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| Author | : Jonathan Miles |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 379 |
| Release | : 2010-10-26 |
| Genre | : Political Science |
| ISBN | : 1596916613 |
This biography of the spy who became the inspiration for Casablanca's Victor Laszlo describes his involvement in the Spanish Civil War, Stalin's secret meetings, Trotsky's murder and the lives of Hollywood celebrities as he sought fame, fortune and glory .
| Author | : Jonathan Miles |
| Publisher | : Random House |
| Total Pages | : 394 |
| Release | : 2010 |
| Genre | : Anti-Nazi movement |
| ISBN | : 0593062299 |
He was one of the most effective agents ever to work for Soviet Russia. For the first half of the twentieth century his fingerprints can be found on one world-changing event after another. But who was Otto Katz? To the FBI, he was 'an extremely dangerous man'. The British Secret Service wondered if he was the 'Director of all Communist policy in the West.' In Prague and Berlin he was a drinking companion with the likes of Franz Kafka and Bertolt Brecht. To Marlene Dietrich, he was one of her many lovers. But to others, Katz was a passionate anti-fascist who witnessed Hitler's rise to power and was among the first to alert the world to the Nazi threat. He was a staunch Communist, part of the Soviet infiltration of England during the period when the Cambridge spies were being recruited. In Hollywood, he was a playboy socialite, political mentor to director Fritz Lang and a star among stars. His example inspired the character of Victor Laszlo in Casablanca and Kurt Muller, the hero of the Academy Award Winning Watch on the Rhine. To Noël Coward, he was a potential double agent. In the Spanish Civil War, he did Stalin's dirty work. Years later, some even blamed him for the assassination of Trotsky. In a captivating detective story, Jonathan Miles goes in search of the real Otto Katz - a brilliant, daring charmer, a double-dealing man with an unquestionable taste for the finer things in life who, nonetheless, served one of history's darkest masters - Joseph Stalin. Using recently released FBI, MI5 and Czech files, Jonathan Miles has created an action-packed story of the life (or lives) of one of the world's most intriguing, influential and successful spies.
| Author | : Laura Beers |
| Publisher | : Harvard University Press |
| Total Pages | : 569 |
| Release | : 2016-10-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 0674971523 |
In 1908 Ellen Wilkinson, a fiery adolescent from a working-class family in Manchester, was “the only girl who talks in school debates.” By midcentury, Wilkinson had helped found Britain’s Communist Party, earned a seat in Parliament, and become a renowned advocate for the poor and dispossessed at home and abroad. She was one of the first female delegates to the United Nations, and she played a central role in Britain’s postwar Labour government. In Laura Beers’s account of Wilkinson’s remarkable life, we have a richly detailed portrait of a time when Left-leaning British men and women from a range of backgrounds sought to reshape domestic, imperial, and international affairs. Wilkinson is best remembered as the leader of the Jarrow Crusade, the 300-mile march of two hundred unemployed shipwrights and steelworkers to petition the British government for assistance. But this was just one small part of Red Ellen’s larger transnational fight for social justice. She was involved in a range of campaigns, from the quest for official recognition of the Spanish Republican government, to the fight for Indian independence, to the effort to smuggle Jewish refugees out of Germany. During Wilkinson’s lifetime, many British radicals viewed themselves as members of an international socialist community, and some, like her, became involved in socialist, feminist, and pacifist movements that spanned the globe. By focusing on the extent to which Wilkinson’s activism transcended Britain’s borders, Red Ellen adjusts our perception of the British Left in the early twentieth century.
| Author | : Brian E. Birdnow |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 140 |
| Release | : 2019-01-17 |
| Genre | : Performing Arts |
| ISBN | : 144084996X |
A riveting chronicle of Communist Party efforts to propagate Communism in the United States, concurrent with Hollywood's "Golden Age" of creativity that came to define classical Hollywood cinema. From the Great Depression through World War II, the American Communist Party tried to take control of the motion picture industry. This comprehensive and chronological account of Communist influence in Hollywood surveys the topic from the Popular Front's fight against Fascism during the 1930s to the height of the House Un-American Activities Committee hearings in the late 1940s. Birdnow, an established historian and chronicler of domestic Communism, outlines Communist International's organizational efforts promoting international communism, focusing on the work of Communist political activists such as Willi Münzenberg, a media mogul with an international network; Gerhart Eisler, patron of a Hollywood composer; and Otto Katz, a high-profile publicist of the party line involved in movies in the 1930s and 1940s. The book explores the covert ways in which Hollywood Communists and Soviet sympathizers attempted to tailor movie scripts to suit the Soviet agenda and discusses Communist front groups such as the Hollywood Anti-Nazi League in great detail. Final chapters offer convincing proof that the directors, producers, and screenwriters blacklisted by studios for their possible Communist affiliations, known as the Hollywood Ten, were members of the Communist Party.
| Author | : William H. Mooney |
| Publisher | : Rutgers University Press |
| Total Pages | : 178 |
| Release | : 2014-11-03 |
| Genre | : Performing Arts |
| ISBN | : 0813573041 |
As the father of the hardboiled detective genre, Dashiell Hammett had a huge influence on Hollywood. Yet, it is easy to forget how adaptable Hammett’s work was, fitting into a variety of genres and inspiring generations of filmmakers. Dashiell Hammett and the Movies offers the first comprehensive look at Hammett’s broad oeuvre and how it was adapted into films from the 1930s all the way into the 1990s. Film scholar William H. Mooney reveals the wide range of films crafted from the same Hammett novels, as when The Maltese Falcon was filmed first as a pre-Code sexploitation movie, then as a Bette Davis screwball comedy, and finally as the Humphrey Bogart classic. He also considers how Hammett rose to Hollywood fame not through the genre most associated with him, but through a much fizzier concoction, the witty murder mystery The Thin Man. To demonstrate the hold Hammett still has over contemporary filmmakers, the book culminates in an examination of the Coen brothers’ pastiche Miller’s Crossing. Mooney not only provides us with an in-depth analysis of Hammett adaptations, he also chronicles how Hollywood enabled the author’s own rise to stardom, complete with a celebrity romance and a carefully crafted public persona. Giving us a behind-the-scenes look at the complex power relationships, cultural contexts, and production concerns involved in bringing Hammett’s work from the page to the screen, Dashiell Hammett and the Movies offers a fresh take on a literary titan.
| Author | : Tess Slesinger |
| Publisher | : Boiler House Press |
| Total Pages | : 267 |
| Release | : 2022-05-31 |
| Genre | : Fiction |
| ISBN | : 1913861597 |
Short stories from the 1930s that remain as timely as the day they were written Falling in love. Falling out of love. Getting a job. Losing a job. Being too young. Being too old. Tess Slesinger's short stories deal with themes as timely as the day they were written. Though an activist in radical politics, her foremost concern was always with the hopes, fears, foibles, and needs of individual men and women. Her gift for subtle observation and gentle satire make the stories in TIME: THE PRESENT richly pleasurable on first reading--and deeply rewarding to revisit. With an introduction by Vivian Gornick and an afterword by Paula Rabinowitz
| Author | : Gary B. Bullert |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 247 |
| Release | : 2022-02-16 |
| Genre | : Political Science |
| ISBN | : 1793627495 |
The Disputed Legacy of Sidney Hook examines the sixty-year career of one of the foremost public intellectuals in the United States. Sidney Hook’s convictions were widely disseminated through books, academic journals, newspapers articles, lectures, and several organizations that he founded. Hook’s legacies include being a leading Marxist-Leninist scholar, his long-standing commitment to secular humanism, his legacy as a legendary polemicist, his cultural conservatism if not neoconservatism, and his defense of democracy and John Dewey’s pragmatic and Cold War liberalism. Bullert concludes that Hook’s core philosophy is best typified by his Deweyan pragmatism, vigilant anti-communism, and secular humanism.
| Author | : Thomas Doherty |
| Publisher | : Columbia University Press |
| Total Pages | : 449 |
| Release | : 2013-04-02 |
| Genre | : History |
| ISBN | : 0231535147 |
Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).
| Author | : Brewster Chamberlin |
| Publisher | : University Press of Kansas |
| Total Pages | : 408 |
| Release | : 2015-03-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 0700620672 |
Few if any writers have made a mark as broad and deep as Ernest Hemingway, whose life and work—and even image—continue to permeate American culture more than a half-century after his death in 1961. And never has there been a chronology of the writer’s life and times as comprehensive, detailed, and useful as The Hemingway Log. For more than a dozen years, Brewster Chamberlin “has been compiling and wonderfully annotating and continuously updating what amounts to almost a daybook calendar of Hemingway’s life,” as author Paul Hendrickson noted in his acclaimed Hemingway’s Boat: Everything He Loved in Life, and Lost. At long last available to readers and scholars, this chronology extends from the birth of Mark Twain (whose Huckleberry Finn, Hemingway said, was the source of all modern American literature) to the 2013 publication of the second volume (of a projected seventeen) of the Hemingway letters. Throughout, the events and dates that had any influence whatsoever on the writer are detailed day by day. Who won the Nobel Prize in literature each year, for instance, or the Pulitzer? What works of poetry, fiction, or drama were published? What was happening in the world and in the country, and how did it relate to Hemingway? Within this clarifying context, the chronological facts of the writer’s own life and work unfold: literary production and publishing; travels and households; activities and relevant occurrences; relations with family, friends, lovers, and enemies. Drawing on biographies, memoirs, and various Hemingway collections and websites, as well as the full range of original sources such as letters, fishing logs, notebooks, and manuscripts, The Hemingway Log presents the most extensive and accurate chronology of Hemingway’s life and times—and in the process clears up many of the inconsistencies and factual errors that riddle accounts of the writer’s life and work. Any future scholar of Hemingway will find the book not just invaluable but absolutely necessary, and any serious reader of Hemingway will find it irresistible.
| Author | : Vladimir Tismaneanu |
| Publisher | : University of California Press |
| Total Pages | : 334 |
| Release | : 2014-03-14 |
| Genre | : History |
| ISBN | : 0520282205 |
The Devil in History is a provocative analysis of the relationship between communism and fascism. Reflecting the author’s personal experiences within communist totalitarianism, this is a book about political passions, radicalism, utopian ideals, and their catastrophic consequences in the twentieth century’s experiments in social engineering. Vladimir Tismaneanu brilliantly compares communism and fascism as competing, sometimes overlapping, and occasionally strikingly similar systems of political totalitarianism. He examines the inherent ideological appeal of these radical, revolutionary political movements, the visions of salvation and revolution they pursued, the value and types of charisma of leaders within these political movements, the place of violence within these systems, and their legacies in contemporary politics. The author discusses thinkers who have shaped contemporary understanding of totalitarian movements—people such as Hannah Arendt, Raymond Aron, Isaiah Berlin, Albert Camus, François Furet, Tony Judt, Ian Kershaw, Leszek Kolakowski, Richard Pipes, and Robert C. Tucker. As much a theoretical analysis of the practical philosophies of Marxism-Leninism and Fascism as it is a political biography of particular figures, this book deals with the incarnation of diabolically nihilistic principles of human subjugation and conditioning in the name of presumably pure and purifying goals. Ultimately, the author claims that no ideological commitment, no matter how absorbing, should ever prevail over the sanctity of human life. He comes to the conclusion that no party, movement, or leader holds the right to dictate to the followers to renounce their critical faculties and to embrace a pseudo-miraculous, a mystically self-centered, delusional vision of mandatory happiness.
