The Economic Laws of Art Production
Author | : Hubert Llewellyn Smith |
Publisher | : |
Total Pages | : 256 |
Release | : 1924 |
Genre | : Art |
ISBN | : |
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Author | : Hubert Llewellyn Smith |
Publisher | : |
Total Pages | : 256 |
Release | : 1924 |
Genre | : Art |
ISBN | : |
Author | : Hubert Llewellyn Smith (Sir) |
Publisher | : |
Total Pages | : 246 |
Release | : 1924 |
Genre | : |
ISBN | : |
Author | : Sir Hubert Llewellyn SMITH |
Publisher | : |
Total Pages | : |
Release | : 1924 |
Genre | : |
ISBN | : |
Author | : Hubert Llewellyn Smith |
Publisher | : |
Total Pages | : 246 |
Release | : 1924 |
Genre | : Decorative arts |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 520 |
Release | : 1925 |
Genre | : Books |
ISBN | : |
Author | : Victor A. Ginsburgh |
Publisher | : Elsevier |
Total Pages | : 1401 |
Release | : 2006-09-13 |
Genre | : Business & Economics |
ISBN | : 0080464750 |
Over the last 30 or 40 years a substantial literature has grown up in which the tools of economic theory and analysis have been applied to problems in the arts and culture. Economists who have surveyed the field generally locate the origins of contemporary cultural economics as being in 1966, the year of publication of the first major work in modern times dedicated specifically to the economics of the arts. It was a book by Baumol and Bowen which showed that economic analysis could illuminate the supply of and demand for artistic services, the contribution of the arts sector to the economy, and the role of public policy. Following the appearance of the Baumol and Bowen work, interest in the economics of the arts grew steadily, embracing areas such as demand for the arts, the economic functions of artists, the role of the nonprofit sector, and other areas. Cultural economics also expanded to include the cultural or entertainment industries (the media, movies, the publishing industry, popular music), as well as heritage and museum management, property right questions (in particular copyright) and the role of new communication technologies such as the internet. The field is therefore located at the crossroads of several disciplines: economics and management, but also art history, art philosophy, sociology and law. The Handbook is placed firmly in economics, but it also builds bridges across these various disciplines and will thus be of interest to researchers in all these different fields, as well as to those who are engaged in cultural policy issues and the role of culture in the development of our societies. *Presents an overview of the history of art markets *Addresses the value of art and consumer behavior toward acquiring art *Examines the effect of art on economies of developed and developing countries around the world
Author | : Dave Beech |
Publisher | : BRILL |
Total Pages | : 402 |
Release | : 2015-05-12 |
Genre | : Philosophy |
ISBN | : 9004288155 |
Art and Value is the first comprehensive analysis of art's political economy throughout classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art's economic exceptionalism, of art as a merit good, and of the theories of art's commodification, the culture industry and real subsumption. Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the 'cost disease' of artistic production, and neoliberal and post-Marxist theories of art's incorporation into capitalism, are examined in detail. Subjecting mainstream and Marxist theories of art's economics to an exacting critique, the book concludes with a new Marxist theory of art's economic exceptionalism.
Author | : |
Publisher | : |
Total Pages | : 714 |
Release | : 1925 |
Genre | : Economics |
ISBN | : |
Contains papers that appeal to a broad and global readership in all fields of economics.
Author | : Richard E. Caves |
Publisher | : Harvard University Press |
Total Pages | : 472 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780674001640 |
"To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate."--BOOK JACKET.
Author | : |
Publisher | : |
Total Pages | : 288 |
Release | : 1925 |
Genre | : Art |
ISBN | : |