856

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The Ethics of Horror: Spectral Alterity in Twenty-First Century Horror Film examines the theme of spectral haunting in contemporary American horror cinema through the lens of ethical responsibility. Arguing that moral obligation can manifest as terror to the complacent self, the text extracts this dimension of ethics in twenty-first century horror films. Drawing on the ethical theories of Emmanuel Levinas and Jacques Derrida, which posit the asymmetrical obligation of the self to the other, Michael Burke highlights how recent horror films portray spectral antagonists as ethical others that hound protagonists and summon them to an accountability that they can neither evade nor ever completely fulfill. Burke observes the resulting destabilization of notions of ethical responsibility and justice in a variety of contemporary horror subgenres, including technohorror, haunted house and zombie films.


Catholic Horror on Television

Catholic Horror on Television
Author: Ralph Beliveau
Publisher: Rowman & Littlefield
Total Pages: 161
Release: 2024-06-25
Genre: Social Science
ISBN: 1666947679

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Catholic Horror on Television: Haunting Faith explores the significant intersection of horror media and the Catholic Church. Religious themes enjoy a long history in film and television, with narratives featuring the supernatural, science fiction, and horror making use of Roman Catholicism in particular. The horror genre frequently tells fantastic stories about the mysteries that we seek to understand, helping to come to terms with the destructive and the monstrous. This book analyzes the genre of Catholic horror in the current television and streaming media environment, exploring its treatment of physical mortality, the metaphysics of meaning, and morality. Catholic Horror on Television: Haunting Faith offers a fresh take on how television and streaming horror series critique, expand, and interrogate Catholicism and its place in the modern world. In doing so, this book contributes to conversations in several disciplines including media, cultural, television, and religious studies.


Criminological Understandings of Horror Films

Criminological Understandings of Horror Films
Author: Krista S. Gehring
Publisher: Rowman & Littlefield
Total Pages: 263
Release: 2024-09-15
Genre: Social Science
ISBN: 1666946710

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This book examines horror films through a critical criminological lens. Each chapter considers how the genre impacts audiences and their understanding of topics like place, crime, and identity.


Disney Gothic

Disney Gothic
Author: Lorna Piatti-Farnell
Publisher: Lexington Books
Total Pages: 267
Release: 2024-04-24
Genre: Performing Arts
ISBN: 1666907219

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In this edited collection exploring Disney’s dark side, attention to Disney’s Gothic reveals the ways through which Disney productions construct and reinforce conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories.


Dissecting Cannibal Holocaust

Dissecting Cannibal Holocaust
Author: Nathan Wardinski
Publisher: Lexington Books
Total Pages: 269
Release: 2024-04-15
Genre: Social Science
ISBN: 1666914037

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Since its 1980 release, the Italian horror film Cannibal Holocaust has shocked viewers and provoked censors with its graphic imagery and unrelenting nihilism. Following a summary of the story and the controversy over its release, Dissecting Cannibal Holocaust examines the film’s relevance to cinematic and literary history, anthropology, nature studies, ethics and censorship, media and journalism, documentary filmmaking, representations of cannibalism and post-colonialism, and genre cinema. The book also addresses some of the most frequent criticisms of Cannibal Holocaust including its depictions of native people and the inclusion of real-life animal killings. Matching the audacity of the film itself, Dissecting Cannibal Holocaust makes provocative arguments about the influence of corporate media, the purpose of art, the relationship between industrialized and indigenous people, the amorality of nature, and the roots of violence.


European Cinema in the Twenty-First Century

European Cinema in the Twenty-First Century
Author: Ingrid Lewis
Publisher: Springer Nature
Total Pages: 346
Release: 2020-05-23
Genre: Performing Arts
ISBN: 3030334368

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This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.