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The Dublin Stage, 1720-1745

The Dublin Stage, 1720-1745
Author: John C. Greene
Publisher: Lehigh University Press
Total Pages: 492
Release: 1993
Genre: Performing Arts
ISBN: 9780934223225

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"The Dublin Stage, 1720-1745 is a comprehensive documentary history and calendar of Dublin Ireland's theatres from 1720, the year of Joseph Ashbury's death, to 1745, when Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre. During the eighteenth century, Dublin was second only to London in the number of theatres it supported and in the number and quality of productions. Winner of Lehigh University Press's eighteenth-century studies prize, this work details for the first time evidence of nearly 1,400 stage performances in eight competing theatres and theatrical booths and hundreds of performers, many previously unnoticed. Programs are listed in a detailed calendar, which is organized by theatrical season and provides a day-by-day account of the plays, afterpieces, dances, music, and songs that were performed, as well as the many other forms of entertainment that were staged at the public theatres, such as rope-dancing, animal acts, and equilibres." "The actors who performed and their named roles are listed, as well as the recipients of benefits, the titles of all songs, dances, and other entr'acte entertainments. Each entry also incorporates all available contemporary commentary about each performance, financial information, and supplies locations of rare texts." "In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues." "In addition to a general index, The Dublin Stage, 1720-1745 provides indexes of all mainpieces and afterpieces performed during the period in Dublin, cross-referenced with the venue and date of performance; an author/play index; and an alphabetical listing of all personnel associated with the Dublin stage at this time, as well as a selected bibliography." "Incorporating into their book the work of recent eighteenth-century theatre scholarship, the authors bring to light much that is new about a fascinating period of theatre history and greatly expand our knowledge about the plays and entertainments enjoyed by Dublin audiences, and about the identities of the stage personnel active in Dublin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Theatre in Dublin, 1745–1820

Theatre in Dublin, 1745–1820
Author: John C. Greene
Publisher: Lexington Books
Total Pages: 704
Release: 2011-11-16
Genre: Performing Arts
ISBN: 1611461197

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Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.


A History of Irish Theatre 1601-2000

A History of Irish Theatre 1601-2000
Author: Chris Morash
Publisher: Cambridge University Press
Total Pages: 348
Release: 2002
Genre: History
ISBN: 9780521646826

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Chris Morash's widely-praised account of Irish Theatre traces an often forgotten history leading up to the Irish Literary Revival. He then follows that history to the present by creating a remarkably clear picture of the cultural contexts which produced the playwrights who have been responsible for making Irish theatre's world-wide historical and contemporary reputation. The main chapters are each followed by shorter chapters, focusing on a single night at the theatre. This prize-winning book is an essential, entertaining and highly original guide to the history and performance of Irish theatre.


Ireland, Enlightenment and the English Stage, 1740-1820

Ireland, Enlightenment and the English Stage, 1740-1820
Author: David O'Shaughnessy
Publisher: Cambridge University Press
Total Pages: 283
Release: 2019-08
Genre: Literary Criticism
ISBN: 1108498140

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Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.


Jonathan Swift and the Arts

Jonathan Swift and the Arts
Author: Joseph McMinn
Publisher: University of Delaware Press
Total Pages: 188
Release: 2010
Genre: Biography & Autobiography
ISBN: 0874130689

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Swift is a shrewd and humorous observer of the changing artistic and cultural scene in both Ireland and England, and his views on these changes in public taste are an important, albeit neglected, part of his biography. His correspondence, especially his Journal to Stella, shows us someone very aware of the various arts and of their lively emergence from the enclosed world of the Puritan era. Many of Swift's friends and acquaintances were serious collectors of paintings, sculpture, coins, medals and Swift himself eventually enjoyed an interesting and revealing collection of artistic artifacts, as this study shows.


The Cambridge History of British Theatre

The Cambridge History of British Theatre
Author: Jane Milling
Publisher: Cambridge University Press
Total Pages: 574
Release: 2004
Genre: English drama
ISBN: 0521650682

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Elite Women in Ascendancy Ireland, 1690-1745

Elite Women in Ascendancy Ireland, 1690-1745
Author: Rachel Wilson
Publisher: Boydell & Brewer
Total Pages: 224
Release: 2015
Genre: History
ISBN: 178327039X

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The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering women's roles fully. This book provides a thorough examination of the role of women in Ascendancy Ireland. It discusses marriage, family and social life; explores women's roles in economic and political life and in charitable activities; and places Irish elite women of this period in their wider historiographical context. The book is based on extensive original research, including among the papers of aristocratic families in Ireland and Britain, and provides a wealth of detail on elite women's lives in this period. Rachel Wilson completed her doctorate in modern history at Queen's University, Belfast.


The Kingdom of Ireland, 1641-1760

The Kingdom of Ireland, 1641-1760
Author: Toby Barnard
Publisher: Bloomsbury Publishing
Total Pages: 187
Release: 2017-03-10
Genre: History
ISBN: 1350317330

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How did the Protestants gain a monopoly over the running of Ireland and replace the Catholics as rulers and landowners? To answer this question, Toby Barnard: - Examines the Catholics' attempt to regain control over their own affairs, first in the 1640s and then between 1689 and 1691 - Outlines how military defeats doomed the Catholics to subjection, allowing Protestants to tighten their grip over the government - Studies in detail the mechanisms - both national and local - through which Protestant control was exercised Focusing on the provinces as well as Dublin, and on the subjects as well as the rulers, Barnard draws on an abundance of unfamiliar evidence to offer unparalleled insights into Irish lives during a troubled period.


The Irish Enlightenment

The Irish Enlightenment
Author: Michael Brown
Publisher: Harvard University Press
Total Pages: 636
Release: 2016-05-02
Genre: History
ISBN: 0674968654

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During the eighteenth-century Enlightenment, Scotland and England produced such well-known figures as David Hume, Adam Smith, and John Locke. Ireland’s contribution to this revolution in Western thought has received much less attention. Offering a corrective to the view that Ireland was intellectually stagnant during this period, The Irish Enlightenment considers a range of artists, writers, and philosophers who were full participants in the pan-European experiment that forged the modern world. Michael Brown explores the ideas and innovations percolating in political pamphlets, economic and religious tracts, and literary works. John Toland, Francis Hutcheson, Jonathan Swift, George Berkeley, Edmund Burke, Maria Edgeworth, and other luminaries, he shows, participated in a lively debate about the capacity of humans to create a just society. In a nation recovering from confessional warfare, religious questions loomed large. How should the state be organized to allow contending Christian communities to worship freely? Was the public confession of faith compatible with civil society? In a society shaped by opposing religious beliefs, who is enlightened and who is intolerant? The Irish Enlightenment opened up the possibility of a tolerant society, but it was short-lived. Divisions concerning methodological commitments to empiricism and rationalism resulted in an increasingly antagonistic conflict over questions of religious inclusion. This fracturing of the Irish Enlightenment eventually destroyed the possibility of civilized, rational discussion of confessional differences. By the end of the eighteenth century, Ireland again entered a dark period of civil unrest whose effects were still evident in the late twentieth century.