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The Dialectics of Our America

The Dialectics of Our America
Author: José David Saldívar
Publisher: Duke University Press
Total Pages: 236
Release: 1991-10-31
Genre: Literary Criticism
ISBN: 9780822311690

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Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies. Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model. The Dialectics of Our America, in its project to expand the “canon” and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history.


José Martí's "Our America"

José Martí's
Author: Jeffrey Grant Belnap
Publisher: Duke University Press
Total Pages: 356
Release: 1998
Genre: History
ISBN: 9780822322658

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On Jose Marti as a political exile in the U.S.


Music and Identity in Twentieth-Century Literature from Our America

Music and Identity in Twentieth-Century Literature from Our America
Author: Marco Katz Montiel
Publisher: Springer
Total Pages: 306
Release: 2014-08-19
Genre: Literary Criticism
ISBN: 1137433337

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Offering a one-of-a-kind approach to music and literature of the Americas, this book examines the relationships between musical protagonists from Colombia, Cuba, and the United States in novels by writers such as Gabriel García Márquez, Alejo Carpentier, Zora Neale Hurston, and John Okada.


Asian American Literature in Transition, 1965–1996: Volume 3

Asian American Literature in Transition, 1965–1996: Volume 3
Author: Asha Nadkarni
Publisher: Cambridge University Press
Total Pages: 437
Release: 2021-06-17
Genre: Literary Criticism
ISBN: 1108922317

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Asian American Literature in Transition Volume Three: 1965–1996 offers a multidisciplinary perspective on the political and aesthetic stakes of what is now recognizable as an Asian American literary canon. It takes as its central focus the connections among literature, history, and migration, exploring how the formation of Asian American literary studies is necessarily inflected by demographic changes, student activism, the institutionalization of Asian American studies within the U.S. academy, U.S foreign policy (specifically the Cold War and conflicts in Southeast Asia), and the emergence of 'diaspora' and 'transnationalism' as important critical frames. Moving through sections that consider migration and identity, aesthetics and politics, canon formation, and transnationalism and diaspora, this volume tracks predominant themes within Asian American literature to interrogate an ever-evolving field. It features nineteen original essays by leading scholars, and is accessible to beginners in the field and more advanced researchers alike.


Border Matters

Border Matters
Author: José David Saldívar
Publisher: Univ of California Press
Total Pages: 268
Release: 2023-04-28
Genre: History
ISBN: 0520918363

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Border Matters locates the study of Chicano culture in a broad social context. José Saldívar examines issues of representation and expression in a diverse, exciting assortment of texts—corridos, novels, poems, short stories, punk and hip-hop music, ethnography, paintings, performance, art, and essays. Saldívar provides a sophisticated model for a new kind of U.S. cultural studies, one that challenges the homogeneity of U.S. nationalism and popular culture by foregrounding the contemporary experiences and historical circumstances facing Chicanos and Chicanas. This intellectually adventurous, politically engaged study applies borderlands and diaspora theory to Chicano cultural practices in a way that permanently changes our understanding of both the Chicano experience and the meaning of cultural theory. Defying national (and nationalistic) paradigms of culture, Saldívar argues that the culture of the borderlands is trans-national, constituting a social space in which new relations, hybrid cultures, and multi-voiced aesthetics are negotiated. Saldívar's critical readings treat culture as a social force and reveal the presence of social contexts within cultural texts. Border Matters maps out a new terrain for the study of culture, reshaping the way we understand migration, national identity, and intellectual inquiry itself.


Cosmopolitanism in the Americas

Cosmopolitanism in the Americas
Author: Camilla Fojas
Publisher: Purdue University Press
Total Pages: 166
Release: 2005
Genre: History
ISBN: 9781557533821

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In an analysis based in a sophisticated use of critical theory, Fojas (Latin American and Latino studies, DePaul U., Chicago) engages a selection of modernist Latin American writers of the early 20th century as examples of cosmopolitanism, a notion here interpreted as a worldly modernity. The writings of Enrique Gomez Carrillo, Aurelia Castillo de Gonzalez (who wrote about the Chicago World's Fair), Jose Enrique Rodo, and the Venezuelan journal Cosmopolis are discussed in the context of other writers in Latin America, Europe, and the United States, and in terms of their expression of determinedly non-mainstream values, lifestyles, and ideas. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com).


America Unbound

America Unbound
Author: Antonio Barrenechea
Publisher: University of New Mexico Press
Total Pages: 248
Release: 2016
Genre: America
ISBN: 082635758X

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This original contribution to hemispheric American literary studies comprises readings of three important novels from Mexico, Canada, and the United States: Carlos Fuentes's Terra Nostra, Quebecois writer Jacques Poulin's Volkswagen Blues, and Native American writer Leslie Marmon Silko's Almanac of the Dead. The encyclopedic novel has particular generic characteristics that serve these writers as a vehicle for the reincorporation of hemispheric histories. Starting with an examination of Moby-Dick as precursor, Barrenechea shows how this narrative genre allows Fuentes, Poulin, and Silko to reflect the interconnected world of today, as well as to dramatize indigenous and colonial values in their narratives. His close attention to written documents, visual representations, and oral traditions in these encyclopedic novels sheds light on their comparative cultural relations and the New World from pole to pole. This study amplifies the scope of "America" across cultures and languages, time and tradition.


Conversations Across Our America

Conversations Across Our America
Author: Louis G. Mendoza
Publisher: University of Texas Press
Total Pages: 313
Release: 2012-06-01
Genre: Social Science
ISBN: 0292738838

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In the summer of 2007, Louis G. Mendoza set off on a bicycle trip across the United States with the intention of conducting a series of interviews along the way. Wanting to move beyond the media’s limited portrayal of immigration as a conflict between newcomers and “citizens,” he began speaking with people from all walks of life about their views on Latino immigration. From the tremendous number of oral histories Mendoza amassed, the resulting collection offers conversations with forty-three different people who speak of how they came to be here and why they made the journey. They touch upon how Latino immigration is changing in this country, and how this country is being changed by Latinoization. Interviewees reflect upon the concerns and fears they’ve encountered about the transformation of the national culture, and they relate their own experiences of living and working as “other” in the United States. Mendoza’s collection is unique in its vastness. His subjects are from big cities and small towns. They are male and female, young and old, affluent and impoverished. Many are political, striving to change the situation of Latina/os in this country, but others are “everyday people,” reflecting upon their lives in this country and on the lives they left behind. Mendoza’s inclusion of this broad swath of voices begins to reflect the diverse nature of Latino immigration in the United States today.


Do the Americas Have a Common Literature?

Do the Americas Have a Common Literature?
Author: Gustavo Pérez Firmat
Publisher: Durham : Duke University Press
Total Pages: 416
Release: 1990
Genre: Literary Criticism
ISBN:

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In contrast to traditional criticism which tends to examine World counterparts, the essays in this collection identify a distinctive pan-American consciousness (and literary idiom), engaging not only the major North American and Spanish American writers, but also such literatures as the Chicano, African-American, Brazilian, and Quebecois. Annotation copyrighted by Book News, Inc., Portland, OR


Transamerican Literary Relations and the Nineteenth-Century Public Sphere

Transamerican Literary Relations and the Nineteenth-Century Public Sphere
Author: Anna Brickhouse
Publisher: Cambridge University Press
Total Pages: 343
Release: 2004-09-02
Genre: Literary Criticism
ISBN: 1139456539

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This wide-ranging comparative study argues for a fundamental reassessment of the literary history of the nineteenth-century United States within the transamerican and multilingual contexts that shaped it. Drawing on an array of texts in English, French and Spanish by both canonical and neglected writers and activists, Anna Brickhouse investigates interactions between US, Latin American and Caribbean literatures. Her many examples and case studies include the Mexican genealogies of Nathaniel Hawthorne, the rewriting of Uncle Tom's Cabin by a Haitian dramatist, and a French Caribbean translation of the poetry of Phillis Wheatley. Brickhouse uncovers lines of literary influence and descent linking Philadelphia and Havana, Port-au-Prince and Boston, Paris and New Orleans. She argues for a new understanding of this most formative period of literary production in the United States as a 'transamerican renaissance', a rich era of literary border-crossing and transcontinental cultural exchange.