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The Dionysian Vision of the World

The Dionysian Vision of the World
Author: Friedrich Nietzsche
Publisher: U of Minnesota Press
Total Pages: 56
Release: 2015-11-01
Genre: Philosophy
ISBN: 1937561267

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Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.


The Birth of Tragedy

The Birth of Tragedy
Author: Friedrich Nietzsche
Publisher: The Floating Press
Total Pages: 172
Release: 2016-12-01
Genre: Literary Criticism
ISBN: 1776673174

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This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.


Zarathustra’s Dionysian Modernism

Zarathustra’s Dionysian Modernism
Author: Robert Gooding-Williams
Publisher: Stanford University Press
Total Pages: 444
Release: 2001
Genre: Philosophy
ISBN: 9780804732956

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In arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism, the author shows that literary fiction can do the work of philosophy.


The Digital Dionysus

The Digital Dionysus
Author: Dan Mellamphy
Publisher: punctum books
Total Pages: 288
Release: 2016
Genre: Computers
ISBN: 0692270795

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Can Nietzsche be considered a thinker of media and mediation, as the German media theorist Friedrich Kittler declared in his influential book Gramophone, Film, Typewriter?Nietzsche was a truly transdisciplinary thinker, one who never fit into his own nineteenth-century surroundings and who recognized himself as a "herald and precursor" of the future, of our globally-reticulated digital present. Perhaps not since Kittler has there been a study - let alone an anthology - that re-assesses and re-evaluates Nietzsche's thought in light of the technically mediated and machinic conditions of the human in the age of digital networks.Drawing on the first four years of conference-proceedings from the annual Nietzsche Workshop @ Western (NWW, Western University, Ontario), which culminated in the "New York NWW.IV": Cyber-Nietzsche: Tunnels, Tightropes, Net-&-Meshworks (held at the Center for Transformative Media, Parsons The New School for Design), The Digital Dionysus explores Nietzschean themes in light of the problems and questions of digitization, information and technical mediation, offering its readers the opportunity to consider Nietzsche's contemporary relevance in light of emerging theories in new media studies, political studies, critical aesthetics, the digital humanities and contemporary post-continental philosophy.Co-edited by Dan Mellamphy and Nandita Biswas Mellamphy (Western University, UWO) for the CTM Documents Initiative imprint (Center for Transformative Media, Parsons School of Design, The New School), the volume features essays and works by leading and emerging philosophers, artists, [h]activists, and political media theorists, including Babette Babich, R. Scott Bakker, Shannon Bell, Nandita Biswas Mellamphy, Jen Boyle, Sarah Choukah, Manabrata Guha, Horst Hutter, Arthur Kroker, Nicola Masciandaro, Dan Mellamphy, Joseph Nechvatal, Julian Reid, Gary Shapiro, Heike Schotten, Eugene Thacker and Dylan Wittkower.


The Dionysian Worldview

The Dionysian Worldview
Author: Friedrich Nietzsche
Publisher: Livraria Press
Total Pages: 97
Release:
Genre: Philosophy
ISBN: 3689382211

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This lecture is Nietzsche's initial formulation of the Dionysian concept, which later becomes central to his philosophical work, especially present in "The Birth of Tragedy." The original German title is "Die dionysische Weltanschauung", usually translated as "The Dionysian World-view". Here Nietzsche contrasts two meta-psychological Archetypical artistic forces: the Dionysian and the Apollonian, drawing heavily on Greek mythology. The Dionysian aspect represents chaos, emotion, irrationality, and the uncontrollable aspects of human nature, similar to the characteristics of the Greek god Dionysus, associated with wine, fertility, ritual madness, and religious ecstasy. Conversely, the Apollonian represents order, reason, and the aesthetic qualities of structure and form, associated with the god Apollo, the god of art, light, and reason. This is where Carl Jung gets his Anima/ Animus dichotomy. The Dionysian Worldview was given by the newly minted Professor Nietzsche at the Basel Museum held on February 1, 1870, and subsequently published but the foundation managed by his sister. This lecture was first published in the volume "Gesammelte Werke" edited by Peter Gast (a pseudonym for Heinrich Köselitz, a close associate of Nietzsche) and Elisabeth Förster-Nietzsche (Nietzsche's sister). They were included in the second series of these collected works under the title "Philologica," which was published in 1897. This was part of the effort to compile and publish Nietzsche's unpublished manuscripts and lecture notes after his death. This is one of three major Basel lectures he gave immediately after he accepted a position at the University of Basel. At the young age of 24, Nietzsche accepted a philology professorship in 1869, which facilitated his acquaintance with the composer residing in Tribschen. During this period, Nietzsche delivered three lectures that prefigured his future focus: 'The Greek Musical Drama' on January 18, 'Socrates and Tragedy' on February 1, and the 'The Dionysian Worldview' in July/August 1870. Feeling constrained by philological topics, Nietzsche sought a professorship in philosophy. His writing primarily reflects influences from two significant sources: the philosophy of Arthur Schopenhauer and the musical and theoretical works of Richard Wagner. This new 2024 translation from the original German, Latin and Greek manuscript contains a new Afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his core concepts and summaries of his complete body of works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A complete chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life journey


Nietzsche

Nietzsche
Author: Lucas Murrey
Publisher: Rowman & Littlefield
Total Pages: 191
Release: 2015-03-25
Genre: Literary Criticism
ISBN: 1611461553

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In this book, author Lucas Murrey argues that the thinking of the modern German philosopher Friedrich Nietzsche (1944–1900) is not only more grounded in antiquity than previously understood, but is also based on the Dionysian spirit of Greece which scholars have still to confront. This book demonstrates that Nietzsche’s philosophy is unique within Western thought as it retrieves the politics of a Dionysiac model and language to challenge the alienation of humans from nature and one another. Murrey develops here a new picture of Greece, reminding readers how money emerged and rapidly developed in Greece during the sixth century B.C.E. The event of monetization created the new art form of tragedy: money-tyrants struggling against the forces of earth and communities who consequently suffered isolation, blindness, and death. As Murrey points out, Nietzsche (unconsciously) retrieves the battle among money, nature, and community and adapts its lessons to our time. Additionally, Nietzsche’s philosophy not only adapts the wisdom of Dionysus to question the unlimited “glow and fuel” of a “ponderous herd” of money-tyrants today, but it also draws attention to Greece’s warnings about the lethal danger of the eyes in myth, cult, and theatre. This work introduces a much needed vision of Nietzschean thought, and it emphasizes the relevance of an interdisciplinary approach combining philosophy with literary studies and psychology with religious and visual/media studies. When applied to our present circumstance, the approach of this book reveals how a dangerous visual culture, through its support of the limitlessness of money, is harming our relationship with nature and each other.


Redefining Dionysos

Redefining Dionysos
Author: Alberto Bernabé
Publisher: Walter de Gruyter
Total Pages: 700
Release: 2013-06-26
Genre: History
ISBN: 3110301326

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This book contributes to the understanding of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by putting together 30 studies of classical scholars. They combine the analysis of specific instances of particular dimensions of the god in cult, myth, literature and iconography, with general visions of Dionysos in antiquity and modern times. Only from the combination of different perspectives can we grasp the complex personality of Dionysos, and the forms of his presence in different cults, literary genres, and artistic forms, from Mycenaean times to late antiquity. The ways in which Dionysos was experienced may vary in each author, each cult, and each genre in which this god is involved. Therefore, instead of offering a new all-encompassing theory that would immediately become partial, the book narrows the focus on specific aspects of the god. Redefinition does not mean finding (again) the essence of the god, but obtaining a more nuanced knowledge of the ways he was experienced and conceived in antiquity.


Dionysus and Apollo after Nihilism

Dionysus and Apollo after Nihilism
Author: Carlos A. Segovia
Publisher: BRILL
Total Pages: 266
Release: 2023-02-17
Genre: Philosophy
ISBN: 9004538593

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This book recovers Dionysus and Apollo as the twin conceptual personae of life’s dual rhythm in an attempt to redesign contemporary theory through the reciprocal but differential affirmation of event and form, body and thought, dance and philosophy.


Dionysus and Politics

Dionysus and Politics
Author: Filip Doroszewski
Publisher: Routledge
Total Pages: 232
Release: 2021-05-30
Genre: History
ISBN: 1000392414

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This volume presents an essential but underestimated role that Dionysus played in Greek and Roman political thought. Written by an interdisciplinary team of scholars, the volume covers the period from archaic Greece to the late Roman Empire. The reader can observe how ideas and political themes rooted in Greek classical thought were continued, adapted and developed over the course of history. The authors (including four leading experts in the field: Cornelia Isler-Kerényi, Jean-Marie Pailler, Richard Seaford andRichard Stoneman) reconstruct the political significance of Dionysus by examining different types of evidence: historiography, poetry, coins, epigraphy, art and philosophy. They discuss the place of the god in Greek city-state politics, explore the long tradition of imitating Dionysus that ancient leaders, from Alexander the Great to the Roman emperors, manifested in various ways, and shows how the political role of Dionysus was reflected in Orphism and Neoplatonist philosophy. Dionysus and Politics provides an excellent introduction to a fundamental feature of ancient political thought which until now has been largely neglected by mainstream academia. The book will be an invaluable resource to students and scholars interested in ancient politics and religion.