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The Donna Angelica and the British Enlightenment Poets

The Donna Angelica and the British Enlightenment Poets
Author: A. D. Cousins
Publisher:
Total Pages: 0
Release: 2025
Genre: English poetry
ISBN: 9781032480039

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"The aim of the book is to propose new interpretations of poets who are among the most valued and discussed in the British Enlightenment. In fulfilling its aim, the book covers English poetry - and intellectual history - from the Restoration to the later eighteenth century. It examines how the myth of the donna angelica (the angelic lady), ancient in origin but given its best-known form within the medieval literature of fin'amor, lives on beyond the Middle Ages and the Renaissance into the Enlightenment. To be more precise, it studies how some major Augustan poets appropriate and recreate what, for convenience, can be called the donna angelica topos (or, the angelic lady motif). They do so for a great many reasons linked with quite diverse circumstances. Nevertheless, the myth's intellectual richness, emotional intensity, and inherent ambiguities mean that it offers each of them a powerful way for articulating, interpreting, exploring refractions of eros-whether singly or diversely directed, concerned with sexuality or spirituality, informing personal or public experience. The myth has as many faces, so to speak, as does desire; it is one and yet many. Thus, the book pursues a particular fable of eros that appears in a multiplicity of texts in a multiplicity of guises. It studies how some of the most interesting poets from Dryden to Crabbe bring the angelic lady motif into modernity"--


The Donna Angelica and the British Enlightenment Poets

The Donna Angelica and the British Enlightenment Poets
Author: A.D. Cousins
Publisher: Taylor & Francis
Total Pages: 161
Release: 2024-08-29
Genre: Literary Criticism
ISBN: 1040104649

Download The Donna Angelica and the British Enlightenment Poets Book in PDF, ePub and Kindle

The aim of the book is to propose new interpretations of poets who are among the most valued and discussed in the British Enlightenment. In fulfilling its aim, the book covers English poetry—and intellectual history—from the Restoration to the later eighteenth century. It examines how the myth of the donna angelica (the angelic lady), ancient in origin but given its best-known form within the medieval literature of fin’amor, lives on beyond the Middle Ages and the Renaissance into the Enlightenment. To be more precise, it studies how some major Augustan poets appropriate and recreate what, for convenience, can be called the donna angelica topos (or, the angelic lady motif). They do so for a great many reasons linked with quite diverse circumstances. Nevertheless, the myth’s intellectual richness, emotional intensity, and inherent ambiguities mean that it offers each of them a powerful way for articulating, interpreting, exploring refractions of eros—whether singly or diversely directed, concerned with sexuality or spirituality, informing personal or public experience. The myth has as many faces, so to speak, as does desire; it is one and yet many. Thus, the book pursues a particular fable of eros that appears in a multiplicity of texts in a multiplicity of guises. It studies how some of the most interesting poets from Dryden to Crabbe bring the angelic lady motif into modernity.


Reading Richard III and the Tower of London

Reading Richard III and the Tower of London
Author: Kristen Deiter
Publisher: Taylor & Francis
Total Pages: 340
Release: 2024-08-29
Genre: Literary Criticism
ISBN: 1040113478

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This is the first book on Richard III and the Tower of London, shedding new light on the King’s reputation, the Castle’s lore, and early modern literature’s role in building associations between them. It is also one of the first books to integrate conceptual blending theory and spatial literary studies, empowering scholars and students to analyze literature and locations in new ways. This book fills gaps in the existing knowledge about both Richard III and the Tower of London. Neither literary nor historical scholarship has treated the process through which Richard III and the Tower became associated in the cultural and historical imagination and how such representations have shaped the King’s reputation and the Castle’s lore. This study analyzes this process while offering new understandings of Richard III as a literary character in prose, drama, and poetry and extending knowledge about the Tower as an iconic literary and cultural symbol.


Virtue Revisited in the Novels of Doris Lessing

Virtue Revisited in the Novels of Doris Lessing
Author: Seda ARIKAN
Publisher: Taylor & Francis
Total Pages: 250
Release: 2024-09-06
Genre: Literary Criticism
ISBN: 1040113559

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The ethical approaches to literature have come into prominence in the twentieth century, calling for a ‘turn to ethics’ in the studies of humanities, in general, and literary studies, in particular. By leading the ethical turn in literature, many theorists proposed a moral-oriented approach to literature, which is still a significant part of literary criticism. The ethical turn in literature has changed the spirit of literary criticism in the direction of virtue and value-based approaches. In this respect, this study scrutinises Doris Lessing’s novels in light of virtue ethics in general and ‘virtue politics,’ ‘care ethics,’ and ‘Sufi virtue ethics’ in particular. Lessing’s connection to virtue ethics, which is implicitly or explicitly reflected in her novels, is examined by giving the panorama of ethical movements whose common point is virtues. This study asserts that Lessing implements an ethical concern in her novels, which is based on her own understanding of virtue ethics.


Pope’s Mythologies

Pope’s Mythologies
Author: A.D. Cousins
Publisher: Taylor & Francis
Total Pages: 171
Release: 2023-05-05
Genre: Literary Criticism
ISBN: 1000831388

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This volume is the first to discuss the canon of Pope’s verse in relation to Early British Enlightenment thinking about mythology and mythography. Pope did not merely use classical (along with non-classical) mythology in his verse as a traditional, richly diverse medium through which to represent the diversity of private and civic life in his day, but he was an ambitious translator as well as refashioner of myth. It is a medium that he shapes anew and variously across all his major poems. This volume enhances appreciation of myth as a mode of apprehension as well as expression throughout Pope’s verse. In doing so it illuminates how, in early eighteenth-century Britain, understandings of what myth is and what it does were taking new directions – not least in response to Baconian thought and its legacy.


Epic

Epic
Author: Herbert F. Tucker
Publisher: Oxford University Press
Total Pages: 748
Release: 2012-11-29
Genre: Literary Criticism
ISBN: 0199232997

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Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.


Enlightenment, Nationalism, Orthodoxy

Enlightenment, Nationalism, Orthodoxy
Author: Paschalis M. Kitromilides
Publisher: Taylor & Francis
Total Pages: 259
Release: 2024-10-28
Genre: History
ISBN: 1040248500

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The first section of this volume aims to examine various aspects of the impact of Enlightenment thought in the Balkans in the 18th and 19th centuries. Particular topics include the idea of modernization, with respect to the role of science or the position of women, and the growth of new forms of political consciousness, but Professor Kitromilides is throughout concerned with the conflict between these incoming political, cultural and religious ideas and the traditions of Orthodoxy which had dominated the region under the Ottomans. Of the articles, a number focus specifically on the Greek world, both before and after the creation of an independent Greek world, and extend the coverage to include Greek communities beyond Europe. Similarly, the second part of the volume, on dilemmas of nationalism, looks also at Greek irredentism in Asia Minor and Cyprus. The final item combines bibliographical additions with the author’s further reflections on the subjects covered here and their historiography.


Memoirs of the Life of Henriette-Sylvie de Moliere

Memoirs of the Life of Henriette-Sylvie de Moliere
Author: Madame de Villedieu
Publisher: University of Chicago Press
Total Pages: 244
Release: 2004-05
Genre: Fiction
ISBN: 9780226144191

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Known as Madame de Villedieu, Marie-Catherine Desjardins (ca. 1640-83) was a prolific writer who played an important role in the evolution of the early modern French novel. One of the earliest women to write for a living, she defied cultural convention by becoming an innovator and appealing to popular tastes through fiction, drama, and poetry. Memoirs of the Life of Henriette-Sylvie de Molière, a semi autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and novelistic conventions. A striking work, the story skillfully mixes real events from the author's life with fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Produced while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or the early development of the novel.


Sovereign Feminine

Sovereign Feminine
Author: Matthew Head
Publisher: Univ of California Press
Total Pages: 351
Release: 2013-05-09
Genre: Music
ISBN: 0520954769

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In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity—a newly emerging and primarily bourgeois ideal—linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music.