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The Corporate State in Action

The Corporate State in Action
Author: Carl Theodore Schmidt
Publisher:
Total Pages: 200
Release: 1973
Genre: Political Science
ISBN:

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The Corporate State in Action

The Corporate State in Action
Author: Carl T. Schmidt
Publisher:
Total Pages: 173
Release: 1973
Genre: Fascism
ISBN:

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The Corporate State in Action Italy Under Fascism - Primary Source Edition

The Corporate State in Action Italy Under Fascism - Primary Source Edition
Author: Carl T. Schmidt
Publisher: Nabu Press
Total Pages: 196
Release: 2014-01
Genre:
ISBN: 9781294511984

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.


The Making of the Corporate State

The Making of the Corporate State
Author: Harold Elsdale Goad
Publisher:
Total Pages: 162
Release: 1934
Genre: Corporate state
ISBN:

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The Making of Fascism

The Making of Fascism
Author: Dahlia S. Elazar
Publisher: Praeger
Total Pages: 192
Release: 2001-08-30
Genre: Business & Economics
ISBN:

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Elazar examines the social and political processes that determined the character of Fascist organization in Italy and its seizure of state power first in the provinces and then in the nation. She argues that the Fascists' modus operandi shaped the political struggles they engaged in and reflexively determined their own political significance. Employing both primary and secondary historical sources, Elazar reveals the crucial internal political struggles and inner contradictions through which Fascism was invented. The political strategy of paramilitary organization and assault on labor and the Socialists carried out by the Fascist Action Squads in collusion with men of property was crucial in determining their seizure of power. But this also determined the ideological and organizational contours of Fascism itself. The Fascist Squads' alliances with men of property made them a formidable faction within the Fascist organization that could and did challenge Mussolini's authority. The making of Fascism is thus marked by the irony of the relationship between Mussolini and his political power base--the Squads. The very element of paramilitary organization that was decisive in the Fascists' seizure of power in the provinces had to be submerged by Mussolini if he was to preserve his power. Historical and comparative sociologists, political sociologists, and students of Italian Fascism and Italian history will find this new explanation of the making of Fascism both provacative and fascinating.


The Doctrine of Fascism

The Doctrine of Fascism
Author: Benito Mussolini
Publisher: Createspace Independent Publishing Platform
Total Pages: 32
Release: 2016-12-08
Genre:
ISBN: 9781541240742

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This is the original Doctrine of Fascism. This doctrine worked as the basis of the Italian Fascist Party and influenced numerous fascist movements and individuals that followed. "Fascism, the more it considers and observes the future and the development of humanity quite apart from political considerations of the moment, believes neither in the possibility nor the utility of perpetual peace. It thus repudiates the doctrine of Pacifism - born of a renunciation of the struggle and an act of cowardice in the face of sacrifice. War alone brings up to its highest tension all human energy and puts the stamp of nobility upon the peoples who have courage to meet it." -Mussolini


The Machine Has a Soul

The Machine Has a Soul
Author: Katy Hull
Publisher: Princeton University Press
Total Pages: 270
Release: 2021-01-12
Genre: History
ISBN: 0691208123

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A historical look at the American fascination with Italian fascism during the interwar period In the interwar years, the United States grappled with economic volatility, and Americans expressed anxieties about a decline in moral values, the erosion of families and communities, and the decay of democracy. These issues prompted a profound ambivalence toward modernity, leading some individuals to turn to Italian fascism as a possible solution for the problems facing the country. The Machine Has a Soul delves into why Americans of all stripes sympathized with Italian fascism, and shows that fascism’s appeal rested in the image of Mussolini’s regime as “the machine which will run and has a soul”—a seemingly efficient and technologically advanced system that upheld tradition, religion, and family. Katy Hull focuses on four prominent American sympathizers: Richard Washburn Child, a conservative diplomat and Republican operative; Anne O’Hare McCormick, a distinguished New York Times journalist; Generoso Pope, an Italian-American publisher and Democratic political broker; and Herbert Wallace Schneider, a Columbia University professor of moral philosophy. In fascism’s violent squads they saw youthful glamour and impeccable manners, in the megalomaniacal Mussolini they perceived someone both current and old-fashioned, and in the corporate state they witnessed a politics that could revive addled minds. They argued that with the right course of action, the United States could use fascism to take the best from modernity while withstanding its harmful effects. Investigating the motivations of American fascist sympathizers, The Machine Has a Soul offers provocative lessons about authoritarianism’s appeal during times of intense cultural, social, and economic strain.


Fascist Italy in the Age of Corporatism

Fascist Italy in the Age of Corporatism
Author: Alessio Gagliardi
Publisher: Taylor & Francis
Total Pages: 218
Release: 2024-03-29
Genre: History
ISBN: 1003857558

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The interwar period was marked in Europe by the rediscovery of corporatism as a possible solution to the crucial problems of modern mass society. This was the result of general changes across industrialised countries in the relationship between the state and social groups. In Italy, it took on a uniquely authoritarian shape. Fascist regime became the cradle of a new model of corporatism, a “third way” alternative to both capitalism and communism, destined to influence both political, juridical, and economic debate and similar legislative experiments undertaken by other countries, be they democratic or authoritarian. The book offers an overview of corporatism in Fascist Italy. It examines not only the ideology but also the acts and real activities of corporative institutions (corporazioni). It dwells upon internal debates, the political and institutional importance acquired by corporative institutions in the Fascist regime, and the behaviour of entrepreneurial organizations and labour unions. At the same time, the book highlights the role of Italy in the transnational circulation of the corporative ideal by reconstructing both the considerable influence of Mussolini’s regime in a range of different political and geographical contexts and the way in which the authorities in Rome turned to coeval international experiences.


A History of Italian Fascist Culture, 1922–1943

A History of Italian Fascist Culture, 1922–1943
Author: Alessandra Tarquini
Publisher: University of Wisconsin Pres
Total Pages: 240
Release: 2022-04-12
Genre: History
ISBN: 0299336204

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Alessandra Tarquini’s A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini’s compact, clear prose to readers previously unable to read it in the original Italian. Tarquini sketches the universe of Italian fascism in three broad directions: the regime’s cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural policies shaped the country and how intellectuals and artists contributed to those decisions. The result is a view of fascist ideology as a system of visions, ideals, and, above all, myths capable of orienting political action and promoting a precise worldview. Building on George L. Mosse’s foundational research, Tarquini provides the best single-volume work available to fully understand a complex and challenging subject. It reveals how the fascists used culture—art, cinema, music, theater, and literature—to build a conservative revolution that purported to protect the traditional social fabric while presenting itself as maximally oriented toward the future.