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The Edinburgh Encyclopedia of Continental Philosophy

The Edinburgh Encyclopedia of Continental Philosophy
Author: Simon Glendinning
Publisher: Psychology Press
Total Pages: 718
Release: 1999
Genre: Philosophy
ISBN: 9781579581527

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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.


The Concise Garland Encyclopedia of World Music

The Concise Garland Encyclopedia of World Music
Author: Garland Encyclopedia of World Music
Publisher: Routledge
Total Pages: 785
Release: 2013-01-11
Genre: Music
ISBN: 1136095624

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The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to: http://www.routledge.com/9780415972932.


Scottish Fiddle Encyclopedia

Scottish Fiddle Encyclopedia
Author: Bonnie Rideout
Publisher: Mel Bay Publications
Total Pages: 137
Release: 2010-10-07
Genre: Music
ISBN: 1609746198

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As part of the Mel Bay Encyclopedia Series, the purpose of this book is to offer fiddlers direct access to the gems of the genre. Composers represented in this volume span a three hundred year period including works by: Patrick MacDonald, Adam Craig, Capt. Charles Duff, Simon Fraser, Robert and Joseph Lowe, Robert MacIntosh, William Marshall, and J. Scott Skinner. Ms. Rideout's original compositions are also included. the tunes are listed in order by key signature to enable the fiddler to put sets together for performance, competition or session playing. This book contains extra marches and strathspeys unique to Scottish fiddling. the end of the book is dedicated to solo numbers consisting of piobaireachd (pibroch) and slow airs. the Scottish Fiddle Encyclopedia is an essential tune book for musicians interested in developing a deeper appreciation for genuine traditional Scottish fiddle music.


The Concise Garland Encyclopedia of World Music: Africa ; South America, Mexico, Central America, and the Caribbean ; The United States and Canada ; Europe ; Oceania

The Concise Garland Encyclopedia of World Music: Africa ; South America, Mexico, Central America, and the Caribbean ; The United States and Canada ; Europe ; Oceania
Author: Ellen Koskoff
Publisher: Routledge
Total Pages: 786
Release: 2008
Genre: Music
ISBN: 0415994039

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The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.


The Definitive Illustrated Encyclopedia of Rock

The Definitive Illustrated Encyclopedia of Rock
Author: Richard Buskin
Publisher: JG Press
Total Pages: 0
Release: 2006
Genre: Rock groups
ISBN: 9781844515219

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This is the ultimate guide to the most popular form of music, which at its widest interpretation covers a spectrum of genres, from rock 'n' roll and soul to pop and funk. Divided into eras from Roots, through the Sixties to the Nineties, learn about the development of rock in the Sounds and Sources discussions before being introduced to the key artists of the time and their legacies. This book contains A-Z sections of artists and information on instruments, along with evocative photographs that complete the experience. Whether your a fan of Elvis or the Sex Pistols this is the book for you.


Thomas Hastings

Thomas Hastings
Author: Hermine Weigel Williams
Publisher: iUniverse
Total Pages: 170
Release: 2005
Genre: Church music
ISBN: 0595366678

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Thomas Hastings (1784-1872) is generally remembered as a compiler and composer of hymn tunes and anthems, but rarely is he spoken of as a prolific writer of hymn texts. Nor do many people refer to Hastings as an author, even though he penned several books and contributed numerous articles for newspapers and journals that were primarily, but not exclusively, related to his lifelong quest to reform the music used for Protestant services of worship. All of these various aspects of Hastings career are addressed in this, the first published study of Hastings life and career. The book is designed to awaken interest in this musician's contributions and to serve as a foundation upon which future studies of nineteenth-century American sacred music can build. Of particular interest is the fact that much of the material for this biographical profile has been drawn from sources not previously investigated by scholars in the field.