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| Author | : Charles Musser |
| Publisher | : Univ of California Press |
| Total Pages | : 644 |
| Release | : 1994-05-04 |
| Genre | : Art |
| ISBN | : 9780520085336 |
Looks at the early years of the motion picture industry through 1907.
| Author | : Geoffrey Nowell-Smith |
| Publisher | : Oxford University Press |
| Total Pages | : 145 |
| Release | : 2017 |
| Genre | : ART |
| ISBN | : 0198701772 |
Geoffrey Nowell-Smith defines the field of cinema, and explores its fascinating history within the cultural and aesthetic sphere. Considering the influences of the other art forms from which it arose, he looks at how technological advances have opened up new horizons for the cinema industry.
| Author | : Donald Crafton |
| Publisher | : Univ of California Press |
| Total Pages | : 656 |
| Release | : 1999-11-22 |
| Genre | : Business & Economics |
| ISBN | : 9780520221284 |
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.
| Author | : Malte Hagener |
| Publisher | : Berghahn Books |
| Total Pages | : 390 |
| Release | : 2014-09-01 |
| Genre | : Performing Arts |
| ISBN | : 1782384243 |
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.
| Author | : David Bordwell |
| Publisher | : Harvard University Press |
| Total Pages | : 338 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9780674634299 |
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
| Author | : Wheeler Winston Dixon |
| Publisher | : Rutgers University Press |
| Total Pages | : 525 |
| Release | : 2018-03-30 |
| Genre | : Art |
| ISBN | : 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
| Author | : Jeanine Basinger |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 316 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : |
This extraordinary book--published to commemorate the centennial celebration of the birth of American film and a 10-part PBS-TV series scheduled for the new year--surveys the phenomenon that is Hollywood, past and present. With more than 200 illustrations, 100 in full color, and including some never before published, this book celebrates the best of American films.
| Author | : P.J. O'Connell |
| Publisher | : SIU Press |
| Total Pages | : 308 |
| Release | : 2010-03-19 |
| Genre | : Performing Arts |
| ISBN | : 0809386100 |
Author P. J. O’Connell traces Robert Drew’s influence on cinema verite through extensive interviews with Drew and with some of the founding fathers of American cinema verite filmmaking—Donn Alan Pennebaker, Gregory Shuker, and Richard Leacock. Robert Drew’s contributions to documentary film have been both technical and conceptual. Realizing that his equipment was too heavy and intrusive, Drew persuaded Time-Life Broadcasting to sponsor the development of new, lightweight, portable synchronous sound equipment that freed documentary filmmakers from the bulky, tripod-mounted, AC-powered equipment of the past. His new technology allowed him to capture intense moments as they happened, and to make viewers feel personally involved in the events he presented. While making more than twenty documentaries in the early 1960s, Drew continued to initiate innovations that were not thought possible a generation before him. P. J. O’Connell is the executive producer of public affairs at Penn State Television and an affiliate assistant professor in the School of Communication at Penn State University.
| Author | : Geoffrey Nowell-Smith |
| Publisher | : Oxford University Press |
| Total Pages | : 847 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 0198742428 |
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world
| Author | : Peter Bondanella |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 752 |
| Release | : 2017-10-19 |
| Genre | : Performing Arts |
| ISBN | : 1501307649 |
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
